44 20 18698 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/23326/swa.contact.0227.tif 26e6892b75c4d30e9325d494fc16301a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andover new building. Diane & Ariel Description An account of the resource Serena Wadham wrote on the print, 'ANDOVER- NEW BLDG. DIANE & ARIEL' '23.4.65' Exterior shots of a new building in Andover. Separate sheet with portrait close-ups of Diane and Ariel. Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1965 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0227 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Andover https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/19825/lamornabirch.124.tif f955e619c7ba3ce0c93edab83b61611f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Andrew Kerr Description An account of the resource Andrew Kerr with " My Lopper" Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.124 https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13009/COLLINS.012.tif 5261a3fb952a6958d8e7a6452a9751a9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context COLLINS.012 Title A name given to the resource Andromeda, wrecked on Killygerran Head, February 13th 1915. Subject The topic of the resource Barque Shipwreck Wreck Rights Information about rights held in and over the resource Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 13-02-1915 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Falmouth Format The file format, physical medium, or dimensions of the resource Negative Description An account of the resource The Andromeda was a 1,762-ton, four master barque that wrecked at Killygerran Head. She had been launched in 1890 by Duncans of Glasgow but in the later had been sold to Black & More of London. She had arrived off Falmouth 116 days out from Portland, Oregon, with 3,000 tons of wheat. But due to wartime regulations Captain Deeks was not allowed to come in without a pilot. Neither cutters nor tugs could reach him in the heavy south westerly gale, and the Andromeda dragged her anchors on to the rocks at four o'clock the next morning. An able seaman survived coming ashore on a capsized lifeboat, but an apprentice was lost overboard. Captain Deeks, his wife, her young sister, and the rest of the crew went up the rigging, where the captains little daughter perched asleep on the knees of a sailor until they were rescued by Portscatho rocket brigade at dawn. The Andromeda was auctioned for breaking up on March 3rd 1915 for a mere £170. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p.44. 1911-1930 Seafaring and shipping shipwreck https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/21873/lamornabirch.624.tif f39359901b8b58899f70b1f59f97404a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angel Description An account of the resource Angel Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1935-12 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.624 Creator An entity primarily responsible for making the resource Harold and Laura Knight https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/8816/PEOP_8.071.tif d576f853361a7c263b754d42e6c59fb4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angove Collection Description An account of the resource The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own. Richard Angove himself is pictured in the following photos, taken at Cable & Wireless in Porthcurno: <a href="http://library.morrab.lan/omeka/items/show/8323">Comm 4.002</a>, <a href="http://library.morrab.lan/omeka/items/show/8327">Comm 4.003</a>, <a href="http://library.morrab.lan/omeka/items/show/8334">Comm 4.005</a>, <a href="http://library.morrab.lan/omeka/items/show/8397">Comm 6.009</a>, <a href="http://library.morrab.lan/omeka/items/show/8365">Comm 8.012</a> and <a href="http://library.morrab.lan/omeka/items/show/8395">Comm 8.032</a>. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Individual Names Names of individuals identified in the photo. B Berliners Gramophone, Brian Taylor Period Costume Does the photograph contain a notable example of period costume? N Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Street Name Molesworth Road Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context PEOP 8.071 Title A name given to the resource Angel Record Orchestra Trocadero Lonares Subject The topic of the resource Portrait Date A point or period of time associated with an event in the lifecycle of the resource 1986 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Plymouth Source A related resource from which the described resource is derived Angove Description An account of the resource A young woman holding an old E Berliner's gramophone record - Angel Record Orchestra Trocadero Linares - in Brian Taylor's Plymouth antique shop. Publisher An entity responsible for making the resource available Western Morning News Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/10484/ARTS_4HF_065.tif 90f7c62255769412d8ddf7db5b43e254 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? Y Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Crazed damaged negative Physical Dimensions The actual physical size of the original image 176 x 125 mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ARTS 4HF 065 Title A name given to the resource Anguished Family group early nineteenth Century Subject The topic of the resource Paintings Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Unknown