115 20 18820 https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/7513/PEOP_9.003.tif 8d8cdc08027a95139d9c4251372f717b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angove Collection Description An account of the resource The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own. Richard Angove himself is pictured in the following photos, taken at Cable & Wireless in Porthcurno: <a href="http://library.morrab.lan/omeka/items/show/8323">Comm 4.002</a>, <a href="http://library.morrab.lan/omeka/items/show/8327">Comm 4.003</a>, <a href="http://library.morrab.lan/omeka/items/show/8334">Comm 4.005</a>, <a href="http://library.morrab.lan/omeka/items/show/8397">Comm 6.009</a>, <a href="http://library.morrab.lan/omeka/items/show/8365">Comm 8.012</a> and <a href="http://library.morrab.lan/omeka/items/show/8395">Comm 8.032</a>. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Individual Names Names of individuals identified in the photo. Dezzy James Phil Westren Tom Beckerleg Mike Jenkin Period Costume Does the photograph contain a notable example of period costume? N Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Large red number 1 written in red in bottom right corner Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context PEOP 9.003 Title A name given to the resource Penzance Pirates Rugby Players photo S Bennetts Subject The topic of the resource General Group Rugby MPlayC Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance Source A related resource from which the described resource is derived Angove Description An account of the resource Penzance Pirates rugby team Creator An entity primarily responsible for making the resource S. Bennetts, Bendel, Carthew Way, St Ives (photographer) Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1980 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print community life Sport https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/6889/HARB_8.008.tif 0b46b88cc9c37bae0cdfd458d71cba54 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angove Collection Description An account of the resource The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own. Richard Angove himself is pictured in the following photos, taken at Cable & Wireless in Porthcurno: <a href="http://library.morrab.lan/omeka/items/show/8323">Comm 4.002</a>, <a href="http://library.morrab.lan/omeka/items/show/8327">Comm 4.003</a>, <a href="http://library.morrab.lan/omeka/items/show/8334">Comm 4.005</a>, <a href="http://library.morrab.lan/omeka/items/show/8397">Comm 6.009</a>, <a href="http://library.morrab.lan/omeka/items/show/8365">Comm 8.012</a> and <a href="http://library.morrab.lan/omeka/items/show/8395">Comm 8.032</a>. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Business Name Name of establishment depicted in the image. Barriball, Ltd, Liskeard Building Name Name of building or structure. Mary Williams Pier Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HARB 8.008 Title A name given to the resource Initial work on Mary Williams Pier, Newlyn by Digger Subject The topic of the resource Harbour Fish Boat MOTOR Digger Anno MWork Date A point or period of time associated with an event in the lifecycle of the resource 1979 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn Description An account of the resource With part of Newlyn's vast trawler fleet in the background, one of Messrs Barriball's machines starts work on Newlyn harbour expansion programme at Mary Williams pier (which officially opened in 1980). Source A related resource from which the described resource is derived Angove Creator An entity primarily responsible for making the resource S. Bennetts, Bendel, Carthew Way, St Ives, Cornwall Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print construction https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/6900/HARB_8.015.tif 45a31a9d6088c95c9d486e89a361372b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Angove Collection Description An account of the resource The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own. Richard Angove himself is pictured in the following photos, taken at Cable & Wireless in Porthcurno: <a href="http://library.morrab.lan/omeka/items/show/8323">Comm 4.002</a>, <a href="http://library.morrab.lan/omeka/items/show/8327">Comm 4.003</a>, <a href="http://library.morrab.lan/omeka/items/show/8334">Comm 4.005</a>, <a href="http://library.morrab.lan/omeka/items/show/8397">Comm 6.009</a>, <a href="http://library.morrab.lan/omeka/items/show/8365">Comm 8.012</a> and <a href="http://library.morrab.lan/omeka/items/show/8395">Comm 8.032</a>. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Period Costume Does the photograph contain a notable example of period costume? N Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Building Name Name of building or structure. Mary Williams Pier Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context HARB 8.015 Title A name given to the resource Start of work on Mary Williams Pier Newlyn Subject The topic of the resource Harbour Fish Boat MOTOR Digger MWork Date A point or period of time associated with an event in the lifecycle of the resource 1979 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn Source A related resource from which the described resource is derived Angove Description An account of the resource The start of work on Mary Williams Pier in Newlyn. