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              <text>200 x 150 mm</text>
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                <text>Balcony with Grace Strick's shop, 1910</text>
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                <text>1900-1910</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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                <text>JDC 038</text>
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                <text>Newlyn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Balcony, Newlyn, Demolition 1950's</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Green Street, Newlyn&#13;
Note in paper archive reads "Mr Hall disputes the date, as he worked on  it in 1952"</text>
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                <text>c.1950</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Postcard Glass Negative</text>
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            <name>Identifier</name>
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                <text>IND 16PG 073</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>4 x 2.5</text>
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            <description>A name given to the resource</description>
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                <text>Balding Man in Beard</text>
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            <description>An account of the resource</description>
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                <text>Balding Man in Beard</text>
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                <text>W.M. Harrison who was an experienced photographer, worked at Falmouth in the 1880s where he established a studio at 40 Church Street, opposite the Polytechnic Hall. By c. 1885 he had already submitted photographs to a number of photographic expositions, gaining medals at seven of them, in England, France and Austria.</text>
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                <text>Morrab Library</text>
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            <name>Date</name>
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                <text>1880-1890</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 138</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <description>The topic of the resource</description>
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                <text>Burial Chambers</text>
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                <text>St Just</text>
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                <text>Quarter Plate Glass Negative</text>
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            <description>A name given to the resource</description>
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                <text>Ballowal Barrow</text>
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            <description>An account of the resource</description>
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                <text>Ballowal Barrow. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>An entity primarily responsible for making the resource</description>
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        <name>archaeology</name>
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        <name>Barrow</name>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Ballybunion Listowel Monorail</text>
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                <text>Baltic schooner sailing past South Pier, Newlyn harbour</text>
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&#13;
The Baltic got off course after rounding the Lizard. The night was so dark and thick that her plight was hidden from the shore, and nearly an hour went by before the flickering light of a paraffin soaked mattress burning on the foredeck was seen from the village of Mousehole.&#13;
&#13;
The coastguards sent word to the lifeboat station at Newlyn, while six Mousehole fishermen decided to make a rescue bid of their own. They manned the crabber, White Lady, but as the harbour mouth was close by the large timber baulks which kept out the rough seas in the winter, they had to manhadle her over the pier and down into the sea outside. Big waves were dashing against the expose harbour wall, making is a hard struggle to row the crabber clear of the rocsk and shallow water.&#13;
&#13;
At last it was accomplished and the fishermen pulled towards the glimmer of foam which distinguished the dark mass of the island from the darkness around. The tide was ebbing fast and jagged ledges and rocks were coming awash: it took five attempts to find a landing place for the White Lady. The fisherman Stanley Drew leaped on to the rocks with the Mousehole pierhead light in one hand and managed to scramble across to where the shipwrecked peoople were huddled. &#13;
&#13;
Headed by a young Irish Sailor, Adam Torrie, who had risked his life to get on to the island over the Baltics Bowspirit, Captain Langford, his wife, and daughter, and mate George Baines had abandoned the barge for the slightly better safety of the rocks. &#13;
&#13;
Drew carried Mrs Langford, who was nearly hysterical, back to the crabber and William Harvey followed with her daughter in his arms. The others made their way after him and when all were safely aboard the White Lady the fishermen headed back for Mousehole. But by the time the tide was low and the task of getting back into the harbour was even more difficult, and the women had to be hauled to the top of the wall by ropes tied under their arms.&#13;
&#13;
The Baltic soon became a total wreck, but the bravery of the six fishermen did not go unrewarded: Stanely Drew, William H. Harvey, Luther Harvey, Charles Harry, Richard Harrym and Richard Thomas recieved a cash award from the RNLI, as well as a silver medal which a Birmingham buisnessman had especially struck to commemorate their action. Adam Torrie, the Irish sailor, settled in Mousehole and married the harbourmaster's daughter, and today his descendants live in the village. &#13;
&#13;
Descripton from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p. 194-195.</text>
