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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Skinning dogfish behind Newlyn fish market</text>
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                <text>Quickly done by impaling fish on a spike and ripping off its skin.</text>
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                <text>Written on the reverse of the photograph in two hands: "Newlyn fishermen preparing bait" and "C. 1938 Skinning dogfish 'Half a Crown' or 'Envelopes' Williams in Trilby (hat)".</text>
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                <text>Waiting for calmer seas to rescue sick Keeper Griffiths - E RichardsPhotographer in Life Jacket</text>
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                <text>Richards</text>
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                <text>Postcard Glass Negative</text>
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        <name>Seafaring and shipping</name>
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        <name>Working life</name>
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            <name>Format</name>
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          <name>Original Format</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>The topic of the resource</description>
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                <text>1980</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>COLLINS.184B</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Porth Quinn, Cornwall</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Print and negative</text>
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              <description>The topic of the resource</description>
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              <description>An account of the resource</description>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                  <text>Morrab Library</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Photographic prints</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>3.5 x 3</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>SLAB    Cornish Range</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>SLAB   Cornish Range</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>Zennor</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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          <name>Item Location</name>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>Slate Quarries </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Type</name>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Trewillet</text>
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            <description>A name given to the resource</description>
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                <text>Slate Quarry, Trewiller.</text>
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            <description>An entity responsible for making the resource available</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <name>Title</name>
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                  <text>Angove Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Sleemans Lorries on Wharf Road Penzance, 1940</text>
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                <text>Placards Gas Works</text>
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                <text>Morrab library</text>
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                <text>Margaret Orchard</text>
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                  <text>Morrab Archive</text>
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              <description>The topic of the resource</description>
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                  <text>Items not in the Photo Archive but from the Morrab Library main archive.</text>
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              <description>An account of the resource</description>
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                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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                <text>Hilda Quick</text>
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            <description>A name given to the resource</description>
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                <text>Sleeping Woman and Piskies </text>
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            <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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                <text>Officially named the Bedford Bolitho Gardens,  these were opened in l916 on the site of the old serpentine works at Wherrytown in Penzance.  They were a memorial to Thomas Bedford Bolitho, a member of the banking family in Penzance.&#13;
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                <text>Half Plate Glass Negative</text>
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                <text>Slipway to old pier and harbour, 1900</text>
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            <description>An account of the resource</description>
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                <text>Newlyn</text>
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                  <text>A small collection of photos from the family of Samuel John 'Lamorna' Birch. 1869-1955, the founder of the colony of artists and writers  who lived and worked in and around the Lamorna Valley near Penzance, Cornwall. &#13;
He was born near Liverpool in 1869 and adopted the additional name of Lamorna after 1896.&#13;
He was married to Houghton Emily Vivian and they had two daughters, Elizabeth Lamorna (known as Mornie) and Joan Houghton.&#13;
The collection shows Lamorna with well known public figures; of himself at work;  and many of his wife and children.&#13;
Included are snapshots of many of his friends at social events.&#13;
An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                <text>Small boat with Seine net, a number of men and children look on at the catch or preparation to commence fishing.&#13;
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Marazion in the background.</text>
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Small boy sitting on floor playing with wooden bricks</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="156642">
                <text>Small boy sitting on floor playing with wooden bricks</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="156643">
                <text>Henry Opie  Photographer in 1889 in Bond Street Redruth.&#13;
Originally Opie later became Opie Ltd in 1914 operating in Redruth, Truro, Falmouth and Helston.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="156644">
                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="156645">
                <text>1889-1930</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="156646">
                <text>Morrab Library</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="156647">
                <text>Print</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 065</text>
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