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Creator An entity primarily responsible for making the resource S. Bennetts, Bendel, Carthew Way, St Ives, Cornwall construction https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/21755/lamornabirch.602.tif 3b450feaee7cd4b91fa185c9b30eb3b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Greta and Happy Mrs Ronald Valentine Description An account of the resource Greta and Happy Mrs Ronald Valentine Creator An entity primarily responsible for making the resource S. J. Lamorna Birch Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.602 https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/4246/M.600.tif 7ae6a9eb0bdd7da7ff90170b5e4fbc27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) B2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Miscellaneous Description An account of the resource Fish Market Newlyn Harbour, loading sorting fish fish baskets horse/cart Date A point or period of time associated with an event in the lifecycle of the resource 1900 Rights Information about rights held in and over the resource © Morrab Library Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context M.600 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Newlyn, Cornwall Title A name given to the resource Fish Market /Harbour, Newlyn. loading sorting fish Creator An entity primarily responsible for making the resource S. Robinson Publisher An entity responsible for making the resource available Morrab Library https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/21815/lamornabirch.619.tif 78c2c814f766b64d89b1afd232814106 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Winter in Moray, Morayshire, Scotland Description An account of the resource Winter in Moray, Morayshire, Scotland Creator An entity primarily responsible for making the resource S.J. Lamorna Birch Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.619 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Moray, Morayshire https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/21816/lamornabirch.620.tif 27aba01242854aee66477d6875e78d85 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Don, Kemnay Description An account of the resource The Don, Kemnay Creator An entity primarily responsible for making the resource S.J. Lamorna Birch Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.620 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The Don, Kemnay https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/22189/lamornabirch.681.tif 7d7b0761fa75deae490f35b14559f4c7 https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/22189/lamornabirch.681b.tif f3919bbc5ee6a6904bfb771c5d8243eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lamorna Birch Family Photos Description An account of the resource A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896. He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton. The collection shows Lamorna with well known public figures; of himself at work; and many of his wife and children. Included are snapshots of many of his friends at social events. An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson & Company. 1995. These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Country House Description An account of the resource Country House Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1945 -12 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context lamornabirch.681 Creator An entity primarily responsible for making the resource S.J. Lamorna Birch https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5605/O.123.tif dba8c0b5eafc928eba37a26bac910baf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negativesOpie Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.123 https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5606/O.124.tif f78f4dc745b159f6f60e32530eaaaad5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negatives. Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.124 archaeology https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5607/O.125.tif 213f5593f70fd77b07882fa7f9eafb13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Has positives as well as negatives. Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.125 archaeology https://photoarchive.morrablibrary.org.uk/files/original/Stanley_Opie_Archaeology/5608/O.126.tif b550e4b6f4afc8c1a1ad0480033cc739 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stanley Opie Archaeology Subject The topic of the resource Archaeology Description An account of the resource The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928. In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates. The glass negatives were cleaned, repackaged and digitised thanks to funding from <a href="http://www.cornwallheritagetrust.org">Cornwall Heritage Trust</a>. Creator An entity primarily responsible for making the resource Stanley Opie Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Acknowledgements Funding acknowledgements where appropriate. Digitisation and conservation of the original glass negative was kindly supported by <a href="http://www.cornwallheritagetrust.org/">Cornwall Heritage Trust</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Subject The topic of the resource Axe heads and arrow heads Archaeology Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Higher Roseworthy, Camborne Creator An entity primarily responsible for making the resource See PZNHAS Trans. (NS) I 1880-1 Format The file format, physical medium, or dimensions of the resource Quarter Plate Glass Negative Title A name given to the resource 3 socketed axes Description An account of the resource 3 socketed axes . Opie Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context O.126 archaeology https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18328/SWA.neg.0003.tif 12d1bc00ccd608db658b26d02341a6b6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 120 film negative Physical Dimensions The actual physical size of the original