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              <text>C5</text>
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              <text>Red ink on right of photo.</text>
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                <text>Skinning dogfish on the North Pier, Newlyn</text>
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                <text>fishing</text>
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                <text>Written on the reverse of the photograph in two hands: "Newlyn fishermen preparing bait" and "C. 1938 Skinning dogfish 'Half a Crown' or 'Envelopes' Williams in Trilby (hat)".</text>
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                <text>c. 1938</text>
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                <text>Newlyn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>LIGHT 18PG 082</text>
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                <text>Skipper &amp; Crew of Relief Boat PZ 143 - Dec 14</text>
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                <text>Lighthouse</text>
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                <text>Sennen</text>
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                <text>Waiting for calmer seas to rescue sick Keeper Griffiths - E RichardsPhotographer in Life Jacket</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Postcard Glass Negative</text>
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                <text>Skyopelos Sky, wrecked at Trevose Head, December 15th 1979. </text>
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                <text>Port Quinn, Cornwall</text>
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                <text>On Saturday December 15th 1979, HM Coastguard informed Padstow Lifeboat Station that the Skopelos Sky, a 2800 Greek freighter&#13;
was in trouble off Trevose Head. She was on route from Garston for Algiers with a cargo of drums of lubricating oil. The wind had&#13;
been blowing up to violent storm, force 11, from a generally westerly direction since the previous day and by 06.00hrs had reached&#13;
force 14 on the anemometer at RAF St Mawgan. Widespread damage had been caused all over Cornwall. It was now north west&#13;
storm, force 10, gusting to hurricane, force 12, with rain squalls, and the tide was in the second hour of flood. The seas were by far the&#13;
worst any of the Padstow Lifeboat crew had ever contemplated.&#13;
&#13;
By the time the Padstow Lifeboat, the James and Catherine MacFarlane, reached the Skopelos Sky she was just over a mile offshore&#13;
of Port Quin. Initially no contact could be made with the crew of the striken vessel and Helicopter Rescue 69 was called to assist.&#13;
Eventually radio contact was made and the master advised that he was unable to anchor as it was too rough to send a man on to the&#13;
fo'c'sle. It was agreed that the helicopter would try to lift off some of the crew but after three men had been lifted off, the helicopter's&#13;
winchman hit the freighter's superstructure three times and the pilot suggested the Lifeboat go in for the remaining men. The survivors&#13;
were gathered aft, but the height of decks was such that it depended on the arrival of the right sea at the appropriate moment to carry&#13;
the lifeboat high enough to get the men off. Coxswain England used all his very considerable boat-handing skill and the full power of&#13;
his engines. Even so the Lifeboat's forward fairlead was badly damaged when Skopelos Sky rolled heavily on to the lifeboat. After five&#13;
alongside attempts, during which one man threw his suitcase down on to the lifeboat, the freighter's crew waved the Lifeboat away&#13;
indicating that they would only abandon ship by helicopter. Throughout the five attempts to get alongside, Second Coxswain Tummon&#13;
and his deck party were on the foredeck of the lifeboat ready to receive the survivors.&#13;
&#13;
Coxswain England concluded that rescue by lifeboat was impossible, except perhaps from the sea itself, and he asked the helicopter&#13;
to try again. The lifeboat then stood by the casualty's stern while seven more men were lifted off. It was just after 11 .OOhrs and the 'on&#13;
scene commander' asked the Lifeboat to remain standing by until further notice. Skopelos Sky now began steaming east-west in a&#13;
figure-of-eight pattern across Port Quin Bay still with her starboard list due to the shift of cargo. By 14.00 hrs the wind was still gusting&#13;
to force 12 and the state of the sea in the bay was awesome. Close inshore nothing could survive. People watching from the cliffs,&#13;
200 ft high at Doyden Point, were losing sight of the lifeboat completely for many seconds at a time although she was no more than a&#13;
quarter of a mile off shore. Coxswain England afterwards said he felt like 'an insect in a ploughed field'.&#13;
&#13;
The lifeboat kept constant station on the casualty's quarter, taking every possible advantage of whatever lee the freighter herself&#13;
afforded but being dangerously exposed every time Skopelos Sky reversed her course; then it was only the most skilful handling by&#13;
the Coxswain in meeting the worst of the waves which was preventing a capsize. Arrangements were being made for Clovelly's 71 ft&#13;
Clyde class Lifeboat City of Bristol to take over from Padstow Lifeboat at dusk with Padstow relieving again in the morning. However&#13;
she had to be diverted to answer another call and Coxswain England said he would be willing to remain with Skopelos Sky all night if&#13;
necessary. By 1500 it was apparent that it would be dark before long and helicopter rescue might be impossible. Coxswain England&#13;
advised the master of the casualty to steam to seaward and drop both anchors and all the cable he had in an attempt to save the ship,&#13;
but the master was unwilling to take this action because of the heavy seas being shipped over the fo'c'sle. In the next hour the lifeboat&#13;
