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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
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                <text>Family Picnic&#13;
Features Birch, Tuke, Tanner and Bell Leader.</text>
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                <text>Family Picnic&#13;
Features Birch, Tuke, Tanner and Bell Leader.</text>
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                <text>Wreck of 'South America'</text>
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                <text>The South America was a steel screw steamer of 4,197 tons gross. She was owned by Nitrate Producers Company of London and had sailed from Hamburg bound for Cardiff in water ballast, under charter to the Hamburg Amerika Line. &#13;
&#13;
The weather was poor until March 12th 1912, when it cleared and Captain Bowling was able to morse 'All's well' to the signal station on the Lizard. But less than half an hour later the South America was steaming through thick banks of drizzle and frequent squalls of torrential rain and having to steer a zigzag course across Mount's Bay to avoid a Newlyn pilchard fleet, strung out haphazardly from Mousehole island to Runnelstone.&#13;
&#13;
At Midnight, Captain Bowling altered course northward to take the South America round Land's End. She ploughed on through the murk with the lookouts still keeping a wary eye open for the fishing boats and had just avoided a lugger lying at her nets when second officer Read saw the dark shape of land right ahead. The helm was swung hard over, but even as the steamer's 389 horse power engine was put violently into reverse there was a rumbling screech and she shuddered over the big round boulders of St. Loy Bay. &#13;
&#13;
By the time it rattled down on St. Loy bay, the steamer had been identified  as the South America from London. A rocket line was fired over her, but as no one was left aboard to secure it. Captain Alfred Bowling and Chief officer Thom, and second officer Harold Read, a Penzance man, swam out, climbed up a rope over the ship's side and set up the lines to work the breeches-buoy. As dawn lightened the sky above Carn Boscawen, the ship's instruments and the crew's baggage were landed and the South America was seen to be lying broadside-on near Merton Point, at the western end of St. Loy. She looked intact, but when the tide ebbed her bottom plates were seen to be badly damaged. The salvage steamer Lady of the Isles arrived, but even then it was obvious reflecting the stranded steamer would be a very difficult operation. &#13;
&#13;
In the days after the wreck, prospects of salvage grew dimmer with every tide, and a gale which blew up a week later caused more serious damage. Finally, the underwriters disposed of her to the Western Marine Salvage Company of Penzance, who began to break her up.&#13;
&#13;
At a Board of Trade Enquiry in May 1912, Captain Bowling and his officers levelled charged of looting at the people of St. Loy, as a number of things, including the Chief Officer Thom's Boer war medals and a large manila hawser (ship rope) had mysteriously disappeared. The medals were returned but the hawser was not, and there was talk that someone had been wrecking. These accusations were bitterly resented by the local people, many of whom had given very help and opened their homes to the shipwrecked crew. After two days, the findings of the court were announced. Captain Bowling was found guilty of not having navigated the South America with due care and in a proper and seamanlike manner; he had failed to take soundings after the shore lights were obscured and should not have altered course until he was certain of the steamer's position. In view of his previous unblemished record, he did not lose his certificate but received a severe warning. After the proceedings he withdrew his allegations about the looting of the South America. &#13;
&#13;
During the spring and summer of 1912, the local people became familiar with the great hulk of the South American and the breaking gangs who swarmed over her, and many could remember similar scenes twenty years before, when the French pit wood steamer Saintonge was wrecked in  the bay. &#13;
&#13;
Autumn came and the South America was still slowly diminishing as the salvage men cut deeper into her steel hull. October was an even foggier month than usual that year, and it was during the dark hours of the 14th that the extraordinary wrecked occurred in St. Loy, exactly seven months after the first one. At half-past three in the morning, John Richards was roused from his bed for the second time that year by unusual noise in the bay. He thought at first that the salvage men must have raised steam on the South America, or were engaged on som particularly noisy job, but as it seemed unlikely at that hour he took the lantern he had used to guide in the South America's crew and made his way down to the shore. Thick fog swirled over the sea and it was several minutes before he saw a small steamer right against the big hulk's weather side. &#13;
&#13;
Within an hour, the Lady of the Isles had arrived, towing the Newlyn Lifeboat, while the rocket cart from Mousehole had joined the inhabitants of St. Loy on the same rocks from which they had fired the line over the South America. The lifeboatmen and coastguards soon discovered that the stranded steamer was the 599- ton steel screw, schooner-rigged Abertay. Owned by Boise et Chabois of Lorient and bound for Barry with a cargo of pit wood. &#13;
&#13;
Description taken from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coasts (Newton Abbot: David &amp; Charles, 1971), p.203-208. &#13;
&#13;
Another Account taken from 'Heritage Gateway 'https://www.heritagegateway.org.uk/Gateway/Results_Single.aspx?uid=da9346b9-27dc-422b-b7b3-cab2112efe77&amp;resourceID=19191&#13;
&#13;
The  steamer SOUTH AMERICA, bound from Hamburg to Cardiff, in ballast, went ashore in Boscanna Bay on the Cornish coast early yesterday morning. There was a thick fog at the time, and the ship got out of her course, presumably through a strong set of the tide.&#13;
&#13;
