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                  <text>Cornwall</text>
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                <text>View from Lemon Bridge, Truro</text>
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                <text>Overview, this area is known as the Lemon Quay.&#13;
With a hand written message in ink to the reverse of the postcard to a recipient in St. Ives, cornwall</text>
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                <text>Argall's Series</text>
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                <text>1904-06-08 Postmark</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>View from Lescudjack, Penzance, looking towards St. Michael's Mount  poss 1891  blizzards </text>
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                <text>© Morrab Library</text>
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                <text>View from Lescudjack, Penzance, towards St. Michael's Mount.</text>
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                <text>Gibson</text>
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                <text>G. Harvey</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <description>A name given to the resource</description>
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                <text>View from Morrab Gardens to Cornishman Office, Penzance.    </text>
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            <description>The topic of the resource</description>
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                <text>1962</text>
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            <description>An account of the resource</description>
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                <text>Advertising Board on building reads "Western Evening Herald"&#13;
Car tracks in snow</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>View from my window</text>
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                <text>View from Newlyn across to Penzance, 1890.</text>
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                <text>Queen's Hotel can be seen, built 1861. Serpentine works, promenade, 'gun' house building on battery rocks. Wherrytown reef of rocks. Building to left is Norway Ice Store, base of later ice works. Fish jowsters on beach.</text>
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                <text>View from Newlyn Town</text>
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                <text>Looking over Street an Nowan with view of new harbour Road</text>
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                <text>View from north end of Newlyn Harbour towards the South Pier.</text>
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View looking towards the completed South Pier, Green Rocks and Newlyn Town top right. You can just see the old pier - dark area, top right. Fish are being landed from small boats. Trails in the harbour mud indicate carts crossing to Newlyn Town, only possible at low tide. North Pier not built yet.</text>
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                  <text>The Newlyn Collection, collected and donated by Dr Eric Richards depicts many aspects of life and work in Newlyn between 1880 and 1930. Many of the buildings covered by the collection were demolished in the clearance scheme during the 1930s.</text>
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                <text>View from Old Harbour Boat Landscape</text>
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            <description>The topic of the resource</description>
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                <text>Harbour</text>
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                <text>Fish Boat SAIL Building</text>
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                <text>1890</text>
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                <text>Newlyn</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>View from old Paul Hill, Newlyn. 1900</text>
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            <description>The topic of the resource</description>
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                <text>Looking across to Tolcarne. Area to left referred to Park Saundry.</text>
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                <text>1900</text>
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                <text>Morrab library</text>
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                <text>JDC 186</text>
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                <text>Newlyn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>View from Pendeen Watch near Land's End</text>
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                <text>Waterscape</text>
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            <description>An account of the resource</description>
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                <text>Looking southwards The Enys and the cliffs. Note mines   Levant and Geevor in the distance (double neg)</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>1960</text>
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                <text>WATERSc 31OF 122</text>
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                <text>Pendeen</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Note Derrick ready to winch up stores and refuge cone</text>
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                <text>The new harbour road built in 1908 will extend from left to right from the bottom of Newlyn Slip to below Newlyn Town (out of picture) to the Norway Ice store building, far left. Just above the Ice Store building is the Newlyn Trinity Methodist Chapel, built 1835. The houses behind, going from right to left, are on Chywoone Hill (aka Paul Hill).</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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Islington, London.</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="84931">
                <text>1936</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="84932">
                <text>Richards</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="151698">
                <text>Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="2449">
        <name>1931-1950</name>
      </tag>
      <tag tagId="2440">
        <name>Seafaring and shipping</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
