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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Serena made many self-portraits, often to test film or equipment.  This print has '1600 ASA shade in 4' (written in roman numerals).  Notice on the wall is written 'god exists she is black'.  This photograph is taken in Serena's studio address: Flat 3 Meadhurst Noel Road, London N1 8HH</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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                <text>Serena's writing about 'The Hut' belonging to Lawrance Collingwood and his family.  Collingwood was a musician, composer and principal conductor for the Sadler's Wells opera.</text>
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                <text>A typed sheet of paper &lt;a href="https://en.wikipedia.org/wiki/Lawrance_Collingwood"&gt;Lawrance Collingwood&lt;/a&gt;</text>
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                <text>Serica</text>
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                <text>Schooner</text>
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                <text>Coal</text>
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                <text>St Marys, Isles of Scilly</text>
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                <text>The Serica, a fine steel screw, schooner-rigged steamer of 1,736 tons register. Her last voyage began at Cardiff on November 16th 1893, when she sailed for Port Said with a crew of twenty-five and a cargo of coal. &#13;
&#13;
Bad weather was encountered the following day when off Hartland Point, and by dawn on the 18th the Serica was in trouble when the storm ripped the tarpaulin covers from off Nos 3 and 4 holds, flooded the main cabin and swept away everything that was moveable abaft the bridge. &#13;
&#13;
Her captain, Sydney Smith, had a remarkable escape in that he was washed clean overboard twice, and twice was flung back aboard by the sea. &#13;
&#13;
The Serica eventually reached Scilly on the 19th in a very distressed condition with pumps choked, serious damage on deck, and a heavy list. A local Receiver of the Wreck stated that "the only wonder is that the vessel kept afloat."&#13;
&#13;
On November 24th, the Serica left St. Marys at low water to continue her voyage, but struck a rock and had to be run ashore 150 yards north-north west of Woolpack Beacon. She was abandoned almost immediately and only minor salvage was ever carried out on the wreck, all work ceasing on January 3rd 1894.&#13;
&#13;
The rock the Serica struck was in fact, marked at lying in eight fathoms but was later found to be in less than twenty-four feet. It is doubtful if it was any consolation to her owners, but tat rock was given the name of the ship and today is marked on all charts as the Serica Rock.&#13;
&#13;
Description taken from Richard Larn, Cornish Shipwrecks: Isles of Scilly (Newton Abbot: David &amp; Charles, 1971), p. 106. </text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Series of Garden &amp; Cornish Hedges being built</text>
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                <text>A Post Card showing Mr Charles Stevens in his workshop with a large serpentine lighthouse .</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>C. Appleby</text>
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                <text>Wherrytown, Penzance, Cornwall</text>
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            <description>A name given to the resource</description>
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                <text>Serpentine Works Wherrytown</text>
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            <description>An account of the resource</description>
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                <text>Serpentine Works Wherrytown. Built 1854 taken down 1912.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Margaret Orchard</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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                <text>35mm Slide</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <name>Crafts and trades</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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            <description>The topic of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Wherrytown, Penzance.    &#13;
 Serpentine works, Steven's cottage and shop    </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="19879">
                <text>© Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Serpentine Works, Wherrytown, Penzance  &#13;
Stevens  cottage/shop</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="57">
          <name>Street Name</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>EVEN 22OF 017</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Service &amp; Other Groups who participated in WW1 , Penzance&#13;
1918</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Military General Groups</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1918</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <name>1911-1930</name>
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        <name>community life</name>
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      <tag tagId="2461">
        <name>Festivals fairs and community events</name>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>photo</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Service at Penzance Salvation Army Citadel</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Religious</text>
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                <text>Anno MPlayWC</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1912-06-14</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="54930">
                <text>A preliminary service of blessing and thanksgiving at the Penzance Citadel on the laying of the foundation stone of the new 'Junior Salvationists'' extension in 1912. Note the 'batch' of mortar and trowel ready for the laying ceremony.</text>
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            <description>A related resource from which the described resource is derived</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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