relayed three messages from the Coastguard to the master of Skopelos Sky advising helicopter lift, and eventually the helicopter&#13;
Rescue 21 asked the Lifeboat to inform the casualty that he would now fly over and that the remaining crew should come off now. The&#13;
master said he would head into wind to drop anchor and asked the Lifeboat to stand close by while he sent a man forward to let go&#13;
anchor in case the man should be washed overboard. The Lifeboat came in as close as possible to the freighter's side and the anchor&#13;
was dropped. However, not enough cable was veered and it simply hung up and down. Rescue 21 lifted off three more men before it&#13;
was dark. The master and one oiler were still on board and they shut down Skopelos Sky's engines and switched off all her lights as&#13;
she lay bows south west and began drifting in with the lifeboat still between her and the shore. The people on the cliffs lost sight of the&#13;
Lifeboat as she disappeared under the headland over which spray was still flying.&#13;
&#13;
Rescue 21 had departed and a Sea King, Rescue 90, using her searchlight, lifted the remaining men from the ship as she grounded below Doyden Point at 17.23hrs. Secondslater the entire freighter was obliterated in spray as she was hit by an enormous breaker. As the spray cleared, what had been a list to starboard had been transformed into a 45 degree list to port, hard among the rocks.&#13;
&#13;
With the tide now at half ebb, it would be eight hours before the Lifeboat could enter Padstow. The crew were already suffering from their long ordeal with the sea and so Coxswain England decided to try to rehouse. There was a certain amount of shelter from the north west at the foot of the slip and the wind had moderated slightly by the time the lifeboat arrived, but there was still a heavy run on the boathouse slipway. Coxswain England found the keelway on his first attempt but the Lifeboat ranged 30 feet up and down the slipway and the haul-up span was damaged by the keel. The Lifeboat was then held clear on her engines and breasting ropes for 30 minutes while the spare span was fitted and the winch wire re-flaked by the launchers who were at times being submerged&#13;
up to their necks. Coxswain England put the Lifeboat back on the slipway, again at the first attempt, and though ranging and thumping very hard she was hauled clear. No damage had been sustained except that to her bow when alongside the casualty and she was reported ready for service again at 20.OOhrs.&#13;
&#13;
For this service a bar to his silver medal was awarded to Coxswain Trevor England and the thanks of the Institution inscribed on vellum were accorded to Second Coxswain/ Assistant Mechanic Richard Tummon, Motor Mechanic Horace Murt, Emergency Mechanics Arthur May and Peter Poole and Crew Members Sidney Porter, Alan Tarby and Edward Hicks. The thanks of the Institution inscribed on vellum were also accorded to each and Shore Helpers Ian Macer, Timothy Lloyd, Ian Kendall, Stewart Porter and Frederick Norfolk. Of the slipway helpers: Head Launcher Patrick Rabey, Shore Attendant John Thomas, Assistant Winchman William Tucker. &#13;
A vellum service certificate was presented to Winchman Ernest Bennett.&#13;
&#13;
&#13;
Description of wreck from "The Wreck of Skopelos Sky," blog from Port Issac Heritage Archive Online. Link to blog: https://www.portisaacheritage.co.uk/wp-content/uploads/2020/05/The-Wreck-of-the-Skopelos-Sky.pdf</text>
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                <text>Skyopelos Sky, wrecked at Trevose Head, December 15th 1979. </text>
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                <text>Morrab Library</text>
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                <text>On Saturday December 15th 1979, HM Coastguard informed Padstow Lifeboat Station that the Skopelos Sky, a 2800 Greek freighter&#13;
was in trouble off Trevose Head. She was on route from Garston for Algiers with a cargo of drums of lubricating oil. The wind had&#13;
been blowing up to violent storm, force 11, from a generally westerly direction since the previous day and by 06.00hrs had reached&#13;
force 14 on the anemometer at RAF St Mawgan. Widespread damage had been caused all over Cornwall. It was now north west&#13;
storm, force 10, gusting to hurricane, force 12, with rain squalls, and the tide was in the second hour of flood. The seas were by far the&#13;
worst any of the Padstow Lifeboat crew had ever contemplated.&#13;
&#13;
By the time the Padstow Lifeboat, the James and Catherine MacFarlane, reached the Skopelos Sky she was just over a mile offshore&#13;
of Port Quin. Initially no contact could be made with the crew of the striken vessel and Helicopter Rescue 69 was called to assist.&#13;
Eventually radio contact was made and the master advised that he was unable to anchor as it was too rough to send a man on to the&#13;
fo'c'sle. It was agreed that the helicopter would try to lift off some of the crew but after three men had been lifted off, the helicopter's&#13;
winchman hit the freighter's superstructure three times and the pilot suggested the Lifeboat go in for the remaining men. The survivors&#13;
were gathered aft, but the height of decks was such that it depended on the arrival of the right sea at the appropriate moment to carry&#13;
the lifeboat high enough to get the men off. Coxswain England used all his very considerable boat-handing skill and the full power of&#13;
his engines. Even so the Lifeboat's forward fairlead was badly damaged when Skopelos Sky rolled heavily on to the lifeboat. After five&#13;
alongside attempts, during which one man threw his suitcase down on to the lifeboat, the freighter's crew waved the Lifeboat away&#13;
indicating that they would only abandon ship by helicopter. Throughout the five attempts to get alongside, Second Coxswain Tummon&#13;
