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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bounteous</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="103373">
                <text>Trawler</text>
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                <text>Shipwreck</text>
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                <text>Wreck</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="103376">
                <text>Salvaged at Newlyn after capsizing 3/4 mile off Mousehole in 120ft of water</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>04-01-1980</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="103378">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>COLLINS.029C</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn Harbour</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Stowe Southern</text>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="54110">
              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TRANS 4.115</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bournemouth Belle Loco Stowe No 928</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54108">
                <text>Train Steam</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="54111">
                <text>1960</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="54112">
                <text>Angove</text>
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  <item itemId="14235" public="1" featured="1">
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      <file fileId="4171">
        <src>https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/14235/COLLINS.191C.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="98077">
                  <text>Collins Shipwreck Collection</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="98078">
                  <text>Shipwrecks</text>
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                  <text>Wrecks</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bow of wrecked Suevic that was replaced by new bow 7 months later and joined with salvaged stern section 191D</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Liner</text>
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                <text>Passengers</text>
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                <text>Shipwreck</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1907-03-17</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>COLLINS.191C</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>The Lizard, Cornwall</text>
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            <description>An account of the resource</description>
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                <text>The Suevic was homeward bound from Australia, carried a crew of 141, plus 382 passengers, and one stowaway; her cargo was general, and included frozen meats, butter, and copper bars. &#13;
&#13;
She was on her way to Liverpool via Plymouth when an error of navigation and bad visibility  combined to put her ashore on the Maenheere rocks. &#13;
&#13;
Two days after she went ashore, a railway company steamer arrived alongside to disembark the passengers, luggage, and was followed later by every available lighter and coaster in the West Country. On March 20th, in calm conditions, unloading of the cargo into the smaller vessels began and was completed exactly one hour before the weather deteriorated on March 27th.&#13;
&#13;
Divers inspected the hull, but the Suevic was so badly damaged in the forepart that explosives were used to detach the bow section from the remainder. The after portion, containing all the valuable machinery, boilers, and passenger accommodation, then floated free and virtually undamaged, was towed to Southampton and dry docked. A new bow section was built at Belfast, then towed to Southampton where the two ends were malted and the Suevic was re-born to sail again. So confident of success were the owners that they advertised her next sailing for January 14th 1908, while the bow section was still on the stocks at Belfast. &#13;
&#13;
During the First World War the Suevic served as a troopship, and in 1929 she was sold to a Norwegian whaling company. Re-named the Skyttern, she survived as a whale factory ship until April 1st 1942 when her crew deliberately scuttled her in the Skagerrak rather than let her fall into German Hands. &#13;
&#13;
Description from Richard Larn and Clive, Cornish Shipwreck: The South Coast (Newton Abbot: David &amp; Carter, 1971), p.127. </text>
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        <name>1891-1910</name>
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        <name>Seafaring and shipping</name>
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  <item itemId="16584" public="1" featured="0">
    <fileContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>James Downing Collection</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>90 x 65 mm.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bowjey Hill, Newlyn Town</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Looking towards Penzance</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="144764">
                <text>James Downing</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930-1935</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="144766">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="144767">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="144768">
                <text>JDC 182</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="144769">
                <text>Newlyn</text>
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  </item>
  <item itemId="16302" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>James Downing Collection</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bowjeyill cottages, Newlyn</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="142313">
                <text>125x100mm. Close up of cottages awaiting demolition. Clearance scheme 1939</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="142314">
                <text>James Downing</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1939</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="142317">
                <text>JDC 014</text>
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  <item itemId="10920" public="1" featured="0">
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="80487">
              <text>Nicholson Packaging Ltd</text>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="80488">
              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="80483">
                <text>IND 16HF 040</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80484">
                <text>Box &amp; Container Factory at Longrock Nr. Penzance,  1969</text>
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                <text>1969</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Long Rock nr Penzance</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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        <name>1951-1970</name>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Box of items related to Womens' Self-Help Clinics of the early 1970s USA and UK</text>
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                <text>Womens; Self-Help clinics SWA.327.A Pamphlets, newsletters, etc from the 'Feminist Womens' Health Center' Los Angeles From 1971-73. Includes an article 'IN THE SEARCH FOR SELF-KNOWLEDGE HOW MUCH OF YOURSELF ARE YOU PREPARED TO SEE?' Carolyn Faulder explains the vaginal politics behind Self-Help.</text>
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                <text>SWA.327.B Article by Serena Wadham 'SELF-HELP' in Britain, about &lt;a href="https://en.wikipedia.org/wiki/Carol_Downer"&gt;Carol Downer &lt;/a&gt;and Debi Law visiting Britain and Europe from the FWHC in California, helping to set up Self-Help clinics. Included is a note from Christine Sparks (assistant features editor of WOMAN magazine in 1974) "our readers not quite ready for the kind of frankness shown in this article"</text>
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                <text>SWA.327.C  A couple of letters from Nancy Mackeith and Rose Star re Womens' conferences</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A box of related items.&#13;
In the late 1960s and early 1970s some feminists involved in the Womens' Liberation Movement of that time, encouraged women take control of their bodies by learning to examine themselves using a speculum, a torch and a mirror.  This included demanding safe and legal abortions on demand.&#13;
The book 'Our Bodies Ourselves' by and for women was published in 1970 on this same theme.&#13;
Carol Downer and Lorraine Rothman were the leaders of the group that founded the 'Feminist Womens' Health Center' in Los Angeles in 1971.  They travelled the US to share their information and help to set up other groups around the country.  Serena Wadham subscribed to the FWHC newsletter, and photographed Carol Downer speaking at the ICA in London in 1973 about the Californian self-help clinic.&#13;
Serena then photographed groups in the UK doing vaginal self examinations using a speculum, torch and a mirror.&#13;
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                <text>Serena Wadham&#13;
&#13;
&#13;
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                <text>1970-1977</text>
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            <name>Format</name>
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                <text>Silver Bromide Print</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Boxes of fish at Newlyn, 1930</text>
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            <description>The topic of the resource</description>
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                <text>Horse &amp; Cart Boat Spectators</text>
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                <text>MWork MPlay</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Boxes of fish on the quay in Newlyn with spectators</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="109944">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lane</text>
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                <text>People Containers</text>
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                <text>PlayC</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890</text>
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            <description>A related resource from which the described resource is derived</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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            <description>The topic of the resource</description>
            <elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965</text>
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            <name>Coverage</name>
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            <description>A related resource from which the described resource is derived</description>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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                <text>Boy playing on the ice on the granite fountain in St Anthony Gardens, Penzance</text>
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