image 120 film Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emma Cenn? Teetotal Street St Ives Cornwall. Medium format film scan Description An account of the resource A young woman (Emma Cenn?) and child sit on the steps of an old cottage in St Ives. <a href="https://britishlistedbuildings.co.uk/101312553-1-19-teetotal-street-st-ives#.YfExli-l2-o">Teetotal Street St Ives</a> Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-09-13 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0003 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Teetotal Street St Ives Cornwall https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/19755/SWA.neg.0031.tif 1121806881941a0d66faceba92117bd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 35mm negatives Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Family on the moor at Nancledra, 2 images include Serena Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Acetate Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0031 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Nancledra https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/15860/SWA.158.tif 1333eae35d165f770fd017eee89e2080 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9x7 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pierre Boulez and female singer, possibly Ann Murray at the piano. Description An account of the resource Two unidentified musicians at the piano, from the same shoot as 108,157 Creator An entity primarily responsible for making the resource Serena wadham Date A point or period of time associated with an event in the lifecycle of the resource 1965-1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.158 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant london? https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/15987/SWA.185.tif 7b71efe75c1f82b9710feb338c7d7e67 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of artist and feminist Judy Chicago Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1975-1985 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.185 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box of items related to Womens' Self-Help Clinics of the early 1970s USA and UK Subject The topic of the resource Womens; Self-Help clinics SWA.327.A Pamphlets, newsletters, etc from the 'Feminist Womens' Health Center' Los Angeles From 1971-73. Includes an article 'IN THE SEARCH FOR SELF-KNOWLEDGE HOW MUCH OF YOURSELF ARE YOU PREPARED TO SEE?' Carolyn Faulder explains the vaginal politics behind Self-Help. SWA.327.B Article by Serena Wadham 'SELF-HELP' in Britain, about <a href="https://en.wikipedia.org/wiki/Carol_Downer">Carol Downer </a>and Debi Law visiting Britain and Europe from the FWHC in California, helping to set up Self-Help clinics. Included is a note from Christine Sparks (assistant features editor of WOMAN magazine in 1974) "our readers not quite ready for the kind of frankness shown in this article" SWA.327.C A couple of letters from Nancy Mackeith and Rose Star re Womens' conferences Description An account of the resource A box of related items. In the late 1960s and early 1970s some feminists involved in the Womens' Liberation Movement of that time, encouraged women take control of their bodies by learning to examine themselves using a speculum, a torch and a mirror. This included demanding safe and legal abortions on demand. The book 'Our Bodies Ourselves' by and for women was published in 1970 on this same theme. Carol Downer and Lorraine Rothman were the leaders of the group that founded the 'Feminist Womens' Health Center' in Los Angeles in 1971. They travelled the US to share their information and help to set up other groups around the country. Serena Wadham subscribed to the FWHC newsletter, and photographed Carol Downer speaking at the ICA in London in 1973 about the Californian self-help clinic. Serena then photographed groups in the UK doing vaginal self examinations using a speculum, torch and a mirror. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1977 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context SWA.327 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17725/SWA.341.tif 7efad18f3eb815577e9d8f18085b103f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x7 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A woman close-up in the street in Islington (use of telephoto lens) Description An account of the resource Serena photographed women, famous, at work and play and generally going about their business. These photographs are taken around the streets of Islington where Serena lived. A snapshot of the lives of women in the 1970s. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1980 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.341 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Islington London Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An album put together by Serena Wadham in the 1970s to illustrate the position of women in society. All photographs in the album numbered SWA.369.A-SWA.369.O Description An account of the resource Contents of an album Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1980 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.369 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/19756/SWA.neg.0032.tif 39598f3b42a506fc0d22021864f85a27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 35mm negatives Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Film crew on a beach at St Ives slip Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Acetate Negative Identifier An unambiguous reference to the resource within a given context SWA.neg.0032 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St Ives