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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Alverton Street Penzance, showing Hawkes Farm . looking towards the Town,  various bystanders,  see M.0525&#13;
from "Mates Illustrated Penzance"&#13;
 (Corporation Official Guide)</text>
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                <text>© Morrab Library</text>
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                <text>Alverton Street, Penzance showing Hawkes Farm. &#13;
</text>
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                <text>Robert Preston</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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              <text>Arthur Cooper JOP 213 Abbey Upholstering TRO 304</text>
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            <description>A name given to the resource</description>
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                <text>Alverton Strt towards Market House Halifax LLoyd</text>
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            <description>The topic of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance, Cornwall</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Four in hand bus Champions Posting &amp; Forage Co. kept at Western Hotel? </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900</text>
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                <text>© Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <description>A name given to the resource</description>
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                <text>Alverton, Penzance. Four in hand bus,  Champions,Posting &amp; Fora</text>
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              <text>Slight crease in photo, slightly out of focus.</text>
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            <description>A name given to the resource</description>
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                <text>Always referred to as 'Factory Row', was at the rear of Navy Inn, Newlyn Town.</text>
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            <description>An account of the resource</description>
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                <text>Demolished at the same time as the 'Clearances' (1938-39).&#13;
Not sure if is was actually a factory, but more likely to be a term used by the locals.&#13;
Rare picture to see in isolation. Can be identified in larger Newlyn Town views.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1920-30</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 370</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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            <description>A name given to the resource</description>
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                <text>Ampitheatre and houses possibly Plain-an-Gwarry</text>
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            <description>The topic of the resource</description>
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                <text>Land</text>
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                <text>1915</text>
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                <text>Plain an Gwarry</text>
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                <text>Date given as 1915 but writing on bottom of photo states April '06</text>
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                <text>Richards</text>
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        <name>1911-1930</name>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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              <description>An unambiguous reference to the resource within a given context</description>
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                <text>An  interview with Mariella Novotney by Ray Connolly for The Evening Standard Sat May 6th 1972.&#13;
(Couldn't fit it all in the scanner so in two parts)</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Original page from the newspaper, saved by Serena.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA227&#13;
SWA.228</text>
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              <description>A name given to the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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            <description>A name given to the resource</description>
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                <text>An album put together by Serena Wadham in the 1970s to illustrate the position of women in society.&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
&#13;
&#13;
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                  <text>The collection of Penzance Old Cornwall Society photographs given to the Morrab Library Photo Archive  2024-05-23</text>
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                  <text>This is a wide ranging collection of images which includes photo albums, glass negatives and prints together with a large amount of 35mm slides by Margaret Orchard. More information will be added to description as we investigate the collection. (2024-05-30) </text>
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People gathered for an Armistice Service at the War Memorial at Battery Rocks, Penzance</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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