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              <text>Photo Kine Parkers of Penzance VDV 755</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Two views of Ross Bridge looking towards Station</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Bridge</text>
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                <text>Bus Building</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1965</text>
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                <text>Penzance</text>
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                <text>Richards</text>
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                <text>Morrab Library</text>
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            <name>Format</name>
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      <tag tagId="2453">
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            <description>A name given to the resource</description>
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                <text>Two views of the Abbey Gardens Tresco, Scilly Isles</text>
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          <element elementId="41">
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                <text>Including the stone table and rockery </text>
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            <name>Identifier</name>
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                <text>SPA 009</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Tresco</text>
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          <name>Period Costume</name>
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            <elementText elementTextId="80872">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="80869">
                <text>IND 16CF 106/ 7</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80870">
                <text>Two views of Towers Penlee Quarry , Newlyn,    1970&#13;
16CF 106/107</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="80873">
                <text>1973</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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            <name>Source</name>
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                <text>Richards</text>
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                <text>Morrab Library</text>
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        <name>1971-1990</name>
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      <tag tagId="2439">
        <name>Mining and quarrying</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Unigate Dairy</text>
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        <element elementId="57">
          <name>Street Name</name>
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              <text>Crowlas</text>
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              <text>Unigate</text>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <elementText elementTextId="94256">
              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="94249">
                <text>IND 16HF 046/047</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Two views of Unigate Dairy at Crowlas,  near Penzance  1969&#13;
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="94251">
                <text>Name Board Unigate [Dairy Sales}</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Crowlas</text>
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            <name>Source</name>
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                <text>Richards</text>
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  <item itemId="8269" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Two Vintage Single Decker Buses</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Col</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1975</text>
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            <name>Source</name>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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                <text>Pages from the Freddie Philips Collection Album.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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              <text>N</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Two women among daffodils holding trophies&#13;
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                <text>Newlyn</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="171958">
                <text>Hard copy entry reads " Miss Clary (left) and Miss Howells (right) with prize trophies for daffodils, White house, Chywoone Hill, Newlyn"&#13;
Same women as HORT 15HG 003 and 004</text>
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                <text>Morrab Library</text>
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                <text>Half Plate Glass Negative</text>
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        <name>1931-1950</name>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Two women and a child at a bus stop in Islington</text>
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                <text>Serena photographed women, famous, at work and play and generally going about their business. These photographs are taken around the streets of &lt;a href="https://en.wikipedia.org/wiki/Islington"&gt;Islington&lt;/a&gt; where Serena lived. A snapshot of the lives of women in the 1970s.</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Date</name>
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                <text>1970-1980</text>
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              <elementText elementTextId="155119">
                <text>Silver Bromide Print</text>
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                <text>Islington London</text>
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Two Women and a Man  with Wheelbarrow of Daffodils</text>
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                <text>In lane wheeling Golden Spur daffodils, possibly at Boskenna or Lamorna</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
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Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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              <name>Title</name>
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                  <text>Serena Wadham Archive</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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                  <text>SWA</text>
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              <text>10x8 inches</text>
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              <text>Serena Wadham&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Two women behind the counter in a corner shop.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Serena photographed women, famous, at work and play and generally going about their business. These photographs are taken around the streets of Islington where Serena lived. A snapshot of the lives of women in the 1970s.</text>
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            <name>Creator</name>
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                <text>Serena Wadham&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970-1980</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.347</text>
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            <name>Coverage</name>
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                <text>Islington London</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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                <text>Two women standing beside a car.  The woman on the left has her arm in a sling.</text>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Flimsy Negative - Other</text>
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