and his deck party were on the foredeck of the lifeboat ready to receive the survivors.&#13;
&#13;
Coxswain England concluded that rescue by lifeboat was impossible, except perhaps from the sea itself, and he asked the helicopter&#13;
to try again. The lifeboat then stood by the casualty's stern while seven more men were lifted off. It was just after 11 .OOhrs and the 'on&#13;
scene commander' asked the Lifeboat to remain standing by until further notice. Skopelos Sky now began steaming east-west in a&#13;
figure-of-eight pattern across Port Quin Bay still with her starboard list due to the shift of cargo. By 14.00 hrs the wind was still gusting&#13;
to force 12 and the state of the sea in the bay was awesome. Close inshore nothing could survive. People watching from the cliffs,&#13;
200 ft high at Doyden Point, were losing sight of the lifeboat completely for many seconds at a time although she was no more than a&#13;
quarter of a mile off shore. Coxswain England afterwards said he felt like 'an insect in a ploughed field'.&#13;
&#13;
The lifeboat kept constant station on the casualty's quarter, taking every possible advantage of whatever lee the freighter herself&#13;
afforded but being dangerously exposed every time Skopelos Sky reversed her course; then it was only the most skilful handling by&#13;
the Coxswain in meeting the worst of the waves which was preventing a capsize. Arrangements were being made for Clovelly's 71 ft&#13;
Clyde class Lifeboat City of Bristol to take over from Padstow Lifeboat at dusk with Padstow relieving again in the morning. However&#13;
she had to be diverted to answer another call and Coxswain England said he would be willing to remain with Skopelos Sky all night if&#13;
necessary. By 1500 it was apparent that it would be dark before long and helicopter rescue might be impossible. Coxswain England&#13;
advised the master of the casualty to steam to seaward and drop both anchors and all the cable he had in an attempt to save the ship,&#13;
but the master was unwilling to take this action because of the heavy seas being shipped over the fo'c'sle. In the next hour the lifeboat&#13;
relayed three messages from the Coastguard to the master of Skopelos Sky advising helicopter lift, and eventually the helicopter&#13;
Rescue 21 asked the Lifeboat to inform the casualty that he would now fly over and that the remaining crew should come off now. The&#13;
master said he would head into wind to drop anchor and asked the Lifeboat to stand close by while he sent a man forward to let go&#13;
anchor in case the man should be washed overboard. The Lifeboat came in as close as possible to the freighter's side and the anchor&#13;
was dropped. However, not enough cable was veered and it simply hung up and down. Rescue 21 lifted off three more men before it&#13;
was dark. The master and one oiler were still on board and they shut down Skopelos Sky's engines and switched off all her lights as&#13;
she lay bows south west and began drifting in with the lifeboat still between her and the shore. The people on the cliffs lost sight of the&#13;
Lifeboat as she disappeared under the headland over which spray was still flying.&#13;
&#13;
Rescue 21 had departed and a Sea King, Rescue 90, using her searchlight, lifted the remaining men from the ship as she grounded below Doyden Point at 17.23hrs. Secondslater the entire freighter was obliterated in spray as she was hit by an enormous breaker. As the spray cleared, what had been a list to starboard had been transformed into a 45 degree list to port, hard among the rocks.&#13;
&#13;
With the tide now at half ebb, it would be eight hours before the Lifeboat could enter Padstow. The crew were already suffering from their long ordeal with the sea and so Coxswain England decided to try to rehouse. There was a certain amount of shelter from the north west at the foot of the slip and the wind had moderated slightly by the time the lifeboat arrived, but there was still a heavy run on the boathouse slipway. Coxswain England found the keelway on his first attempt but the Lifeboat ranged 30 feet up and down the slipway and the haul-up span was damaged by the keel. The Lifeboat was then held clear on her engines and breasting ropes for 30 minutes while the spare span was fitted and the winch wire re-flaked by the launchers who were at times being submerged&#13;
up to their necks. Coxswain England put the Lifeboat back on the slipway, again at the first attempt, and though ranging and thumping very hard she was hauled clear. No damage had been sustained except that to her bow when alongside the casualty and she was reported ready for service again at 20.OOhrs.&#13;
&#13;
For this service a bar to his silver medal was awarded to Coxswain Trevor England and the thanks of the Institution inscribed on vellum were accorded to Second Coxswain/ Assistant Mechanic Richard Tummon, Motor Mechanic Horace Murt, Emergency Mechanics Arthur May and Peter Poole and Crew Members Sidney Porter, Alan Tarby and Edward Hicks. The thanks of the Institution inscribed on vellum were also accorded to each and Shore Helpers Ian Macer, Timothy Lloyd, Ian Kendall, Stewart Porter and Frederick Norfolk. Of the slipway helpers: Head Launcher Patrick Rabey, Shore Attendant John Thomas, Assistant Winchman William Tucker. &#13;
A vellum service certificate was presented to Winchman Ernest Bennett.&#13;
&#13;
&#13;
Description of wreck from "The Wreck of Skopelos Sky," blog from Port Issac Heritage Archive Online. Link to blog: https://www.portisaacheritage.co.uk/wp-content/uploads/2020/05/The-Wreck-of-the-Skopelos-Sky.pdf&#13;
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                  <text>Zennor Wayside Museum</text>
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                  <text>Everyday life in rural Zennor</text>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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                  <text>Photographic prints</text>
