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                <text>Group of fisherman and onlookers at Sennen Cove, 1945-1950</text>
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                <text>The tide is out and the seine net is showing a fine catch of mullet.</text>
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                <text>Sennen Coverage</text>
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                <text>Copy of painting by Stanhope Alexander Forbes of the Strand area, Street-an-Nowan, Newlyn.</text>
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                <text>Newlyn</text>
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                <text>The large building on the right was demolished to make way for the Newlyn Co-op in 1935. Date of image: 1895-1900.</text>
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                <text>1895-1900</text>
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                <text>Postcard</text>
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            <name>Identifier</name>
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                <text>JDC 332</text>
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                <text>The Strand, Street-an-Nowan, Newlyn, 1890-1905.</text>
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                <text>Fish sale with catch laid out on the ground before Newlyn fish market. In the centre is the now Swordfish Inn which was named the Union Inn up to World War 2. The building to the right of the Inn is now the Newlyn Co-op store.</text>
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                <text>1890-1905</text>
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                <text>Morrab Library</text>
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                <text>Newlyn</text>
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          <name>Damaged?</name>
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                <text>JDC 333</text>
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                <text>The centre of Street-an-Nowan, Newlyn, called The Strand, 1885-1890</text>
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                <text>Here stretched the foreshore long before the buildings and pier were built. Street-an-Nowan was known as The Oxway, re: Ben Batten's Newlyn book.&#13;
The central cottages were all demolished and the site was cleared for the current car park. The street to the left is Jack Lane; far right is the junction with Chywoone Hill and Newlyn Coombe.</text>
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                <text>Morrab Library</text>
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                <text>Newlyn&#13;
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              <name>Title</name>
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                  <text>Zennor Wayside Museum</text>
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                  <text>Everyday life in rural Zennor</text>
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              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>2015</text>
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                  <text>Morrab Library</text>
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              <name>Format</name>
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                  <text>Photographic prints</text>
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              <text>2 x 2</text>
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                <text>Two men and dog with shotguns</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Caldwell Harpur, (born Elliott Calwell Harpur in Spalford, Nottinghamshire, England on 25 February 1866) kept very detailed diaries from his 14th to 73rd years. He left these to the Penzance (Morrab) Library with the wish that they should be published after his death (which was 27th January 1945).&#13;
Also, donated was a large amount of correspondence and a family photo album.&#13;
The photo album has been restored and rests safely in the Morrab Library Photographic Archive. All the photos in the album have now been scanned and can be seen here.&#13;
Apart from a photograph of his father, Rev George Harpur, they are mostly images of his maternal relatives.  &#13;
Some are of views, servants and unknown people. A number are alas missing from the album.&#13;
Where the identities are known a brief details are given.</text>
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