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              <name>Title</name>
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                  <text>Zennor Wayside Museum</text>
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                  <text>Everyday life in rural Zennor</text>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>2015</text>
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                  <text>Morrab Library</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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      <name>Still Image</name>
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          <name>Physical Dimensions</name>
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            <description>A name given to the resource</description>
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                <text>Threshing Machine</text>
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                <text>Threshing in progress</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>ZWM 007</text>
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                <text>Zennor</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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          <name>Damaged?</name>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Loss of image on left hand side, main image ok</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Threshing Scene</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Trevaskis  Leedstown</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>C 1910</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Half Plate Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TJ.28</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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            <description>An account of the resource</description>
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                <text>Threshing steam  O N 37. </text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Orchard</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1910</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.345</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Kennegie Gulval </text>
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                <text>Threshing steam  O N 37. </text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Scratches on negative with blurred areas</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SPORT 26OF 110</text>
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            <description>A name given to the resource</description>
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                <text>Throw-in during Cornwall v Durham match</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Rugby</text>
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                <text>Teams General public Trees</text>
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                <text>See SPORT 26OF 109</text>
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                <text>1908</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Unknown</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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            <description>An account of the resource</description>
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                <text>1908, Cornwall v Durham County match where Cornwall won 17-3. </text>
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        <name>Sport</name>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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              <description>Information about rights held in and over the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Throwing snowballs</text>
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                <text>Marjorie and Barbara  throwing snowballs in open countryside</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Thumb nail portrait of young Man in flat cap wearing a button  hole.</text>
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            <description>An account of the resource</description>
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                <text>Thumb nail portrait of young Man in flat cap wearing a button hole.</text>
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                <text>R.J. Allen - Lostwithiel</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 034</text>
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        <name>Peop</name>
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        <name>Personal life</name>
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              <description>A name given to the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
&#13;
It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
&#13;
One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>from S.K. Way</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Thumbnail Portrait of Young Woman</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>W 100</text>
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  <item itemId="7542" public="1" featured="0">
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>THV Patricia</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>FROM PHOTOCOPY</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 8.010</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>THV Patricia built 1938 Inspections &amp; Buoy work</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ship</text>
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            <name>Date</name>
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                <text>1938</text>
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            <name>Source</name>
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            <name>Description</name>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <name>Identifier</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>THV Ready sister ship to Vestal Built 1947</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Ship</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1950</text>
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                <text>Angove</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <name>Period Costume</name>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>FROM PHOTOCOPY </text>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>THV Vestal Built 1947 1918 tons 11.5 knots</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Ship</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>A name given to the resource</description>
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                <text>Tigan Teal</text>
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            <description>An account of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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  <item itemId="9735" public="1" featured="0">
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
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                <text>BUILD 7HF 207</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tiled Patio of Tavis For, Mousehole. St Clements Isle in background</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Residential Property</text>
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                <text>Gardens Sea</text>
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                <text>Mousehole</text>
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              <name>Title</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Karl Friedrich Larsen</text>
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          <description>Does the photograph contain a notable example of period costume?</description>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>fragile, cracked right through</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 25WG 006</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Timber carrier at South Pier, Penzance harbour</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930</text>
