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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="121854">
                <text>Whitesands Bay, Land's End</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="121855">
                <text>Scape</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="121856">
                <text>Overview looking towards Cape Cornwall</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="121857">
                <text>A.H. Hawke, Helston</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="121858">
                <text>c.1930</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="121859">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="121860">
                <text>Postcard</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="121862">
                <text>SCAPE.PC.286</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="121863">
                <text>Sennen, Whitesands Bay</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Building Name</name>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <elementText elementTextId="60283">
              <text>Maples GWR</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="60284">
              <text>N</text>
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            <name>Identifier</name>
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                <text>TRANS 8.228</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="60280">
                <text>Whitney Blankets on Great Western Railway Horse Wagons, 1900</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Horse &amp; Wagon</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="60285">
                <text>1900</text>
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            <name>Source</name>
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                <text>Angove</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="138473">
                <text>Morrab library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="138474">
                <text>Print</text>
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    <tagContainer>
      <tag tagId="2445">
        <name>Travel and transport</name>
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  <item itemId="11016" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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            <elementText elementTextId="81392">
              <text>Longships</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="81393">
              <text>No</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="81387">
                <text>LIGHT 18HG 035</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="81388">
                <text>Wife of Lighthouse Keeper Semaphoring husband 1950&#13;
very damaged see LIGHT 18HF 034</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1950</text>
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            <name>Coverage</name>
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                <text>Lands End</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <name>Identifier</name>
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                <text>LIGHT 18HF 033</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Wife of Lighthouse Keeper waving to Longships    1950&#13;
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                <text>Lands End</text>
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                <text>Keepers were overdue Christmas Leave, wife waving from her garden inSennen Cove</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>LIGHT 18HF 034</text>
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                <text>Lands End</text>
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                <text>Keepers were overdue Christmas Leave wife using Semaphor to contact husband on Lighthouse</text>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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                  <text>Morrab library/Chappell Family</text>
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                <text>William and Richard James Chappell,  as little boys, studio portrait</text>
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                <text>Richard James wearing a sailor suit, William in a dress.</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>William Ayres 1856-1924, Coachman, London.</text>
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                <text>Husband of great Aunt Nanny Walls 1850-1907</text>
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                <text>M.Orrilon ? Woodville Road, Thornton Heath, London.</text>
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                <text>Carlene Harry</text>
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                <text>1880-1920</text>
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                <text>Morrab Library</text>
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                <text>London</text>
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                  <text>Two family photograph albums related to the Armstrong family.&#13;
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"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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                <text>William Bourne, aged four months</text>
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                <text>Dr Melissa Hardie</text>
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                <text>Morrab Library&#13;
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                <text>Morrab Library</text>
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                <text>ARMS SA 019</text>
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                <text>William Chappell as a little boy</text>
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                <text>Studio portrait. Brother of Richard James Chappell CF.018.  Dressed in a dress, as was the fashion for little boys. </text>
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                <text>Chappell Family</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>William Copeland Borlase.&#13;
5 April 1848 - 31 March 1899</text>
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            <description>An account of the resource</description>
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                <text>Antiquarian and Liberal Politician.&#13;
Born at Castle Horneck, Penzance, the only son of Samuel Borlase and his wife Mary Ann (nee Copeland).&#13;
His great great grandfather was Dr. William Borlase, Cornish Historian.</text>
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                <text>M.2574</text>
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                <text>Penzance</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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                <text>William Davis, editor of Punch Magazine outside 'Il Vino'</text>
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            <description>An account of the resource</description>
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                <text>'Fracas at El Vino's' &#13;
"The City is a man's world. But at El Vino's women are welcome in the back room". A classic feminist cause celebre was the campaign to win equal treatment for women in this legendary legal and financial bar.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.EX.037</text>
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                <text>Soho, London</text>
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              <description>An account of the resource</description>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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            <description>A name given to the resource</description>
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                <text>William Grenfell&#13;
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="159751">
                <text>Son of Mary Walls and William Grenfell.&#13;
Born 1873, went with his mother to look for his father in 1879.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Carlene Harry</text>
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                <text>1895-1900</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Identifier</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Willaim Hazell</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>William Hazell's Traction Engine in River Barle</text>
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                <text>Car Spectators</text>
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            <name>Date</name>
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                <text>1973-04-20</text>
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                <text>Dulverton</text>
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            <description>An account of the resource</description>
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                <text>Engine crashed through wall &amp; plunged into river</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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                <text>TRANS 8.142</text>
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                <text>William Hazell's Traction Engine in River Barle, 1973</text>
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                <text>Bridge Spectators</text>
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                <text>1973-04-20</text>
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                <text>Dulverton</text>
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                <text>Engine plunged 15 ft into river. Mr Hazell &amp; 2 Boys on Footplate had lucky escape</text>
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                <text>Angove</text>
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        <name>Steam powered vehicle</name>
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