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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Threshing by Steam Power. Thresher</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Equipment</text>
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                <text>Steam Engine People</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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                  <text>Photographic prints</text>
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                <text>Threshing Farm scene</text>
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                <text>Morrab Library</text>
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                <text>Flimsy Negative - Other</text>
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ZWM 032</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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      <name>Still Image</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Threshing Machine</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Threshing in progress</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>ZWM 007</text>
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                <text>Zennor</text>
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              <description>An account of the resource</description>
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W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Threshing Scene</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Half Plate Glass Negative</text>
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            <name>Identifier</name>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Twelve men are working, loading the threshing machine and bagging up.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library&#13;
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Kenneggy, Gulval </text>
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            <description>A name given to the resource</description>
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                <text>Threshing using a steam engine</text>
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                <text>Morrab Library&#13;
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>SPORT 26OF 110</text>
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            <name>Title</name>
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                <text>Throw-in during Cornwall v Durham match</text>
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            <name>Subject</name>
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                <text>Richards</text>
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                <text>1908, Cornwall v Durham County match where Cornwall won 17-3. </text>
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        <name>1891-1910</name>
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        <name>community life</name>
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        <name>Sport</name>
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              <description>An account of the resource</description>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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              <name>Publisher</name>
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                  <text>Morrab Library</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Marjorie and Barbara  throwing snowballs in open countryside</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Thumb nail portrait of young Man in flat cap wearing a button  hole.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Thumb nail portrait of young Man in flat cap wearing a button hole.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>R.J. Allen - Lostwithiel</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 034</text>
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        <name>Peop</name>
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        <name>Personal life</name>
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        <name>Portrait</name>
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  <item itemId="18149" public="1" featured="0">
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
&#13;
It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
&#13;
One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>from S.K. Way</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Thumbnail Portrait of Young Woman</text>
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            <description>An account of the resource</description>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="159131">
                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>W 100</text>
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  <item itemId="7542" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
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            <name>Subject</name>
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            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BUILD 7HF 207</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tiled Patio of Tavis For, Mousehole. St Clements Isle in background</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Residential Property</text>
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              <elementText elementTextId="69743">
                <text>Gardens Sea</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="69745">
                <text>1960</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Mousehole</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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        <name>1951-1970</name>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/11448/SHIP_25WG_006.tif</src>
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              <name>Title</name>
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                  <text>Richards Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Karl Friedrich Larsen</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>Yes</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="182099">
              <text>fragile, cracked right through</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 25WG 006</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="85490">
                <text>Timber carrier at South Pier, Penzance harbour</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="85498">
                <text>Note piles of wood, publicity sheet showing various concerts at Prussia Cove and St Michaels Mount</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="182096">
                <text>Morrab library</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="182097">
                <text>Whole Plate Glass Negative</text>
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    <tagContainer>
      <tag tagId="2441">
        <name>1911-1930</name>
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      <tag tagId="2440">
        <name>Seafaring and shipping</name>
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