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            <name>Coverage</name>
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            <description>A name given to the resource</description>
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                <text>Timber ship being unloaded onto cranes</text>
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                <text> Box-wood being unloaded in Penzance dock</text>
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                  <text>Napoleon</text>
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                  <text>Photographs of items from the Morrab Library's Dawson Napoleonic Collection</text>
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              <text> Adam, V.</text>
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                <text>loose (5X4)</text>
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            <description>Information about rights held in and over the resource</description>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="2">
                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Timothy Burt's Bath House, Penzance  </text>
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                <text>The remains of Burt's Bath House, Penzance, exposed as the rough seas washed the sand away during the January 2014 storms. &lt;br /&gt;&lt;br /&gt;The storms of the winter of 2013/2014 destroyed a great deal of the coastline but also revealed much which had been invisible. Mount's Bay suffered a great deal from these storms and the harbours at Mousehole, Newlyn, Penzance and Porthleven suffered varying degrees of damage. Much that had been hidden for many years came to light. On the beach opposite the Queens Hotel two sides of what appeared to be a square structure appeared immediately under the wall. The eastern side had been visible from time to time but not the northern side. There was also much evidence of parts of this structure scattered around and the remains of what appeared to be iron girders.&lt;br /&gt;&lt;br /&gt;A map hanging in the Morrab Library, Penzance, and the Tithe Map of 1844 showed "Baths" at this point. Part of the building rested on dry land while another longer part of the building would have been over the beach and at higher tides sea would have washed up against it. The tithe map shows that the building was divided up forming a small square on the eastern side. The Tithe Apportionment gives at 1449 "Baths and Bathing House", the landlord is John Boase and the lessee and occupier is Timothy Burt.&lt;br /&gt;&lt;br /&gt;These baths should not be confused with the ones at the bottom of Jennings' Street which must have been the ones described by Dr Paris in 1824&lt;sup&gt;(1)&lt;/sup&gt; ".....since the publication of the first edition [1816] of this work, HOT and COLD SEA BATHS have been completed upon a suitable scale of convenience. The waiting room belonging to the establishment commands a prospect of very singular beauty. St Michael's Mount rising boldly in front forms a striking relief to the extended line of coast which constitutes the background while the undulating shores to the left skirted by the little village of Chyandour, are well contrasted on the opposite side, with the busy scene of the pier, and the numerous vessels in the harbour." It would have been impossible then and now to have seen Chyandour or Penzance harbour activities from the site of Timothy Burt's baths! It is interesting to note that visitors would have been drawn to the activities of the port as well as the scenery.&lt;br /&gt;&lt;br /&gt;C.G. Boase in a series of articles in the &lt;em&gt;Cornish Telegraph&lt;/em&gt; newspaper (1883-1884) described the Jennings' Street baths. He did not know when they were opened but he claimed that on the 31st August 1816 "a great storm occurred which broke all the windows, the waves entered the buildings and washed out the furniture and fittings." Although not used after that, the building remained for many years with the word "BATHS" on it with very conspicuous lettering&lt;sup&gt;(2)&lt;/sup&gt;.&lt;br /&gt;&lt;br /&gt;All this would seem to conflict with an advertisement in the &lt;em&gt;West Briton&lt;/em&gt; newspaper of 17th June 1825 where "SEA WATER BATHS lately erected at the end of Jennings' Street close to the sea" were to be sold, leasehold for 1000 years and a yearly rent of £3. The baths were sold for both ladies and gentlemen. There are excellent warm and cold baths, a pump room and "a handsome spacious waiting room over the baths" and "a delightful view of Mount's Bay". These baths were built "a few years since" for £600 and are "in complete repair" and good condition.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;A Guide to Mounts Bay and the Land's End by a Physician&lt;/em&gt; (London 1824) 34-35&lt;br /&gt;2. These articles were republished in 1976 C.G. Boase &lt;em&gt;Reminiscences of Penzance&lt;/em&gt; edited by PAS Poole and the description of the baths is on p.61.</text>
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                <text>Cedric Appleby</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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                <text>Penzance Promenade</text>
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            <description>The topic of the resource</description>
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                <text>The remains of Burt's Bath House, Penzance, exposed as the rough seas washed the sand away during the January 2014 storms. &lt;br /&gt;&lt;br /&gt;The storms of the winter of 2013/2014 destroyed a great deal of the coastline but also revealed much which had been invisible. Mount's Bay suffered a great deal from these storms and the harbours at Mousehole, Newlyn, Penzance and Porthleven suffered varying degrees of damage. Much that had been hidden for many years came to light. On the beach opposite the Queens Hotel two sides of what appeared to be a square structure appeared immediately under the wall. The eastern side had been visible from time to time but not the northern side. There was also much evidence of parts of this structure scattered around and the remains of what appeared to be iron girders.&lt;br /&gt;&lt;br /&gt;A map hanging in the Morrab Library, Penzance, and the Tithe Map of 1844 showed "Baths" at this point. Part of the building rested on dry land while another longer part of the building would have been over the beach and at higher tides sea would have washed up against it. The tithe map shows that the building was divided up forming a small square on the eastern side. The Tithe Apportionment gives at 1449 "Baths and Bathing House", the landlord is John Boase and the lessee and occupier is Timothy Burt.&lt;br /&gt;&lt;br /&gt;These baths should not be confused with the ones at the bottom of Jennings' Street which must have been the ones described by Dr Paris in 1824&lt;sup&gt;(1)&lt;/sup&gt; ".....since the publication of the first edition [1816] of this work, HOT and COLD SEA BATHS have been completed upon a suitable scale of convenience. The waiting room belonging to the establishment commands a prospect of very singular beauty. St Michael's Mount rising boldly in front forms a striking relief to the extended line of coast which constitutes the background while the undulating shores to the left skirted by the little village of Chyandour, are well contrasted on the opposite side, with the busy scene of the pier, and the numerous vessels in the harbour." It would have been impossible then and now to have seen Chyandour or Penzance harbour activities from the site of Timothy Burt's baths! It is interesting to note that visitors would have been drawn to the activities of the port as well as the scenery.