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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Grainy photo, minor black spots on negative.</text>
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          <description>The actual physical size of the original image</description>
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              <text>173 x 122mm</text>
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            <name>Identifier</name>
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                <text>HARB 14HF 075</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Busy harbour with sailing ships, railtrack, Portreath</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Harbour</text>
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                <text>Building Ship SAIL Sealand</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1885</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Portreath</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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        <name>1871-1890</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <description>Name of establishment depicted in the image.</description>
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              <text>Lloyds Bank Pic-n-Save John Collier Simpson Bros Trueform</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>ARL 961M</text>
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          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>STRT 6.011</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Busy Market Place</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Town</text>
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                <text>Shop Car People Bicycle</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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  <item itemId="18548" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Serena Wadham Archive</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>35mm film scanned in two parts</text>
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              <text>Serena Wadham&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Butcher's shop and Penzance train station.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963-1965</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Negative</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.neg.0020.a&#13;
SWA.neg.0020.b</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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  <item itemId="4230" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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          <description>Name of building or structure.</description>
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              <text>Butter Market</text>
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          <description/>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Registration No of Lambretta Moped 874 RRL&#13;
Ford escort Van, Austen A 30, (pre 1959), Morris Minor 1000&#13;
Right hand corner Ladies outfitters now Anella's was Camera Shop Photo-Kine</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Butter Market,Princess street, Penzance.&#13;
 now demolished   </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963</text>
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                <text>© Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <text>Promenade</text>
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                <text>Bystanders watching Firemen controlling fire, Cafe Marina, Western End  of promenade, Wherry town, Penzance.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>People Bycycle</text>
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                <text>1939</text>
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                <text>Penzance</text>
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        <name>1931-1950</name>
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                <text>Britains Ocean Telegraph Cables fan out into the Atlantic from the sandy beach of Porthcurno, a Cornish cove near Land's End. These cables, which are linked with the 155,000-mile network owned by Cable &amp; Wireless Ltd., are operated from the company's station at Porthcurno. For reasons of security, this station was moved during World War II into tunnels blasted 150-feet into the cliff side.&#13;
&#13;
This photograph shows Mr C.A. Harper, Assistant Engineer, at work in the station on the local communications board. The main communications board is nearest to the camera, and the CTL fuses and alarm panel is shown between the two communications boards.&#13;
&#13;
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          <description>Names of individuals identified in the photo.</description>
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