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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                  <text>Morrab Library</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library unless otherwise stated</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Group Photograph, possibly Men's Cornwall Football Team</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Team of eleven men, three seated cross-legged, five kneeling, three standing with three other men in suits.&#13;
Teams wearing studded boots and sports shirts with Cornish, two wearing belts.&#13;
Image shows photograph with torn edges pinned to board.&#13;
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>MG.305</text>
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  <item itemId="20255" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/20255/LIGHT_18PG_109.tif</src>
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          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Retirement presentation to Captain Boyd of Sevenstones Lightship</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Outside Trinity House</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="177407">
                <text>Morrab library</text>
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            <name>Date</name>
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                <text>1937</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard Glass Negative</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>LIGHT 18PG 109</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <name>Seafaring and shipping</name>
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        <name>Working life</name>
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              <description>A name given to the resource</description>
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                  <text>Geoffrey Harvey Album </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Cartes de Visites Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Early photos of Penzance people "the great and the good". The pho of Princess Alexandra is part of a lager photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Penzance</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Photo stuck in the album and crinkled</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>3"x2"</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mr A C and Mrs Wildman and Harvey Wildman</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>From a page containing a mix of images</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>GHA.061B</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>From a negative made of the album </text>
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            </elementTextContainer>
          </element>
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                  <text>Geoffrey Harvey Album </text>
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              <description>The topic of the resource</description>
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                  <text>Cartes de Visites Collection</text>
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              <description>An account of the resource</description>
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                  <text>Early photos of Penzance people "the great and the good". The pho of Princess Alexandra is part of a lager photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>Penzance</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Photo stuck in album and crinkled</text>
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            <description>A name given to the resource</description>
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                <text>J B Coulson</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text> Page of 5 mixed photos</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>From a negative made of the album </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>GHA.008B</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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                  <text>Early photos of Penzance people "the great and the good". The pho of Princess Alexandra is part of a lager photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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            <description>A name given to the resource</description>
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                <text>Mr S H James&#13;
St Just</text>
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            <description>The topic of the resource</description>
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                <text>From a page of three mixed photos</text>
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            <description>An account of the resource</description>
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                <text>From a negative made of the album </text>
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                <text>Prob. Robert Preston</text>
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            <name>Publisher</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Lamorna Valley</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lamorna</text>
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He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>A name given to the resource</description>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Lamorna Birch sitting in a small boat.</text>
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                <text>Lamorna Birch sitting in a small boat</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>HMS D1 Royal Navy's First Diesel Powered Sub - launched 16th May 1908</text>
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                <text>Royal Navy’s First Diesel Powered Sub Launched 105 Years Ago Today&#13;
&#13;
On 16th May 1908 HMS D1, the first of the D Class Submarines of the Royal Navy was launched.  The photo above, taken by Stephen Cribb, shows the D1 moored in Portsmouth harbour sometime between May 1908 and 1913.  To the left in the background is HMS Mercury an old Iris Class Cruiser which became a submarine depot ship in 1906.  In the foreground we can see the A Class HMS A5 passing D1 with some of her 11 man crew manning the sides.&#13;
&#13;
