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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text> Virgin Street St Ives  (five cats). c 1930.. </text>
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An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Visit of General Booth to Hayle Foundry Square. c 1910.. </text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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1942</text>
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                <text>Minesweeper Anno</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Written on the back of the print: Visit of the P.M., Sir Alec Douglas-Home, to flower &amp; vegetable show at St. John's Hall, Penzance, on March 13th, 1964, followed by speech delivered from the steps outside. N.B. negatives enclosed; also fuller details for caption purposes.&#13;
Credit from Black Star, Cliffords Inn, London&#13;
In another hand: at Penzance Cornwall Mr Greville Howard M.P. &amp; Sir Douglas-Home</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="206057">
                <text>Serena Wadham</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="206058">
                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="206059">
                <text>1964</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="206060">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="206061">
                <text>Silver Bromide Print</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="206062">
                <text>swa.contact.0053</text>
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            <name>Coverage</name>
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                <text>Town Hall Penzance</text>
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              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <description>The topic of the resource</description>
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                <text>Settlement Related Sites</text>
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                <text>Chysauster Village, New Mill, nr. Penzance</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Visitors outside House 7 at Chysauster</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Site of iron age hut. </text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="38948">
                <text>Morrab Library</text>
              </elementText>
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                <text>1930-1939</text>
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            <name>Creator</name>
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                <text>Stanley Opie</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementTextContainer>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>A name given to the resource</description>
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                <text>Vivian Family at home</text>
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            <description>An account of the resource</description>
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                <text>Vivian Family at home&#13;
Leopold.  Mary Chrish&#13;
Mary Burgess. Jess Vivian&#13;
Emily Houghton Alice Vivian ?  Lucy Vivian ?&#13;
&#13;
</text>
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            <element elementId="50">
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>10x8 Inches </text>
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              <text>Serena Wadham </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Viviana Quinn</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="202708">
                <text>Female, Male and Child close ups indoors</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Serena Wadham </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="202710">
                <text>Morrab Library </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960s</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="202712">
                <text>Morrab Library </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="202713">
                <text>Silver Bromide Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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                <text>The 286-ton steel schooner Voorspoed of Amsterdam, W.K. machinery and general cargo, failed to weather Droskyn Point, in a fresh northerly gale on March 7th 1901. &#13;
&#13;
Sampson Mitchell of Alma fame, hit her mainmast with the first rocket, and the exhausted, seasick Dutchmen, and a young English cabin boy fresh from training ship were landed. Captain de Grooth refused to leave until coastguards and a local doctor, who had gone out to attend a sailor prostrated with expourse and rum, showed him the wreck of the Seine. &#13;
&#13;
The Voorspoed, listing slightly to starboard, ebbed dry at noon, when stores, gear, clothes, and a stuffed alligator were landed by breeches-buoy. &#13;
&#13;
How and when the looting started was never determined, but Captain de Grooth later said, "I have been wrecked in different parts of the globe, even in the Fiji island, but never among such savages as those of Perranporth." Most of the blame fell on the Navvies working on the new GWR branch line from Chasewater to Newquay, though Perran men were seen on deck surrounded by the beach in aprons of local women. &#13;
&#13;
The Voorspoed, ex-Foxham, ex-Jan Derks, launched in 1892 by Neistern &amp; Co of Martenshoek was refloated a fortnight later by the Falmouth tug Triton, but on her next voyage disappeared with all hands while bound for Newfoundland. &#13;
&#13;
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                <text>The 286-ton steel schooner Voorspoed of Amsterdam, W.K. machinery and general cargo, failed to weather Droskyn Point, in a fresh northerly gale on March 7th 1901. &#13;
&#13;
Sampson Mitchell of Alma fame, hit her mainmast with the first rocket, and the exhausted, seasick Dutchmen, and a young English cabin boy fresh from training ship were landed. Captain de Grooth refused to leave until coastguards and a local doctor, who had gone out to attend a sailor prostrated with expourse and rum, showed him the wreck of the Seine. &#13;
&#13;
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&#13;
How and when the looting started was never determined, but Captain de Grooth later said, "I have been wrecked in different parts of the globe, even in the Fiji island, but never among such savages as those of Perranporth." Most of the blame fell on the Navvies working on the new GWR branch line from Chasewater to Newquay, though Perran men were seen on deck surrounded by the beach in aprons of local women. &#13;
&#13;
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&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Books Ltd, 1970), p87.</text>
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                <text>W  H Smith corner site opposite the Railway Station Market Jew Street Penzance. </text>
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                <text>© Morrab Library</text>
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                <text>W  H Smith corner site opposite the Railway Statio</text>
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                  <text>Early photos of Penzance people "the great and the good". The photo of Princess Alexandra is part of a larger photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (Penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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                <text>County Court Officer, 7 North Parade</text>
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                <text>Robert Preston</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>GHA28D</text>
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                <text>Penzance</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>W C &amp; S Hancock Motor Car Track fairground ride</text>
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                <text>Morrab Library&#13;
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                <text>ENT 9.021</text>
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