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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Street Name</name>
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          <name>Period Costume</name>
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              <text>N</text>
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            <name>Identifier</name>
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                <text>IND 16HF 062</text>
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            <description>A name given to the resource</description>
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                <text>Workmen with pieces Penzance Old Dry Dock Gate, Penzance.   1955</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1955</text>
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                <text>Penzance</text>
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            <name>Source</name>
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                <text>Richards</text>
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        <name>1951-1970</name>
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        <name>Seafaring and shipping</name>
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        <name>Working life</name>
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            <description>A name given to the resource</description>
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                <text>Works vehicles at turning triangle</text>
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                <text>Works machinery and cars at turning triangle. Dam and tower can be seen in the background on right.&#13;
Stamped on the reverse "Richards Brothers, Penzance"</text>
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                <text>Richards Brothers</text>
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                <text>Morrab Library&#13;
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                <text>1966-05-13</text>
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                <text>Drift</text>
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                  <text>Zennor Wayside Museum</text>
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                  <text>Everyday life in rural Zennor</text>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>2015</text>
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                  <text>Photographic prints</text>
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          <name>Physical Dimensions</name>
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                <text>Workshop  - Saws, Carpenters tools&#13;
&#13;
Large wheel driving what looks like an early lathe for turning wood</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Workshops\ Cottage James Tangye 1825 son founder Cornwall Wks Smethwick </text>
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                <text>c. 1912</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Identifier</name>
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                <text>Illogan</text>
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                <text>Postcard</text>
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                <text>View looking over sheds and pipework. A few men working centre right. Date stamped bottom left.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1966-03-14</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library&#13;
</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>DD.122</text>
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            <name>Coverage</name>
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                <text>Drift</text>
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  <item itemId="20981" public="1" featured="0">
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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      <name>Still Image</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>World map from the Medici-Laurentian atlas</text>
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            <description>An account of the resource</description>
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                <text>Dating from the mid 13th century this is the first (extant) map to incorporate the travel reports of Marco Polo and Ibn Batuta. It shows Asia up to India, marking places like the Delhi Sultanate and others with reasonable accuracy. The atlas also shows the Caspian as a closed sea (unusual for maps of that time). It includes a depiction of the recognisable shape of the continent of Africa with remarkable precision.&#13;
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                <text>Morrab Library</text>
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                <text>1340-1360</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Lantern Slide</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="183319">
                <text>MG.482</text>
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  <item itemId="7731" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>RMS Queen Elizabeth II</text>
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        <element elementId="55">
          <name>Period Costume</name>
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              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="51575">
                <text>SHIP 9.015</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51576">
                <text>World Restaurant on QE2</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ship</text>
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                <text>Furniture</text>
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                <text>MWork MPlayW</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="51582">
                <text>1960</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="51583">
                <text>Angove</text>
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  <item itemId="6150" public="1" featured="0">
    <fileContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="31836">
                  <text>Stanley Opie Archaeology</text>
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              <description>The topic of the resource</description>
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                  <text>Archaeology</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="31838">
                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                  <text>Stanley Opie</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="63">