Source A related resource from which the described resource is derived Richards Format The file format, physical medium, or dimensions of the resource Print https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/10516/ARTS_4HF_097.tif 44a1b995bc9626217aa6e55f6509e43a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Individual Names Names of individuals identified in the photo. Angus Ellery & Son Period Costume Does the photograph contain a notable example of period costume? N Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ARTS 4HF 097 Title A name given to the resource Angus Ellery, Sign-writer painting ship public house sign Subject The topic of the resource Paintings Date A point or period of time associated with an event in the lifecycle of the resource 1960 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance Source A related resource from which the described resource is derived Richards Description An account of the resource In his studio in New Street, Penzance. Probably for the Ship Inn at Mousehole. Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print 1951-1970 Art Working life https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/14759/SWA.EX.008.tif 33405cafc87795f169afb9f4907f92f6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9½x6½ inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ani Gale Description An account of the resource Written on the back of the print by Serena Wadham : "Ani Gale (R) Captain of the British section of the Women's International Motorcycle Association, welcomes a new arrival at the annual rally near Coventry" Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1975-1979 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant near Coventry Identifier An unambiguous reference to the resource within a given context SWA.EX.008 https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/22168/lamornabirch.679.tif f3ac1379efaf9c033645c026ee66430b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Animals looking for water Description An account of the resource Animals looking for water Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.679 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/14757/SWA.EX.007.tif ab57423aa16af881b4ef410d09f3648b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 11x9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anna Zee and Sheonagh Ravensdale of the Women's Motorcycle Workshop Description An account of the resource Despite an early crash that prevented her becoming a professional musician, Serena Wadham was a lifelong motorcycling enthusiast and belonged to at least one women's biking organisation. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1982-11 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.EX.007 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London 1971-1990 Hobbies and leisure occupations Personal life https://photoarchive.morrablibrary.org.uk/files/original/Zennor_Wayside_Museum/17077/ZWM_118.tif 69e1675e187125a06f6a696e4cc57231 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zennor Wayside Museum Subject The topic of the resource Everyday life in rural Zennor Description An account of the resource The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. The following is taken from the Wayside Folk Museum Website: The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 2015 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Photographic prints Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 5.25 x 3.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Annie Christopher Post Lady Zennor Description An account of the resource Annie Christopher Post Lady Zennor Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context ZWM 118 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Zennor Peop https://photoarchive.morrablibrary.org.uk/files/original/Newlyn_Collection/6634/BUILD_N_002.tif bdbc1b4b6bb183a877f826de02521b73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Newlyn Collection Description An account of the resource The Newlyn Collection, collected and donated by Dr Eric Richards depicts many aspects of life and work in Newlyn between 1880 and 1930. Many of the buildings covered by the collection were demolished in the clearance scheme during the 1930s. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Street Name Fore Street Individual Names Names of individuals identified in the photo. Annie Jacka Period Costume Does the photograph contain a notable example of period costume? N Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BUILD N 002 Title A name given to the resource Annie Jackas House The Cliff Newlyn Nets Drying 1945 Subject The topic of the resource Newlyn Collection Date A point or period of time associated with an event in the lifecycle of the resource 1945 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn, Cornwall Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Flimsy Negative - Other https://photoarchive.morrablibrary.org.uk/files/original/Morrab_Library/21323/ML040.tif d89fd385a79358c499315c5d5bc48628 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrab Library Subject The topic of the resource Photos of and about Morrab Library Description An account of the resource This was started by David Puddifoot as a place to keep photos taken for a calendar in 2022. