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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <description>A name given to the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An account of the resource</description>
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          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="135342">
                <text>c.1983</text>
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              <elementText elementTextId="135344">
                <text>35mm Slide</text>
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                <text>Photograph</text>
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                <text>ORCH.SL.0045</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Street Name</name>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="73800">
                <text>STRT 28PG 148</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="73801">
                <text>Bellair Road Madron towards Church </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="73806">
                <text>1936</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Madron</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="175998">
                <text>Morrab library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="175999">
                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="176000">
                <text>Postcard Glass Negative</text>
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        <name>1931-1950</name>
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                  <text>Geoffrey Harvey Album </text>
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              <description>The topic of the resource</description>
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                <elementText elementTextId="175230">
                  <text>Cartes de Visites Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Early photos of Penzance people "the great and the good". The pho of Princess Alexandra is part of a lager photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Penzance</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="180247">
              <text>Pasted into album - crinkled </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Bellringer&#13;
10 Alverton Terrace</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Robert Preston</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>B/w negative from original</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>GHA.009D</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="69136">
              <text>Graham White Rev Canon Murley</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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            <elementText elementTextId="146240">
              <text>Yes</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
          <elementTextContainer>
            <elementText elementTextId="146241">
              <text>Damaged emulsion on negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 7HF 127</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="69133">
                <text>Bells of Ludgvan Church re-cast Dignitaries</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="69134">
                <text>Church OUT</text>
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              <elementText elementTextId="69135">
                <text>Anno</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1957</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="69139">
                <text>Ludgvan</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69140">
                <text>Information on card Graham White was Govenor of Penzance Grammar School</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="69141">
                <text>Richards</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="146239">
                <text>Print</text>
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        <name>1951-1970</name>
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      <tag tagId="73">
        <name>church</name>
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      <tag tagId="2431">
        <name>place of worship</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="142216">
                  <text>James Downing Collection</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>250 x 205 mm</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Below Fore Street, Newlyn</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="143564">
                <text>Near the old harbour. Top left, building is the Fisherman Rest</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="143565">
                <text>James Downing</text>
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                <text>1900-1915</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="143567">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="143568">
                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="143569">
                <text>JDC 050</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="42936">
                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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          <element elementId="38">
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="94062">
                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>H M S Grenville was the building used by the Sea Cadets</text>
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          <element elementId="48">
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                <text>Richards</text>
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                <text>Flimsy Negative - Other</text>
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        <name>1931-1950</name>
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        <name>community life</name>
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        <name>Sport</name>
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          <name>Period Costume</name>
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            <description>A name given to the resource</description>
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                <text>Bench End carved with Chuck Cheelds St Levan</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Anno IBP</text>
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&#13;
She was apparently a well-found ship, seaworthy and adequately equipped with boats, pumps, patent steering gears and sporting double topsails yards on her three iron masts.&#13;
&#13;
On October 13th 1862, commanded by Captain William Chambers, she left Liverpool for Bombay with 1,000 tones of general cargo, including iron telegraph poles and wires, and a crew of thirty-two men and a boy. The fresh WSW breeze soon baked southerly, and by the second day out was blowing a hard gale. It worsened, and on the evening of the 17th forty miles south of the Tuskar Rock, the foremast came down with a run, fouling the main and mizzen, which snapped off clsoe to the deck.&#13;
&#13;
Two sailors aloft, shifting the preventer brace were hurled far to leeward and drowned. In a few minutes the might Bencoolen had been reduced to a floating wreck. She was already leaking badly, and all available hands turned to the pumps. Others built a raft from spare spars and stunsail booms, as every boat had been shattered by failing yards and this might prove their only chance of survival.&#13;
&#13;
With five feet of water in her hold, the crippled Bencoolen drove to leeward. At dawn on October 21st land, first thought to be Milford, was sighted but as the morning drew on, the cliffs of Bude appeared. The gale had now veered NNW, and only a small sail rigged on a stunsail boom lashed to the broken foremast, kept the ship's head before the sea.&#13;
&#13;
Discipline on board it seems was cracking, and if the story of the survivors, in particular Thomas Aspinwall, bosun, and Henry Holman, able seamen, is to be believed, things were desperate indeed. Captain Chambers, apparently overcome by the diaster of the Tuskar, had been drunk ever since. The steward had likewise dronwed his sorrows and even as the Bencoolen drove towards bude he threatened two quarelling sailors, eqaully drunk, with a loaded musket. Holman fearing he would indeed shoot them, flung the weapon overboard and then made for what ridding was left. Just after three o'clock Captain Chambers staggered down to his cabin, and despite entreaties by the stewards, who was evidently fast sobered by the imminent wreck, where the carpenter, James Mackay, was in charge, the crew took shelter on the fo'c'sle head. Half an hour later, the Bencoolen struck and fell broadside in the mountainous seas, her great length blocking the entrance channel to Bude.&#13;
&#13;
The first rocket fired bounced off her side, and the second was swept off her decks. A third dropped squarely over the poop, but the second officer who started aft to secure it was enguled by a sudden grea sea which swept on up the breakwater and disabled the rocket gear. Seeing this, Mackay the carpenter seized a line and flung himself overboard. He was a powerful swimmer and succeeded in reaching the shore, only to die a few minutes later, his line broken by the waves. Back on baord, twenty-seven manhalded the raft off the disintergating fo'c'ske deck into the broken water alongside, and chief officer Powell, badly injured during the dismasting, was brought from his cabin and lashed on. Suddenly the Bencoolen broke in two, her jiboom crashed into the sea, and as her bows swung around the raft was swept clear.&#13;
&#13;
Meanwhile the Bude lifeboat had also run into toruble; there was only one small sloope in dock, and apart from a few canal men there were no volunteers. For some time she lay immobile on the sands, until manned by the cannal men, labourers and a few handy seamen, she tried but failed to reach the Bencoolen's raft. The crowds on the cliffs and beach hooted and jeered as she returned; but the would be lifeboatmen were defeated by inexperience rather than lack of courage&#13;
&#13;
An old Oxford rowing blue among the crowds noted that there was 'not one among them who, when he rowed, did not look over his shoulder to see where he was going.'&#13;
&#13;
The raft drove into a narrow gully on the northern side of the haven, and was instantly dashed into pieces. Four men were dragged from the wreckage-choked water. Two others wer cut free of the dead lashed to the tangle fo booms and spars, and all six were carried to the clifftop. It was then only an hour since, the Bencoolen had come ashore. &#13;
&#13;
Accusations and recriminations began almost at once, with the crew of the BUde lifeboat cominh under very hot fire in both local and national newspapers. Not least of the critics was parson Hawker, who in the bitterness of his wrath, wrote the poem "A Croon on Hennacliff".&#13;
&#13;
Edward Bates, the Benecoolen's owner wrote a letter which was printed in the Royal Cornwall Gazette on November 5th 1862, defending his ship and master. Captain Chambers had been six years with him, and always sober and capable sailor, while the Bencoolen was fully seaworthy and manned by an experienced deepwater crew.  The most extraordinary aspect of the letter was the inclusion off of a copy of the statement sworn before a Stratton JP by the six survivors. They completely refuted the allegation that either Captain Chambers or any man had been drunk, and said that everybody had done their duty. This was in direct contradiction to their evidence, which they had especially asked should be given under oath, at the inquest on the steward and carpenter at Bude a few days after the wreck. Like many questions regarding the loss of the Bencoolen, it remains unanswered. &#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Pan Books Ltd, 1970), p. 151-154. </text>
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