          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Maps</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37648">
                <text>Worldwide map showing the distribution of customs and traditions. </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37649">
                <text>Worldwide map showing the distribution of customs and traditions. </text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="37651">
                <text>Morrab Library</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="116205">
                <text>Stanley Opie</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>O.671</text>
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  <item itemId="19448" public="1" featured="0">
    <fileContainer>
      <file fileId="14756">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Wreck "Mina Cantaquin"</text>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170020">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="170021">
                <text>Half Plate Glass Negative</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="170022">
                <text>WRECKS 32HG 048</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="170023">
                <text>Lizard</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="170024">
                <text>Group of men on shore watching Spanish coaster, wrecked at Black Head Rock later drifted to Lowland Point, near Coverack, The Lizard.&#13;
 According to Spanish newspaper report (6th November 1951 - Google translation) " The Spanish ship ran aground on the Cornish coast. The ship began to sink and its seventeen crew members were saved by a British ship. The ship belonged to the registration of Gijon"</text>
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        <name>1951-1970</name>
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      <tag tagId="2440">
        <name>Seafaring and shipping</name>
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      <tag tagId="2438">
        <name>Working life</name>
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      <tag tagId="183">
        <name>Wrecks</name>
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  <item itemId="20135" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="2">
                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>The 2,297-ton steamer Tripolitania of Genoa sailed from her home port on December 181th 1912, in water ballast for Barry Dcoks, under the command of Captain Elia Reppito, and when deep in the Bay of Biscay encountered the worst storm to sweep the Channel for fifty years. &#13;
&#13;
Gusting to over 100 mph, the WSW gale caught her high-riding hull as it would saild, and by 6 A.M on Boxing Day,  when the Wolf Rock was sighted, she was in grave difficulities. She scraped past the Land's End Cliffs, and though water was pumped into her holds to force her deeper into the sea, she drove on. By noon the Tripolitania was inside the Lizard and, knowing she was doomed, Captain Reppito called the crew on to the bridge and told them that he was going to beach on Loe Bar. &#13;
&#13;
At full speed she surged up the coast, then the wheel was put hard rescue to arrive the Italians flung a roper over the bows and though the first man who slid down was swept away, twenty-seven others got safely ashore. During the next few ays the Tripolitania was driven farther up the bar sands, but she was little damaged and the work of refloating her began. Scores of labourers dug away the sand which continually built around her, coffer dams were erected and channels cut back to the sea. &#13;
&#13;
Months passed, and she still remained on the bar. In August 1913 hopes of salvage were still good, but on November 4th a south-west gale and high spring tide destroyed a year's work in a night. By dawn she had wallowed her way 300 yeards further inshore and settled down even deeper; Tripolitania was launched on the Mersey in 1905 as the Drumgarth, for John Heron &amp; Co of Liverpool. She later became the Lord Cromer, and in December 1911 passed to Luigi Pillagura of Genoa. By a coincidence, her last captain before she was sold to the Italians was Captain J.J Beckerleg of Marazion, whose home was only half a dozen mile from Loe Bar. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 171), p. 163.</text>
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                <text>© Morrab Library</text>
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            <description>A name given to the resource</description>
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                <text>Wreck of  Tripolitania, wrecked at Loe Bar, December 18th 1912. </text>
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                <text>The 2,297-ton steamer Tripolitania of Genoa sailed from her home port on December 181th 1912, in water ballast for Barry Dcoks, under the command of Captain Elia Reppito, and when deep in the Bay of Biscay encountered the worst storm to sweep the Channel for fifty years. &#13;
&#13;
Gusting to over 100 mph, the WSW gale caught her high-riding hull as it would saild, and by 6 A.M on Boxing Day,  when the Wolf Rock was sighted, she was in grave difficulities. She scraped past the Land's End Cliffs, and though water was pumped into her holds to force her deeper into the sea, she drove on. By noon the Tripolitania was inside the Lizard and, knowing she was doomed, Captain Reppito called the crew on to the bridge and told them that he was going to beach on Loe Bar. &#13;
&#13;
At full speed she surged up the coast, then the wheel was put hard rescue to arrive the Italians flung a roper over the bows and though the first man who slid down was swept away, twenty-seven others got safely ashore. During the next few ays the Tripolitania was driven farther up the bar sands, but she was little damaged and the work of refloating her began. Scores of labourers dug away the sand which continually built around her, coffer dams were erected and channels cut back to the sea. &#13;
&#13;
Months passed, and she still remained on the bar. In August 1913 hopes of salvage were still good, but on November 4th a south-west gale and high spring tide destroyed a year's work in a night. By dawn she had wallowed her way 300 yeards further inshore and settled down even deeper; Tripolitania was launched on the Mersey in 1905 as the Drumgarth, for John Heron &amp; Co of Liverpool. She later became the Lord Cromer, and in December 1911 passed to Luigi Pillagura of Genoa. By a coincidence, her last captain before she was sold to the Italians was Captain J.J Beckerleg of Marazion, whose home was only half a dozen mile from Loe Bar. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 171), p. 163.</text>
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&#13;
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