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              <name>Title</name>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Stream through Castle Horneck grounds   1963</text>
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                <text>WATERSCAPE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Woodlands ground covered in snow. Print from damaged and destroyed negative</text>
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                <text>Morrab Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
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                <text>Flimsy Negative - Cabinet</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SCAPE 31CF 138</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Lamorna_Birch_Family_Photos/19954/lamornabirch.181.tif</src>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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            <description>A name given to the resource</description>
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                <text>Stream with small waterfall</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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                  <text>Newlyn Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Newlyn Collection, collected and donated by Dr Eric Richards depicts many aspects of life and work in Newlyn between 1880 and 1930. Many of the buildings covered by the collection were demolished in the clearance scheme during the 1930s.</text>
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          <name>Street Name</name>
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              <text>N</text>
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                <text>ACTS N 045</text>
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            <description>A name given to the resource</description>
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                <text>Street an Nowan  Newlyn clearing up after 1894 Flood.   1894duplicate  ACTS N 028</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Residential Property Villagers</text>
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                <text>1894</text>
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                <text>Newlyn, Cornwall</text>
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                <text>Dr. Richards</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Mrrab Library</text>
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                <text>Flimsy Negative - Other</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Newlyn Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Newlyn Collection, collected and donated by Dr Eric Richards depicts many aspects of life and work in Newlyn between 1880 and 1930. Many of the buildings covered by the collection were demolished in the clearance scheme during the 1930s.</text>
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      <name>Still Image</name>
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          <name>Street Name</name>
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                <text>HARB N 058</text>
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            <description>A name given to the resource</description>
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                <text>Street an Nowan , Newlyn,the Foreshore prior Harbour Ext.   1890</text>
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                <text>Newlyn, Cornwall</text>
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                <text>Dr. Richards</text>
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                <text>Morrab Library</text>
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                <text>Street an Nowan showing Medieval Bridge</text>
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&#13;
Photographs NA.019 to NA.043 are all annotated 'Porthcurno Minnack 1999' , and relate to a performance of The Trojan Women.   A list of cast members is shown in NA.019a, attached to NA.019&#13;
&#13;
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                <text>Penzance</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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SWA.neg.0014.b</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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            <name>Subject</name>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Street in St Ives  Sepia  Preston  M. </text>
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                <text>© Morrab Library</text>
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            <description>A name given to the resource</description>
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                <text>Street in St Ives  Sepia  Preston  M. </text>
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                <text>Street Junction of Alexandra Road and Western end of the Promenade with Beachfield Hotel. stone Lamp Standard moved to Minnaye Rugby Club Car Park</text>
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                <text>Street Party , Coronation Queen Elizabeth II, Penzance.  1953</text>
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