960 20 19268 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24217/PC.396.tif af85febfc184644234fcabf0dd696ade Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Celebration at unknown location Description An account of the resource Celebration at unknown location Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.396 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24218/PC.397.tif 90ce7eac294e934b9299c7aa9d57855f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A crowded Market Jew Street Penzance Description An account of the resource A crowded Market Jew Street Penzance Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.397 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24219/PC.398.tif 44b998c56459dff260a0731772c4822e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Helston Flora Day Description An account of the resource Helston Flora Day Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1928 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.398 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Helston https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24220/PC.399.tif 41f5a1225a180770772eb44b0e7103a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three young people taking break from work. Description An account of the resource Three young people taking break from work. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.399 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24221/PC.400.tif 4e82cd8d5bd40d49a902ba4047545181 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Image of six miners after work. Description An account of the resource Image of six miners after work. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.400 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24222/PC.401.tif 2cbd071d3f7a0ec24db237dd278add71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Gentleman wearing aTop Hat. Description An account of the resource Gentleman wearing aTop Hat. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.401 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24223/PC.402.tif ca9364196bc9a4b1844ba85a81f5b7ed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beach scene off the Promenade Penzance. Description An account of the resource Beach scene off the Promenade Penzance. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1905-1910 Rights Information about rights held in and over the resource Morrab Library. Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.402 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance promenade https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24224/PC.403.tif 9a23622a5b6eee6845befbc4ca89540f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Preparation for Parade at unknown location. Description An account of the resource Preparation for Parade at unknown location. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1912 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.403 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24225/PC.404.tif d45923be80ac81282abd620df236f6d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parade at unknown location. Description An account of the resource Parade at unknown location. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1912 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.404 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24226/PC.405.tif 792131037893e9154f3fb72f06661a6f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class of small children Description An account of the resource Class of small children Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.405 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/24227/PC.406.tif 071fa3779160d9f5039c53568edb27b5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four ladies walking up to view a tall edifice. Description An account of the resource Four ladies walking up to view a tall edifice. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1900-1910 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC.406 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24228/swa.contact.0517.tif 531204e4a7ea3661f196b2cd27aa5958 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Individual Names Names of individuals identified in the photo. John Boon Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Boon Description An account of the resource Portraits of John Boon I (of 2) for Mills & Boon, publishers. Written on the contact sheet 'John Boon I. Photos: Serena Wadham for Mills & Boon' Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0517 1960s John Boon Mills & Boon Publishing https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24229/swa.contact.0518.tif 57ff71b2c669d29546fe1723ce45e599 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Individual Names Names of individuals identified in the photo. John Boon Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource John Boon II Description An account of the resource Portraits of John Boon (2 of 2), for Mills & Boon, publishers. Written on the contact sheet, 'John Boon II. Photos by Serena Wadham for Mills & Boon. Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1968-01-24 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0518 1960s John Boon Mills & Boon Publishing https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24230/swa.contact.0519.tif 99d713c1a47dc16a6e23054396afc72f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lake Gardens, Twickenham Description An account of the resource Views of Lake Gardens, Twickenham. Written on the contact sheet, 'Lake Gardens I' Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0519 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Twickenham, London 1960s Twickenham https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24231/swa.contact.0345.tif 8c7f673777650ef563e19dc15fb8c12f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bravington Road 1 Description An account of the resource Black residents, children, woman and car, child in white for confirmation Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0345 https://photoarchive.morrablibrary.org.uk/files/original/24232/swa.contact.0346.tif 2adaf13cad31dfb77450c388434a518f Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bravington Road II Description An account of the resource Black residents and parents meeting. Black community - some white parents Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0346 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24233/swa.contact.0521.tif 5e27dbf8964552176a69e53bd879eebc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Individual Names Names of individuals identified in the photo. Zara Bowness Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowness I, Rehearsal Description An account of the resource Zara Bowness rehearsing with the orchestra formed by pupils of the Royal Military School of Music, as written on the reverse of contact sheet. Part of 'Women changing role of: woman conducting orchestra' Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0521 1960s musician Zara Bowness https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24234/swa.contact.0347.tif 98be2c1193106d02669fed748d06bcfa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Michael X Description An account of the resource (Michael Abdul Malik) Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0347 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24235/swa.contact.0348.tif aa72bc43f0041e75be54ebb955bb9090 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Islamic Cultural Centre Description An account of the resource Sheikh of Kuwait Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0348 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/24236/swa.contact.0522.tif a2073bc06d36034c46168426cdb8c581 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10x8 Inches Individual Names Names of individuals identified in the photo. Zara Bowness Lieutenant Colonel Brown Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bowness II Rehearsal Description An account of the resource Zara Bowness rehearsing with the orchestra of the Royal Military School of Music as written on reverse of contact sheet, also, 'Frames 33 to end: with Lieutenant Colonel Brown, Chief Instructor of the Royal Military School of Music. Creator An entity primarily responsible for making the resource Serena Wadham Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1960s Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Identifier An unambiguous reference to the resource within a given context swa.contact.0522 1960s musician