The D Class of submarines was a major step forward in sub capability. Until that time the preceding classes were confined to coastal areas with little ability for longer range cruising.  The earlier classes A through C were powered by electric motors and petrol engines.  The new D class had an improved surface cruising range of up to 2500 nautical miles in comparison to the earlier A Class’, which was first launched in 1902, 350 nautical miles.  This shows the leap in capability over just 6 years.   The D Class also had improved armament and speed, fitted with 2 forward and 1 aft firing 18 inch torpedo tubes and was also the first class to be fitted with a 12-pdr deck gun for surface use.   They were also the first subs to be equipped with a radio set, they were truly cutting edge boats.&#13;
&#13;
The D1 was built in absolute secrecy so advanced was her design, with her being built out of sight and even launched with little fanfare and she was immediately screened from view after her launch.  The D Class proved that subs could be viable long range assets when D1 sank a cruiser during exercises in 1910 and they proved their worth during World War One.   They were a part of the submarine force which patrolled the north sea and the Heligoland Bight attacking German shipping.  All of the sub classes built before 1914 played a part during the war with the A &amp; B classes filling port and harbour defence and training roles and the more advanced C class attacking shipping in the Baltic.  After the end of the war however technology had once again advanced and the D Class were succeeded by the later L Class.  D1 was sunk as a target in 1918.&#13;
Source: https://www.historicalfirearms.info/post/50588459895/historical-trivia-royal-navys-first-diesel</text>
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                <text>Malcolm Waters</text>
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                <text>1908-05-16</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>M.2500</text>
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                <text>Portsmouth</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>"Dunboyne" three masted steel sailing ship.</text>
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                <text>&#13;
The Dunboyne was a full-rigged ship built at Whitehaven and launched in March 1888. Now renamed the af Chapman she is still afloat, and is reputedly the World's third oldest surviving iron-built ship (the Euterpe, built in the Isle of Man, is one of the older ships). The af Chapman is moored at Skeppsholmen in Stockholm, where she has been used as a youth hostel since1949, and has hosted over a million visitors.&#13;
&#13;
Named the Dunboyne by her original Dublin owners, Charles E. Martin &amp; Co., she participated in the trade to Australia in her early years. According to Tom Messenger (see Source 2), who was First Mate in 1890 on voyages between Wales and Australia, her master, Capt. O'Neill, had his wife and daughter aboard. Unfortunately the child died and was buried at sea.&#13;
&#13;
Sold to Norway in 1909, the Dunboyne was renamed the G.D. Kennedy in July 1915 when she was bought by the Swedish shipping company Transatlantic. This company sold her to the Swedish government in 1924, and it was then that the ship was finally renamed af Chapman. She spent ten more years at sea, ending her final voyage on the 27th September 1934.&#13;
&#13;
&#13;
During World War II, the af Chapman was moored in Stockholm harbour, serving as a floating barracks for the Swedish Navy. No longer required by the Navy after the War, the ship was saved when the City of Stockholm bought her in 1947.&#13;
&#13;
During World War II, the af Chapman was moored in Stockholm harbour, serving as a floating barracks for the Swedish Navy. No longer required by the Navy after the War, the ship was saved when the City of Stockholm bought her in 1947. The ship was to remain berthed in Stockholm harbour. She was renovated to serve as a youth hostel, and serves that purpose still today. Her modification preserved as far as possible the ship's original condition, the large open lower deck, for example, being divided with removeable bulkheads, to preserve the deck as it once would have looked.&#13;
Source: https://www.mightyseas.co.uk/marhist/whitehaven/wsbc/dunboyne.htm</text>
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                <text>Malcolm Waters</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>M.2501</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Falmouth Harbour</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <description>A name given to the resource</description>
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                <text>Vierge Marie - Belgian trawler</text>
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                <text>WRECKS 32HG 071</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="179090">
                <text>The trawler is shown ashore, under Tregiffian Cliffs, near Lamorna&#13;
The boat had developed engine trouble in heavy seas. The Master and deckhand were saved by rocket apparatus (Breeches Buoy), but the other lives were lost.</text>
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                <text>1937-01-11</text>
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                <text>Morrab Library</text>
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                <text>Half Plate Glass Negative</text>
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                <text>Lamorna</text>
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        <name>Fishing (commercial)</name>
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        <name>Working life</name>
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                <text>Subject has two downward pointing chevrons, which may indicate rank of corporal or time served. Also at the number 24 on left sleeve</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Subject has unknown insignia  and initials RFC on left  breast pocket on jacket. Possibly a football club?</text>
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            <name>Publisher</name>
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            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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Image taken outside in a countryside setting.&#13;
Possibly related to slightly younger girl in MG.310, who holds same bunch of flowers.</text>
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&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="177620">
                <text>Young girl with bow and slide in hair, holding bunch of flowers.&#13;
She's sitting on a plaid blanket outside, house in background.&#13;
Possibly related to slightly older girl in MG.309, who holds same bunch of flowers.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="177621">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="177622">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="177623">
                <text>Other Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="187396">
                <text>MG.310&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
