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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>'Yewcroft'  Shipwreck, July 1956.</text>
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                <text>The 827-ton steam coaster, Yewcroft, bound from the Thames to Bristol with cement, wandered off course in dense fog and grounded near Cudden Point. A few hours later, as the tide ebbed from beneath her, she broke in half. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p184. </text>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
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They took many photos of the countryside around the area.&#13;
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>she was thee largest oil tanker in the world at the time (12,350 tons) The crew were rescued by the Lizard lifeboat. She wqs later towed by two tugs to Falmouth harbour</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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Lobster pots"</text>
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The Dunboyne was a full-rigged ship built at Whitehaven and launched in March 1888. Now renamed the af Chapman she is still afloat, and is reputedly the World's third oldest surviving iron-built ship (the Euterpe, built in the Isle of Man, is one of the older ships). The af Chapman is moored at Skeppsholmen in Stockholm, where she has been used as a youth hostel since1949, and has hosted over a million visitors.&#13;
&#13;
Named the Dunboyne by her original Dublin owners, Charles E. Martin &amp; Co., she participated in the trade to Australia in her early years. According to Tom Messenger (see Source 2), who was First Mate in 1890 on voyages between Wales and Australia, her master, Capt. O'Neill, had his wife and daughter aboard. Unfortunately the child died and was buried at sea.&#13;
&#13;
Sold to Norway in 1909, the Dunboyne was renamed the G.D. Kennedy in July 1915 when she was bought by the Swedish shipping company Transatlantic. This company sold her to the Swedish government in 1924, and it was then that the ship was finally renamed af Chapman. She spent ten more years at sea, ending her final voyage on the 27th September 1934.&#13;
&#13;
&#13;
During World War II, the af Chapman was moored in Stockholm harbour, serving as a floating barracks for the Swedish Navy. No longer required by the Navy after the War, the ship was saved when the City of Stockholm bought her in 1947.&#13;
&#13;
During World War II, the af Chapman was moored in Stockholm harbour, serving as a floating barracks for the Swedish Navy. No longer required by the Navy after the War, the ship was saved when the City of Stockholm bought her in 1947. The ship was to remain berthed in Stockholm harbour. She was renovated to serve as a youth hostel, and serves that purpose still today. Her modification preserved as far as possible the ship's original condition, the large open lower deck, for example, being divided with removeable bulkheads, to preserve the deck as it once would have looked.&#13;
Source: https://www.mightyseas.co.uk/marhist/whitehaven/wsbc/dunboyne.htm</text>
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                <text>The Auxiliary packet Earl of Arran ran ashore on Irishman's ledge on the July 16 1872. Built in Paisley in 1860 for the Ardrossen to Arran passenger run, the Earl of Arran served in the Clyde from 1860 until 1868, when she worked excursions between Ayr and Troon before going south to Scilly in 1869.&#13;
&#13;
The Earl of Arran left Penzance about 10am bound for St Mary's with a crew of eight hands, ninety-two passengers, mail, and general cargo. The vessel was detained at Penzance beyond her normal time for sailing. &#13;
&#13;
On nearing the Scillies a passenger named Stephen Woodcock, who belonged to the crew of a local pilot-boat but was not himself a licensed pilot, suggested to the master that he could save time by taking a short-cut through St Martin's Neck, instead of the longer, normal passage through Crow Sound. Captain Deason replied that he knew of no such short-cut, but on Woodcock's assurance that he knew it well, agreed to let him take the packet through. &#13;
&#13;
No sooner had the Earl of Arran got some distance into St Martin's neck than she struck a rock, and so severe was the damage that the vessel had to be run ashore on Nornour, where she became a total loss. The passengers and the whole of the cargo were saved, but nothing could be done for the paddle-steamer and she was broken up for scrap after she broke in two.&#13;
&#13;
At a Board of Trade enquiry, Captain Deason was found guilty of a grave error in allowing passenger, of whose competency he had no knowledge, to take charge of his ship, and his certificate was suspended for four months. &#13;
&#13;
Description from Richard Larn, Cornish Shipwrecks: Isles of Scilly (Newton Abbot: David &amp; Charles, 1971), p.151.</text>
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                <text>St Martin's, Isles of Scilly</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
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Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>"Edith Oates ? Steven's niece"</text>
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                <text>Causewayhead, Penzance. "Sticyback" from an album of 6.&#13;
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                <text>1910-1912</text>
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                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>"Eureka" Brixham Trawler aground on Larrigan Beach</text>
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              <elementText elementTextId="169672">
                <text>Morrab Library</text>
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            <name>Rights</name>
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              <elementText elementTextId="169674">
                <text>Morrab Library</text>
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                <text>Half Plate Glass Negative</text>
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            <name>Identifier</name>
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                <text>WRECKS 32HG 037</text>
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                <text>Newlyn</text>
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                <text>The Eureka was a Brigham fishing vessel that wrecked on the rocks of Larrigan Beach in May 6th  1934. &#13;
&#13;
The trawler, Registered Number BM 374, broke loose her Anchor in Newlyn Harbour coming ashore by the Bolitho Gardens, Lariggan Penzance. &#13;
The crew stayed asleep during the whole episode!&#13;
&#13;
Description from Cornish Memory Website</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>"Eureka" Trawler</text>
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                <text>The Eureka was a Brigham fishing vessel that wrecked on the rocks of Larrigan Beach in May 6th  1934. &#13;
&#13;
The trawler, Registered Number BM 374, broke loose her Anchor in Newlyn Harbour coming ashore by the Bolitho Gardens, Lariggan Penzance. &#13;
The crew stayed asleep during the whole episode!&#13;
&#13;
Description from Cornish Memory Website</text>
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                <text>Half Plate Glass Negative</text>
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                <text>Newlyn</text>
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                <text>7th roll, n 9</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Gentle Jane", near Rock</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Summer house of Anne Vivian</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>lamornabirch.023</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Rock</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11822/WRECKS_32HF_084.tif</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Street Name</name>
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              <text>Granite State</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WRECKS 32HF 084</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Granite State"  beached at Porthcurno,   1893</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>cargo ship</text>
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            <name>Date</name>
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                <text>1895</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lands End</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>After leaving Falmouth the ship struck the Runnelstone sustaining serious damage. She was towed to Porthcurno by tug Elliot and Jeffery but soon broke up November 4th 1895</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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