'A resident on the coast heard the sound of rockets, and so close was the steamer to the shore that he hailed her and advised the crew to get into their boats. He directed them where to land by means of a lantern, and though the work of landing was attended with great danger, it was carried out without loss of life. The captain's wife and son were among the rescued. The rocket brigade was summoned from Mousehole and had a very difficult journey over hilly roads to the scene of the wreck, but before they reached the place the crew had been landed.&#13;
&#13;
'The SOUTH AMERICA is a vessel of 2,700 tons register, and 7,000 tons carrying capacity. She is owned by Lowther, Latter and Co., of London. She left Hamburg on Sunday, and was due at Cardiff today. Her commander was Captain A. Bawling, of Margate. It is stated that water is in her holds and the engine-room.' (10)&#13;
&#13;
'Two wrecks occurred on the Cornish coast during a fog early yesterday morning.&#13;
&#13;
'In the first case the French steamer ABERTAY, from Lorient with pit props for Barry, went ashore in Boskenna Bay near Land's End, and was so near the wreck of another steamer, the SOUTH AMERICA, which went ashore at the same spot last March, that the crew were able to get on the deck of that derelict vessel.&#13;
&#13;
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                <text>Fishing boat build 1913 owned by W Harvey registered n Lowestoft under LT706 wrecked near Penzance.&#13;
42 Gross Tonnage </text>
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                <text>Page 34</text>
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                  <text>Early photos of Penzance people "the great and the good". The photo of Princess Alexandra is part of a larger photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (Penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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                <text>D? Boase in smaller writing</text>
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'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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                <text>Stanley Turner and a woman, on a boat fishing.</text>
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            <description>An account of the resource</description>
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                <text>Probably Mounts Bay</text>
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                <text>1900-1910</text>
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                <text>Morrrab Library</text>
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              <description>A name given to the resource</description>
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                  <text>Geoffrey Harvey Album </text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Cartes de Visites Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Early photos of Penzance people "the great and the good". The photo of Princess Alexandra is part of a larger photo by Robert Preston. We are therefore attributing all the photos to Robert Preston (Penzance photographer), b 1838, d 1933. His earliest photographs date from 1860</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                  <text>Given by Mrs Caroline Jackson who was given the album by her father, Geoffrey Harvey (1907-1993) of Penzance, Solicitor. She believes it was given to her father by a client. </text>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Pasted into album</text>
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            <description>A name given to the resource</description>
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                <text>Mr Coulson</text>
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                <text>Bobert Preston</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Photographic negative copy</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Morrab Gardens&#13;
Morrab Road Entrance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Tinted Lantern slide&#13;
&#13;
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Given by Brian Venn</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library </text>
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                <text>1900-1920</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2517</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>4 Children by the gates</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Michaels Mount</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Gift from Brian Venn</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>1900-1920</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2518</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="178297">
                <text>Marazion</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="178298">
                <text>Tinted lantern slide</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Entrance toFalmouth </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Tinted lantern slide</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift from Brian Venn</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Gardens</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Gardens</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.2519</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Falmouth</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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              <text>Serena Wadham </text>
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            <description>A name given to the resource</description>
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                <text>Self Portrait at Bakers Pit, Nancledra </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham </text>
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                <text>1960-1965</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Bakers Pit, Nancledra, Penzance </text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Self Portrait in Neck Scarf </text>
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                <text>Written on back by Serena Wadham "Tri X 1000 ASA"</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>People sitting in a garden</text>
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                <text>1925</text>
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            <name>Format</name>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Identifier</name>
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