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            <name>Rights</name>
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              <elementText elementTextId="152392">
                <text>Morrab Library</text>
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                <text>Slate Quarries </text>
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                <text>© Morrab Library</text>
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                <text>Slate Quarry, Trewiller.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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        <name>Mining and quarrying</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Individual Names</name>
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              <text>DM 134 JY 5561 AAF 419 JY 5562 CAF 602 BV 363</text>
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          <name>Period Costume</name>
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            <name>Identifier</name>
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                <text>TRANS 8.143</text>
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            <description>A name given to the resource</description>
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                <text>Sleemans Lorries on Wharf Road Penzance, 1940</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="55830">
                <text>Truck</text>
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                <text>Placards Gas Works</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1940</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="138094">
                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Orchard Slide Collection 2</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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              <text>Shelf 3</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sleeping Fox</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Animals</text>
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            <description>An account of the resource</description>
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                <text>Location unknown</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Orchard</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>35mm Slide</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ORCH.SL.0038</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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  <item itemId="22880" public="1" featured="0">
    <fileContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Morrab Archive</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Items not in the Photo Archive but from the Morrab Library main archive.</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="154787">
                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Hilda Quick</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="197421">
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="197422">
                <text>Morrab Library</text>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>QU1-41</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="197425">
                <text>Sleeping Woman and Piskies </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="197426">
                <text>Pen and ink drawing</text>
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  <item itemId="11244" public="1" featured="0">
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Some damage to emulsion</text>
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                <text>PARK 20HG 008</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Slide titled Roman Gardens, Wherrytown, Penzance  </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Officially named the Bedford Bolitho Gardens,  these were opened in l916 on the site of the old serpentine works at Wherrytown in Penzance.  They were a memorial to Thomas Bedford Bolitho, a member of the banking family in Penzance.&#13;
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Half Plate Glass Negative</text>
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        <name>1911-1930</name>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Slipway to old pier and harbour, 1900</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="143351">
                <text>view to north corner</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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Marazion in the background.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Small boy sitting on floor playing with wooden bricks</text>
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                <text>Small boy sitting on floor playing with wooden bricks</text>
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            <name>Creator</name>
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                <text>Henry Opie  Photographer in 1889 in Bond Street Redruth.&#13;
Originally Opie later became Opie Ltd in 1914 operating in Redruth, Truro, Falmouth and Helston.</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>1889-1930</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 065</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
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            <description>A name given to the resource</description>
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                <text>Small Bus &amp; Driver, 1910</text>
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            <description>The topic of the resource</description>
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                <text>Charabanc</text>
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                <text>Morrab library</text>
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                <text>Doc</text>
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