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                  <text>James Downing Collection</text>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Slight vertical lines on print</text>
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                <text>JDC 365</text>
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                <text>View from the top of Bowjey over Newlyn harbour looking towards Penzance showing the North and South piers.</text>
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                <text>In the foreground is the cleared site of the houses of the Navy Inn, demolished in 1939 that inspired the petition  to Westminster in October 1937. Well documented. Building of the new Navy Inn flats started around 1953. Many people who previously lived in the old houses moved to the new Gwavas Estate above the Bowjey.</text>
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                <text>c. 1950.</text>
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                <text>Newlyn</text>
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                <text>Morrab Library</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Landscape</text>
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                <text>Carn Brea, Camborne</text>
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                <text>View from thre summit of Carn Brea. </text>
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                <text>View from thre summit of Carn Brea. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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          <description>The actual physical size of the original image</description>
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              <text>174 x 124 mm</text>
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            <description>A name given to the resource</description>
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                <text>View from Tolcarne area toward Wherrytown and Penzance, 1900</text>
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            <description>The topic of the resource</description>
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                <text>View across the foreshore at very low spring tide. Chimneys of the Mill building at Wherrytown. Masts of a tall ship in the Penzance dock.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1895-1900</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 286</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>170x126mm.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from Tolcarne Hill. 1905-1910</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Looking south over Newlyn Harbour, town and to Penlee point.</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1905-1910</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 288</text>
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                <text>Newlyn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Wolf Rock Lighthouse</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Satellite</text>
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                <text>LIGHT 18PF 117</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from tower of Wolf Rock Lighthouse, of  stores being hauled from relief boat "Satellite".     1935</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1935</text>
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                <text>Stores being hauled onto Lighthouse from Relief Boat Steamer Satellite in background</text>
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                <text>Richards</text>
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        <name>1931-1950</name>
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        <name>Seafaring and shipping</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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            <description>A name given to the resource</description>
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                <text>View from Western Green, Newlyn</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Unloading fishing boats.&#13;
Penzance in the distance. &#13;
Bodillys Mill and the serpentine works at Wherrytown.</text>
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                <text>1900-1930</text>
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                <text>Morrab Library</text>
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                <text>Flimsy Negative - Other</text>
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                <text>M,117</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <name>Fishing (commercial)</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Building Name</name>
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            <name>Identifier</name>
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                <text>LIGHT 18PF 118</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from Wolf Rock off Lands end,  relief member being lowered.&#13;
1939</text>
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            <description>An account of the resource</description>
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                <text>Relief boat takes keepers and stores to Wolf Rock, the steamer Satellite cannot get close enough</text>
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        <name>1931-1950</name>
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              <name>Title</name>
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                  <text>James Downing Collection</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
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            <name>Title</name>
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                <text>View into Newlyn Narrows looking North, 1905</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Fore Street, Newlyn</text>
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                <text>1905-1910</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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                <text>Print</text>
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                <text>JDC 168</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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              <name>Title</name>
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                  <text>Way Collection&#13;
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              <description>An account of the resource</description>
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
&#13;
It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
&#13;
One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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                  <text>from S.K. Way</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View looking down Market Jew Street. </text>
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            <description>An account of the resource</description>
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                <text>View looking down Market Jew Street. On the left. Lloyds Bank / Market House, on the right Symons chemist, Peasgoods for many years and now a charity shop. Below is the Star Inn and what is now COOP , smaller shops and the large Post Office Building.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Market Jew Street Penzance</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Damaged?</name>
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              <text>No</text>
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              <text>200x135mm</text>
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            <name>Identifier</name>
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                <text>JDC 329</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View looking down Newlyn's Coombe River towards the Medieval Bridge and Old Bridge behind, 1880-1885.</text>
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                <text>Fairs people camped on the Newlyn side bank near what is now the new road bridge (yet to come). Newlyn Fair was held at Paul Feast time around October. Tall building in the centre was Carter's shop and home with the pilot's lookout at the top; note, this was burnt down in 1895 and rebuilt thereafter.</text>
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                <text>Morrab Library</text>
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                <text>Newlyn&#13;
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                <text>1880-1885</text>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>View of a creek with an old punt in the foreground.</text>
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                <text>View of a creek with an old punt in the foreground.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>View of a distant bridge</text>
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            <description>An account of the resource</description>
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                <text>View of a distant bridge</text>
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                <text>Morrab Library</text>
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  <item itemId="19730" public="1" featured="0">
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              <description>An account of the resource</description>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="189856">
                  <text>Morrab Library</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View of a house</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Two photographs of a house.  It is known that Barbara's family lived at 31 Belgravia Street, Penzance so this could be a photograph of their home.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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                <text>Flimsy Negative - Other</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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        <element elementId="55">
          <name>Period Costume</name>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>FISH 12HG 010</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View of a Plymouth trawler, a Lowestoft drifter, and a Newlyn lugger in 1905</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1905</text>
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                <text>Newlyn</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Half Plate Glass Negative</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="105853">
                <text>Identifiable boats: PH 340, PZ 216, PZ 491</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="167844">
                <text>Morrab Library</text>
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  <item itemId="22443" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Turner/Dennis Album</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Florence M. Woodman Turner</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>1900-1910</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="177229">
                  <text>Morrab Library</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View of a ruined building and a girl holding a white gate open,  driveway and house</text>
              </elementText>
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          </element>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="194421">
                <text>Florence Turner</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="194423">
                <text>Morrab Library</text>
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            <name>Format</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TA.127</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Turner/Dennis Album</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="177225">
                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Florence M. Woodman Turner</text>
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                <text>View of Armed Knight at sunset</text>
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                <text>Sea Landscape</text>
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                <text>Land's End</text>
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                <text>View of Asparagus Island Gull Rock and The Bellows </text>
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                <text>Pool surrounded by rocks at Kynance Cove Near Mullion</text>
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