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anniversary Dinner Description An account of the resource Top table diners at dinner to celebrate an anniversary. Back of photograph is annotated "175th Anniversary Dinner 1968." Morrab Library was founded in 1818, so would have been 150 years in 1968. Same occasion as ML041, which is labeled "75th Anniversary Dinner 1968" and can be established by the menu on the table as being 150th Anniversary dinner for the then Penzance Library. The venue is Porthminster Hotel, St Ives. Photograph by Richards Bros, 2 Queen Street, Penzance Source A related resource from which the described resource is derived J Peak Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1968 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context ML040 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/4244/M.598.tif 723b64af621d02b29ce6668a58abf9cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) B2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Miscellaneous Description An account of the resource Annual Badminton Party at Canteen J&FPool Ltd . Miss V A Sawyer. Some identifying names with the image. Date A point or period of time associated with an event in the lifecycle of the resource 1956-03-23 Rights Information about rights held in and over the resource © Morrab Library Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context M.598 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Hayle, Cornwall Title A name given to the resource Annual Badminton Party at Canteen J&FPool Ltd Hayle Source A related resource from which the described resource is derived Miss V A Sawyer Publisher An entity responsible for making the resource available Morrab Library Format The file format, physical medium, or dimensions of the resource Print https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/16643/SWA.253.tif b470d6caaac2de6a1021b289fa2ff785 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x8 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anrew Collingwood, and Tammo de Jongh lead a discussion in the Collingwood's hut. Description An account of the resource Written on the back of the print by Serena Wadham: 'left: Andrew Collingwood. Right: Tammo de Jongh, portrait painter, leads a discussion in the Collingwood's 'Hut"' Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1971 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.253 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant camberley https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13484/COLLINS.13B.tif 86f5ebacc832a3ef6f9b17414717c661 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ansgir, wrecked at Penzer Point, December 12th 1920 Subject The topic of the resource Steamer Shipwreck Wreck Date A point or period of time associated with an event in the lifecycle of the resource 01-12-1920 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Negative Identifier An unambiguous reference to the resource within a given context COLLINS.013B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzer Point, Mousehole Description An account of the resource One of the largest ships to wreck on the Cornish Coast, the Ansgir, was one of many vessels of the German Merchant Marine. Completed a dew weeks after the Armistice of 1918, she was created by A K Ges Neptune of Rostock, on the Baltic. She was a large, single funnelled, two masted steamer of 6,483 tons gross, 4,068 tons net, with a deadweight capacity of around 9, 500 tons. She measured 438.5ft in length, 57.1st in beam and 28.1 ft in depth, and her single screw was driven by a four cylinder diesel engine of 476 nhp. At the end of the war, she was taken over by the Ministry of Shipping, who placed her under the management of Gow, Harrison & Company of Glasgow. Her German crew brought her over to Leith Roads where, on August 12th 1920, the Ansgir hoisted the 'red duster'. Captain James D Gemmel took command of her and she went out to Hampton Roads, Virginia, where she loaded coal for Rotterdam. This safely delivered her next port of call was Dartmouth and here on September 29th 1920 her crew were paid off. As customary, they all signed on afresh next day, and the Ansgir crossed the Atlantic again and at Baltimore took on coal for La Pallice. On arrival at the French port, Captain Gemmel was informed that the Ansgir had been awarded to the Japanese as part of their war reparations and he was ordered to proceed to Barry and take on bunkers for the voyage to Japan. On the morning of December 12th 1920 the Ansgir sailed from La Pallice in water ballast for Barry. The weather was hazy, with a blustery south-west wind which promised to freshen strongly before nightfall. Ushant was sighted at two o'clock in the afternoon and an hour later Captain Gemmel set course for the Wolf Rock light. The wind increased to a hard quartering gale towards dusk and visibility was seriously impaired by heavy rain and patches of foggy drizzle. At 8pm the third mate joined Captain Gemmel on the bridge for the eight twelve watch and both men and the lookouts kept constant watch for the Wolf and the Longships lights. The steamer rolled on through the heavy seas, gradually getting closer to the Cornish Coast, but by eleven o'clock no lights had been sighted. Half an hour later, the captain decided to put about, but hardly had the order been given to turn to port than the watch below were hurled from their bunks as the Ansgir struck the rocks a few hundred yards