&lt;br /&gt;&lt;br /&gt;C.G. Boase in a series of articles in the &lt;em&gt;Cornish Telegraph&lt;/em&gt; newspaper (1883-1884) described the Jennings' Street baths. He did not know when they were opened but he claimed that on the 31st August 1816 "a great storm occurred which broke all the windows, the waves entered the buildings and washed out the furniture and fittings." Although not used after that, the building remained for many years with the word "BATHS" on it with very conspicuous lettering&lt;sup&gt;(2)&lt;/sup&gt;.&lt;br /&gt;&lt;br /&gt;All this would seem to conflict with an advertisement in the &lt;em&gt;West Briton&lt;/em&gt; newspaper of 17th June 1825 where "SEA WATER BATHS lately erected at the end of Jennings' Street close to the sea" were to be sold, leasehold for 1000 years and a yearly rent of £3. The baths were sold for both ladies and gentlemen. There are excellent warm and cold baths, a pump room and "a handsome spacious waiting room over the baths" and "a delightful view of Mount's Bay". These baths were built "a few years since" for £600 and are "in complete repair" and good condition.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;A Guide to Mounts Bay and the Land's End by a Physician&lt;/em&gt; (London 1824) 34-35&lt;br /&gt;2. These articles were republished in 1976 C.G. Boase &lt;em&gt;Reminiscences of Penzance&lt;/em&gt; edited by PAS Poole and the description of the baths is on p.61.</text>
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                <text>Cedric Appleby</text>
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                <text>Cedric Appleby</text>
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                <text>Morrab Library</text>
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                <text>2014-01</text>
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            <elementTextContainer>
              <elementText elementTextId="31809">
                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>Penzance Promenade</text>
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            <description>The topic of the resource</description>
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                <text>Miscellaneous</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Timothy Burt's Bath House, Penzance</text>
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                <text>The remains of Burt's Bath House, Penzance, exposed as the rough seas washed the sand away during the January 2014 storms. &lt;br /&gt;&lt;br /&gt;The storms of the winter of 2013/2014 destroyed a great deal of the coastline but also revealed much which had been invisible. Mount's Bay suffered a great deal from these storms and the harbours at Mousehole, Newlyn, Penzance and Porthleven suffered varying degrees of damage. Much that had been hidden for many years came to light. On the beach opposite the Queens Hotel two sides of what appeared to be a square structure appeared immediately under the wall. The eastern side had been visible from time to time but not the northern side. There was also much evidence of parts of this structure scattered around and the remains of what appeared to be iron girders.&lt;br /&gt;&lt;br /&gt;A map hanging in the Morrab Library, Penzance, and the Tithe Map of 1844 showed "Baths" at this point. Part of the building rested on dry land while another longer part of the building would have been over the beach and at higher tides sea would have washed up against it. The tithe map shows that the building was divided up forming a small square on the eastern side. The Tithe Apportionment gives at 1449 "Baths and Bathing House", the landlord is John Boase and the lessee and occupier is Timothy Burt.&lt;br /&gt;&lt;br /&gt;These baths should not be confused with the ones at the bottom of Jennings' Street which must have been the ones described by Dr Paris in 1824&lt;sup&gt;(1)&lt;/sup&gt; ".....since the publication of the first edition [1816] of this work, HOT and COLD SEA BATHS have been completed upon a suitable scale of convenience. The waiting room belonging to the establishment commands a prospect of very singular beauty. St Michael's Mount rising boldly in front forms a striking relief to the extended line of coast which constitutes the background while the undulating shores to the left skirted by the little village of Chyandour, are well contrasted on the opposite side, with the busy scene of the pier, and the numerous vessels in the harbour." It would have been impossible then and now to have seen Chyandour or Penzance harbour activities from the site of Timothy Burt's baths! It is interesting to note that visitors would have been drawn to the activities of the port as well as the scenery.&lt;br /&gt;&lt;br /&gt;C.G. Boase in a series of articles in the &lt;em&gt;Cornish Telegraph&lt;/em&gt; newspaper (1883-1884) described the Jennings' Street baths. He did not know when they were opened but he claimed that on the 31st August 1816 "a great storm occurred which broke all the windows, the waves entered the buildings and washed out the furniture and fittings." Although not used after that, the building remained for many years with the word "BATHS" on it with very conspicuous lettering&lt;sup&gt;(2)&lt;/sup&gt;.&lt;br /&gt;&lt;br /&gt;All this would seem to conflict with an advertisement in the &lt;em&gt;West Briton&lt;/em&gt; newspaper of 17th June 1825 where "SEA WATER BATHS lately erected at the end of Jennings' Street close to the sea" were to be sold, leasehold for 1000 years and a yearly rent of £3. The baths were sold for both ladies and gentlemen. There are excellent warm and cold baths, a pump room and "a handsome spacious waiting room over the baths" and "a delightful view of Mount's Bay". These baths were built "a few years since" for £600 and are "in complete repair" and good condition.&lt;br /&gt;&lt;br /&gt;1. &lt;em&gt;A Guide to Mounts Bay and the Land's End by a Physician&lt;/em&gt; (London 1824) 34-35&lt;br /&gt;2. These articles were republished in 1976 C.G. Boase &lt;em&gt;Reminiscences of Penzance&lt;/em&gt; edited by PAS Poole and the description of the baths is on p.61.</text>
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                <text>Cedric Appleby</text>
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                <text>Cedric Appleby</text>
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                <text>Morrab Library</text>
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                <text>January 2014</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="31820">
                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>Photograph</text>
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                <text>M.1834</text>
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                <text>Penzance Promenade</text>
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            <description>The topic of the resource</description>
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                  <text>Zennor Wayside Museum</text>
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              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2015</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147823">
                  <text>Morrab Library</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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      <name>Still Image</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="151785">
              <text>7.5 x 5</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Tin Mine Models</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="151781">
                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>ZWM 179</text>
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                <text>Zennor</text>
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