16 20 19383 https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11316/ANIM_2OF_059.tif ae9b0202e7ffe0dc4ab3501171762347 https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11316/ANIM_2OF_059a.tif de60b5d039823ecd6a8353b254233435 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ANIM 2OF 059 Title A name given to the resource 3 men standing around dead porbeagle shark, Newlyn Subject The topic of the resource Shark MPlay Anno Date A point or period of time associated with an event in the lifecycle of the resource 1977 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn Description An account of the resource Double Source A related resource from which the described resource is derived Richards 1971-1990 https://photoarchive.morrablibrary.org.uk/files/original/Zennor_Wayside_Museum/17080/ZWM_119.tif 8deb5e743ba0e21fd693dcac2d3ce860 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zennor Wayside Museum Subject The topic of the resource Everyday life in rural Zennor Description An account of the resource The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. The following is taken from the Wayside Folk Museum Website: The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 2015 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Photographic prints Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 3,75 x 3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 3 Persons in car with on looker Description An account of the resource 3 persons in car with on looker Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context ZWM 119 https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5605/O.123.tif dba8c0b5eafc928eba37a26bac910baf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negativesOpie Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.123 https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5606/O.124.tif f78f4dc745b159f6f60e32530eaaaad5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negatives. Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.124 Archaeology https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5607/O.125.tif 213f5593f70fd77b07882fa7f9eafb13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negatives. Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.125 Archaeology https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5608/O.126.tif b550e4b6f4afc8c1a1ad0480033cc739 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Opie Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.126 Archaeology https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/24282/M.3260.tif d2ac642aebdaf6d510afbccbbe96cd96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 30 men in Charabanc Description An account of the resource 30 men in a truck or open top charabanc. Includes Morley Richards, nearest camera third row above the x. Information on reverse reads "charabanc, possibly Penzance Football team or Wheelers, includes Morley Richards nearest camera 3rd row x" Source A related resource from which the described resource is derived April Arnatt Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1920-1940 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context M.3260 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17784/SWA.354.tif 2e9beebaf7c2656a8838a28975c1fc0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Description An account of the resource Close up portrait at the meeting at the LSE Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.354 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London Creator An entity primarily responsible for making the resource Serena Wadham https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17785/SWA.355.tif 096cefa27b12e8c15aea62a7aa9b67f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Description An account of the resource Same person in close up, but standing and animated Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.355 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17786/SWA.356.tif 8980832043345c820a2d64b46aa34a79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.356 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17787/SWA.357.tif 950d4b60aca83c82b538ff0fc7728ea0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6¼ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.357 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17788/SWA.358.tif 85b863a444abfdc7297e5f83ef367f6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.358 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17789/SWA.359.tif 61378fec583d783dc54d8fc6f2b56476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.359 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17790/SWA.360.tif 8acf32e1c9a6958a8f21723c8d7f74af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.360 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17791/SWA.361.tif 64004e7e9fd9494e01d2c7bb2a316d44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.361 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5603/O.122.tif 8a6bde0ee8730739358a07aaed212c1c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Date A point or period of time associated with an event in the lifecycle of the resource 1910 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Site of county offices, Truro Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 4 Bronze palstaves Description An account of the resource 4 Bronze palstaves. Has positives as well as negatives. RIC Cat nos inc 21'2910, 22'1910 see JRIC vol118 p228 Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.122 Archaeology https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5604/O.122A.tif f6b1e33052206cda5ae545d103cef3a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Date A point or period of time associated with an event in the lifecycle of the resource 1910 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Site of county offices, Truro Creator An entity primarily responsible for making the resource RIC Cat nos inc 21'2910, 22'1910 see JRIC vol118 p228 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 4 Bronze palstaves. Has positives as well as negatives Description An account of the resource 4 Bronze palstaves. Has positives as well as negativesOpie Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.122A Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Miscellaneous Description An account of the resource 4 glass slides pertaining to John Wesley - two letters, statue on horseback, and 1750 map of Bristol.. Statue is possibly in Bristol, one letter from his brother. NO IMAGE PRESENT Rights Information about rights held in and over the resource © Morrab Library Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context M.1794 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Bristol? Title A name given to the resource 4 glass slides pertaining to John Wesley - two le https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11459/SHIP_25HG_014.tif 85e1cc9181a66b625478deb6b4f3558b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context SHIP 25HG 014 Title A name given to the resource 4 Masted Barque at sea Subject The topic of the resource Ship SAIL Date A point or period of time associated with an event in the lifecycle of the resource 1905 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Unknown Source A related resource from which the described resource is derived Richards Description An account of the resource Photograph of a painting Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative 1891-1910 Seafaring and shipping https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/9814/BUILD_7CF_292.tif 6b00892073fa9632c1e0e91b3a072c03 https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/9814/BUILD_7CF_292_b.tif 4f3feead2e16c18db35edad2f7618d25 https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/9814/BUILD_7CF_292_c.tif 0863db2234da01a7f96701b531a182a8 https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/9814/BUILD_7CF_292_d.tif 4c94054368280e1229ee7364f60866a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context BUILD 7CF 292 Title A name given to the resource 4 Views Restoration Pengersick Castle Subject The topic of the resource Castle IN Date A point or period of time associated with an event in the lifecycle of the resource 1965 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Praa Sands Source A related resource from which the described resource is derived Richards Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print 1951-1970