west of the coastguard lookout on Penzer Point, near Mousehole. Captain Gemmel rang down for hard astern, but the steamer was driven broadside to the cliffs within minutes, the waves breaking over her as high as her funnel. She rolled so violently that it seemed as if she would turn right over, and the boats could not be launched. A long wooden hold ladder was put over the side and down it went 19-year-old Geoffrey Davis, an apprentice from Birmingham, clad in lifejacket and with a rope about his waist. Two more volunteers followed him and hung on to the line while he jumped clear of the side and struck out for the rocks. Waiting for him were three Mousehole fishermen who had been tending their boats in the harbour when, seeing the steamers lights heading towards Penzer Point, they had raised the alarm in the village and then run all the way up the steep Raginnis Hill and along the clifftop lane to the scene of the wreck. The Mousehole men had a hard struggle to haul him out and one nearly swept into the sea, but they managed to regain the rocks and pull Geoffrey Davis in with them. More men arrived from the village and the line the apprentice had brought ashore was used to haul in a stouter rope, one end of which was secured to Ansgirs poop and the other looped around a pinnacle of granite. The the crew started to come ashore one by one, handing themselves along the line. Meanwhile the Mousehole LSA company had left their rocket-cart by the coastguard lookout and were manhandling their apparatus down the cliffs. They reached the rocks to find that twenty of the crew had already come ashore along the line and soon rescued the remaining twenty-five by means of a quickly rigged line for the their breeches buoy. Dawn found the Answer still broadside on to the cliffs, listing heavily to port, with her bows facing Lamorna. She was badly damaged and in spite of the being almost new had to be sold for scrap, and was broken up by the Western Marine Salvage Company of Penzance. In April 1921, she took a severe pounding from a westerly gale, but it was not until the late winter of that year that the Ansgir finally vanished from below the Penzer cliffs. It is still possible to find her plates and steel work jammed in the rocks below the point, and diligent search at low water can produce the occasional memento of one of the largest steamers ever wrecked between Penzance and Land's end. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: Charles and David, 1971), p. 196-198. 1911-1930 Seafaring and shipping shipwreck https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/5225/M.1579.tif 90b3c89b066ec56f84a8ebe1a7019265 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) CABINET B Collins Gibson prints REF W 0013B. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Shipwreck Description An account of the resource One of the largest ships to wreck on the Cornish Coast, the Ansgir, was one of many vessels of the German Merchant Marine. Completed a dew weeks after the Armistice of 1918, she was created by A K Ges Neptune of Rostock, on the Baltic. She was a large, single funnelled, two masted steamer of 6,483 tons gross, 4,068 tons net, with a deadweight capacity of around 9, 500 tons. She measured 438.5ft in length, 57.1st in beam and 28.1 ft in depth, and her single screw was driven by a four cylinder diesel engine of 476 nhp. At the end of the war, she was taken over by the Ministry of Shipping, who placed her under the management of Gow, Harrison & Company of Glasgow. Her German crew brought her over to Leith Roads where, on August 12th 1920, the Ansgir hoisted the 'red duster'. Captain James D Gemmel took command of her and she went out to Hampton Roads, Virginia, where she loaded coal for Rotterdam. This safely delivered her next port of call was Dartmouth and here on September 29th 1920 her crew were paid off. As customary, they all signed on afresh next day, and the Ansgir crossed the Atlantic again and at Baltimore took on coal for La Pallice. On arrival at the French port, Captain Gemmel was informed that the Ansgir had been awarded to the Japanese as part of their war reparations and he was ordered to proceed to Barry and take on bunkers for the voyage to Japan. On the morning of December 12th 1920 the Ansgir sailed from La Pallice in water ballast for Barry. The weather was hazy, with a blustery south-west wind which promised to freshen strongly before nightfall. Ushant was sighted at two o'clock in the afternoon and an hour later Captain Gemmel set course for the Wolf Rock light. The wind increased to a hard quartering gale towards dusk and visibility was seriously impaired by heavy rain and patches of foggy drizzle. At 8pm the third mate joined Captain Gemmel on the bridge for the eight twelve watch and both men and the lookouts kept constant watch for the Wolf and the Longships lights. The steamer rolled on through the heavy seas, gradually getting closer to the Cornish Coast, but by eleven o'clock no lights had been sighted. Half an hour later, the captain decided to put about, but hardly had the order been given to turn to port than the watch below were hurled from their bunks as the Ansgir struck the rocks a few hundred yards west of the coastguard lookout on Penzer Point, near Mousehole. Captain Gemmel rang down for hard astern, but the steamer was driven broadside to the cliffs within minutes, the waves breaking over