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                <text>The Sailing barge Baltic was bound for Newlyn from Medway with a cargo of cement for the harbour extension works. It wrecked on St. Clements Island on November 1st 1907. &lt;br /&gt;&lt;br /&gt;The Baltic got off course after rounding the Lizard. The night was so dark and thick that her plight was hidden from the shore, and nearly an hour went by before the flickering light of a paraffin soaked mattress burning on the foredeck was seen from the village of Mousehole.&lt;br /&gt;&lt;br /&gt;The coastguards sent word to the lifeboat station at Newlyn, while six Mousehole fishermen decided to make a rescue bid of their own. They manned the crabber, White Lady, but as the harbour mouth was close by the large timber baulks which kept out the rough seas in the winter, they had to manhadle her over the pier and down into the sea outside. Big waves were dashing against the expose harbour wall, making is a hard struggle to row the crabber clear of the rocsk and shallow water.&lt;br /&gt;&lt;br /&gt;At last it was accomplished and the fishermen pulled towards the glimmer of foam which distinguished the dark mass of the island from the darkness around. The tide was ebbing fast and jagged ledges and rocks were coming awash: it took five attempts to find a landing place for the White Lady. The fisherman Stanley Drew leaped on to the rocks with the Mousehole pierhead light in one hand and managed to scramble across to where the shipwrecked peoople were huddled. &lt;br /&gt;&lt;br /&gt;Headed by a young Irish Sailor, Adam Torrie, who had risked his life to get on to the island over the Baltics Bowspirit, Captain Langford, his wife, and daughter, and mate George Baines had abandoned the barge for the slightly better safety of the rocks. &lt;br /&gt;&lt;br /&gt;Drew carried Mrs Langford, who was nearly hysterical, back to the crabber and William Harvey followed with her daughter in his arms. The others made their way after him and when all were safely aboard the White Lady the fishermen headed back for Mousehole. But by the time the tide was low and the task of getting back into the harbour was even more difficult, and the women had to be hauled to the top of the wall by ropes tied under their arms.&lt;br /&gt;&lt;br /&gt;The Baltic soon became a total wreck, but the bravery of the six fishermen did not go unrewarded: Stanely Drew, William H. Harvey, Luther Harvey, Charles Harry, Richard Harrym and Richard Thomas recieved a cash award from the RNLI, as well as a silver medal which a Birmingham buisnessman had especially struck to commemorate their action. Adam Torrie, the Irish sailor, settled in Mousehole and married the harbourmaster's daughter, and today his descendants live in the village. &lt;br /&gt;&lt;br /&gt;Descripton from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp;amp; Charles, 1971), p. 194-195.</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
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                <text>TRANS 8.035</text>
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            <description>A name given to the resource</description>
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                <text>Baltimore &amp; Ohio Loco Thatcher Perkins blt 1863</text>
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            <description>The topic of the resource</description>
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            <name>Date</name>
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                <text>1960</text>
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            <description>An account of the resource</description>
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                <text>This 4:6:0 Loco is now preserved. Adaptable for wood fuel.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Bamboos and bandstand Morrab Gardens Penzance.   1970</text>
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                <text>Parks </text>
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                <text>Flimsy Negative - Half</text>
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        <name>1951-1970</name>
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            <description>An account of the resource</description>
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                <text>Band  (unidentified)  Morrab Gardens in front of Band stand. St May's Terrace in background. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="24290">
                <text>© Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                <text>Penzance</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Band  in  Morrab Gardens Penzance</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <name>Period Costume</name>
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              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 4.006</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Band Concert in Morrab Gardens</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Band Stand</text>
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                <text>Dracaena Palms Spectators</text>
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                <text>Anno</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Victorian Bandstand surrounded by Dracaena Palms</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Band of Hope Procession </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Newlyn Primitive Methodist Band of hope Banner  in a Procession through Newlyn , near Coopers Court ,Top of Newlyn Slip.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Glyn Richards</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 1930</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.1951</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn, Cornwall</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Band of Hope Procession various Banners Costumes St. Just.&#13;
1900</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Parade</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St Just</text>
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                <text>Identified by Alan Tregurtha as St Just</text>
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                <text>Morrab Library</text>
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        <name>1891-1910</name>
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        <name>Festivals fairs and community events</name>
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              <description>A name given to the resource</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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          <element elementId="41">
            <name>Description</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Band. </text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Looe</text>
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                <text>Bank Square, St. Just</text>
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                <text>Overview featuring in the foreground Chirgwin's Store</text>
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                <text>St. Just in Penwith</text>
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