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                  <text>Way Collection&#13;
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
&#13;
It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
&#13;
One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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                  <text>from S.K. Way</text>
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                <text>'Lady of The Isles' Packet . Ferry to Isles of Scilly, at Penzance Quayside</text>
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                <text>'Lady of The Isles' Packet . Ferry to Isles of Scilly, at Penzance Quayside</text>
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                <text>Morrab Library</text>
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                <text>W 20</text>
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                <text>Penzance</text>
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                <text>1889 -1905</text>
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  <item itemId="19794" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Lamorna Birch Family Photos</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>'Lamorna' at Manchester Art Gallery - an invented scene</text>
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            <description>An account of the resource</description>
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                <text>'Lamorna' at Manchester Art Gallery - an invented scene</text>
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            <name>Date</name>
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                <text>1914</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Lamorna Cove</text>
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  <item itemId="5328" public="1" featured="0">
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                  <text>Miscellaneous Photos</text>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>B2</text>
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                <text>Miscellaneous</text>
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            <description>An account of the resource</description>
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                <text>'Maria Asumpta' near Porthleven 1992  built Barcelona  1848   wrecked off Padstow. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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                <text>Photograph</text>
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            <name>Identifier</name>
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                <text>M.1682</text>
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                <text>Porthleven, Cornwall</text>
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            <description>A name given to the resource</description>
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                <text>'Maria Asumpta' near Porthleven </text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1992</text>
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            <name>Format</name>
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                <text>Print</text>
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                <text>Glyn Richards</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Glyn Richards</text>
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  <item itemId="18452" public="1" featured="0">
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>'Mr. Mylor and Mr Miners'</text>
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                <text>Carlene Harry</text>
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                <text>Morrab Library</text>
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                <text>H.160</text>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>'Pay Day Wheal Jane' Miners Building Fields, Camborne. 1930</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>'Peggy Bolitho, relative on the Bolitho side.'</text>
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                <text>On the back, 'given sovereign on her wedding day. Sister to Granny Wall' </text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>'Reciting the Law' in a Jewish school&#13;
(written on the back by Serena Wadham)&#13;
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                <text>1960-1965</text>
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                <text>sunderland</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>'S S Lady of the Isles' entering Harbour in Storm    Gibson    Dec 8th 1896. </text>
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                <text>© Morrab Library</text>
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                <text>'S. S Lady of the Isles' entering Penzance Harbour in Storm </text>
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                <text>Cornishman newspaper</text>
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          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>Conservation Box, Drawer D3</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Humphry?/son</text>
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                <text>M.546/39/3</text>
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                <text>'Son'   no other indication.    </text>
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                <text>'Son'   no other indication</text>
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  <item itemId="18617" public="1" featured="0">
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                  <text>Small Photo Album </text>
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                  <text>Mostly photos and postcards of west Penwith but also images from the past</text>
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              <description>An account of the resource</description>
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                  <text>Album with photos and postcards glued in place. Some pages are collaged and some have captions</text>
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                  <text>Unknown</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Pasy donation. Date unknown</text>
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                  <text>Morrab Library</text>
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                  <text>Morrab Library</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Printed Photos in an album</text>
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              <name>Identifier</name>
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                  <text>SPA (Small Photo Album)</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'Study Nancotha' and 'St Knighton's Kieve, Wadebridge'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Two Photos: the study is most probably Nancothan, near Buryas Bridge (see SPA 006) and St Knighton's Kieve is in Boscastle. &#13;
Plus an image entitled 'The Fight for the Standaro' and a sentimental image of a woman and rabbits. </text>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1890-1920</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPA 013</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance and Boscastle</text>
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  <item itemId="17369" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Caldwell_Harpur_Family_Album/17369/CHA_053.tif</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Caldwell Harpur Family Album</text>
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              <description>An account of the resource</description>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <description>A name given to the resource</description>
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                <text>'The Bishops'</text>
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                <text>Caldwell Harpur</text>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CHA 053</text>
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  <item itemId="17368" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Caldwell Harpur Family Album</text>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>'The Bishops' and Bridlington</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CHA 052</text>
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  <item itemId="4710" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="24890">
                <text>'The Clefs'  printed in the 1927 Programme  Penzance Orchestral Soc.. 1907.. Purple Scrap Book</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="24891">
                <text>Penz Orch Soc. Archive Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="24892">
                <text>1907</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="24893">
                <text>© Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="24894">
                <text>Negative</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="24896">
                <text>M.1064</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'The Clefs'  printed in the 1927 Programme  Penzan</text>
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  <item itemId="18428" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Harry_Collection/18428/H.141.tif</src>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>'Tintype' image of a man seated.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="161078">
                <text>A 'Tintype' is a photograph made by creating a direct positive on a thin sheet of metal (iron, tin was not actually used) coated with a dark lacquer or enamel and used as the support for the photographic emulsion. popular in the 1860's and 70's in America.&#13;
This image was later hand painted . (Also see H.139 and H.140)</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Carlene Harry</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
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Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>'Unloading the catch' at the old harbour, Newlyn Town</text>
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                <text>Newlyn</text>
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                <text>The Old Pier (Medieval) and a Mount's Bay lugger aground in the harbour foreground, with many more anchored off shore in Gwavas Lake. Fish being landed in small punts to the waiting 'Jousters' with their wicket baskets and donkey carts. This is the time before the current Newlyn piers were built.</text>
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                <text>1870</text>
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                <text>Morrab Library</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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          <name>Physical Dimensions</name>
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              <text>Serena Wadham&#13;
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                <text>'Vivian Young apprentice aircraft engineer'</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Written on the back of the print by Serena Wadham&#13;
'Vivian Young apprentice aircraft engineer'&#13;
Part of the documentation of the changing roles of women.&#13;
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            <name>Creator</name>
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                <text>1970s</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
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        <name>Women's working life</name>
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        <name>Working life</name>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Physical Dimensions</name>
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                <text>'Watergate', aground off Porthminster Beach, St Ives.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>WRECKS 32HG 076</text>
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              <elementText elementTextId="179975">
                <text>c.1940</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="179976">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="179977">
                <text>Half Plate Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="179978">
                <text>Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="179979">
                <text>St. Ives</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2450">
        <name>Military</name>
      </tag>
      <tag tagId="2440">
        <name>Seafaring and shipping</name>
      </tag>
      <tag tagId="183">
        <name>shipwreck</name>
      </tag>
      <tag tagId="2438">
        <name>Working life</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