her as high as her funnel. She rolled so violently that it seemed as if she would turn right over, and the boats could not be launched. A long wooden hold ladder was put over the side and down it went 19-year-old Geoffrey Davis, an apprentice from Birmingham, clad in lifejacket and with a rope about his waist. Two more volunteers followed him and hung on to the line while he jumped clear of the side and struck out for the rocks. Waiting for him were three Mousehole fishermen who had been tending their boats in the harbour when, seeing the steamers lights heading towards Penzer Point, they had raised the alarm in the village and then run all the way up the steep Raginnis Hill and along the clifftop lane to the scene of the wreck. The Mousehole men had a hard struggle to haul him out and one nearly swept into the sea, but they managed to regain the rocks and pull Geoffrey Davis in with them. More men arrived from the village and the line the apprentice had brought ashore was used to haul in a stouter rope, one end of which was secured to Ansgirs poop and the other looped around a pinnacle of granite. The the crew started to come ashore one by one, handing themselves along the line. Meanwhile the Mousehole LSA company had left their rocket-cart by the coastguard lookout and were manhandling their apparatus down the cliffs. They reached the rocks to find that twenty of the crew had already come ashore along the line and soon rescued the remaining twenty-five by means of a quickly rigged line for the their breeches buoy. Dawn found the Answer still broadside on to the cliffs, listing heavily to port, with her bows facing Lamorna. She was badly damaged and in spite of the being almost new had to be sold for scrap, and was broken up by the Western Marine Salvage Company of Penzance. In April 1921, she took a severe pounding from a westerly gale, but it was not until the late winter of that year that the Ansgir finally vanished from below the Penzer cliffs. It is still possible to find her plates and steel work jammed in the rocks below the point, and diligent search at low water can produce the occasional memento of one of the largest steamers ever wrecked between Penzance and Land's end. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: Charles and David, 1971), p. 196-198. Rights Information about rights held in and over the resource © Morrab Library Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context M.1579 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Mousehole Title A name given to the resource Ansgir, wrecked off Mousehole, December 12th 1920 Publisher An entity responsible for making the resource available A.H. Hawke, Helston Date A point or period of time associated with an event in the lifecycle of the resource 1920-12-02 Format The file format, physical medium, or dimensions of the resource Postcard 1911-1930 Seafaring and shipping shipwreck https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13485/COLLINS.014B.tif a3e597433f910a4ed23708e79f364bbf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Print & Negative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anson H.M.S Subject The topic of the resource Warship Shipwreck Wreck Description An account of the resource Captain Anderson, Valentine Coryn, Margarita Anderson, Date A point or period of time associated with an event in the lifecycle of the resource 00-00-1903 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Negative Identifier An unambiguous reference to the resource within a given context COLLINS.014B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Looe Bar, Porthleven https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/6983/FARM_6.002.tif 2a67c3acc24cbf261413bcb8a4d7e2f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angove Collection Description An account of the resource The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own. Richard Angove himself is pictured in the following photos, taken at Cable & Wireless in Porthcurno: <a href="http://library.morrab.lan/omeka/items/show/8323">Comm 4.002</a>, <a href="http://library.morrab.lan/omeka/items/show/8327">Comm 4.003</a>, <a href="http://library.morrab.lan/omeka/items/show/8334">Comm 4.005</a>, <a href="http://library.morrab.lan/omeka/items/show/8397">Comm 6.009</a>, <a href="http://library.morrab.lan/omeka/items/show/8365">Comm 8.012</a> and <a href="http://library.morrab.lan/omeka/items/show/8395">Comm 8.032</a>. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context FARM 6.002 Title A name given to the resource Anti Balance Plough 4 Furrow Pulled by Tract Eng Subject The topic of the resource Equipment Farm Labourer MWork Date A point or period of time associated with an event in the lifecycle of the resource 1960 Description An account of the resource The plough pulled by two steam traction engines positioned at opposite ends of the field. Four men pictured. Source A related resource from which the described resource is derived Angove Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17782/SWA.352.tif 4ca0a845b5632909c11c59f5928b152a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-apartheid demonstration outside the South African Embassy London 1975. Description An account of the resource Close up of banners and activists. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.352 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central London