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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>The Viaduct  Lelant - St Ives Line.</text>
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                <text>The Viaduct Lelant - St Ives branch line  - Carbis Bay Picnic Valley</text>
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                <text>Edward Ashton, St Ives and Hayle. First recorded in 1873 , main business as greengrocer and photographer. His harbour and marine studies together with family scenes imply someone intimately familiar with the town. Ceased working about 1890.</text>
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                <text>Carbis Bay, Picnic Valley</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Street View, possibly St Ives ? Young boys and Older Woman</text>
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                <text>Edward Ashton, St Ives and Hayle. First recorded in 1873 , main business as greengrocer and photographer. His harbour and marine studies together with family scenes imply someone intimately familiar with the town. Ceased working about 1890.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Edward Ashton, St Ives and Hayle. First recorded in 1873 , main business as greengrocer and photographer. His harbour and marine studies together with family scenes imply someone intimately familiar with the town. Ceased working about 1890.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Overview of St Ives, looking North</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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                <text>Kerris Chapel, Paul Parish</text>
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            <description>An account of the resource</description>
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                <text>Elizabeth Pengelly family photos.  A photograph of the Wesleyan Chapel in Kerris. The only wedding to be performed at this chapel on the 29th March 1929 was between William John Prowse and Ethel James Maddern, Aunt and Uncle of Elizabeth Pengelly. See other entries under More.Col.45 for other items in this collection.&#13;
&#13;
Grid reference, SW 44500 27202&#13;
&#13;
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            <description>A related resource from which the described resource is derived</description>
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                <text>Elizabeth Pengelly</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="194631">
                <text>Mor.Col.45_002</text>
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              <elementText elementTextId="194632">
                <text>Kerris, Paul</text>
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        <name>Chapel</name>
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        <name>place of worship</name>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Morrab_Library/22449/MOR.COL.45_003.tif</src>
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                  <text>Morrab Library</text>
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              <description>The topic of the resource</description>
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                  <text>Photos of and about Morrab Library</text>
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              <description>An account of the resource</description>
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                  <text>This was started by David Puddifoot as a place to keep photos taken for a calendar in 2022.</text>
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            <description>A name given to the resource</description>
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                <text>William John Prowse</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>William John Prowse (Uncle Willie). Elizabeth Margaret Pengelly's Uncle with his cow and two dogs Peggy, the darker dog and Sandra, the lighter one. William's marriage to Ethel James Maddern on 29th March 1929 was the only marriage ever to take place at Kerris Wesleyan Chapel. See other entries under More.Col.45 for other items in this collection.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="194623">
                <text>Elizabeth Pengelly</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Elizabeth Pengelly</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>Mor.Col.45_003</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Kerris, Paul</text>
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