690 20 18351 https://photoarchive.morrablibrary.org.uk/files/original/Trevaskis_Collection/18538/TJ.27.tif f49c370d3a336ed50e5f5553ac688ad8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trevaskis Collection Publisher An entity responsible for making the resource available Morrab Library Description An account of the resource The surname comes from the farm of Trevaskis standing close by Gwinear parish. W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays. Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5 x 6.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Agricultural Scene Description An account of the resource Agricultural Scene Creator An entity primarily responsible for making the resource Trevaskis Leedstown Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context TJ.27 https://photoarchive.morrablibrary.org.uk/files/original/Trevaskis_Collection/18539/TJ.28.tif 34a462423f0309dfb1c997fc7d125fd1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trevaskis Collection Publisher An entity responsible for making the resource available Morrab Library Description An account of the resource The surname comes from the farm of Trevaskis standing close by Gwinear parish. W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays. Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Loss of image on left hand side, main image ok Physical Dimensions The actual physical size of the original image 8.5 x 6.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Threshing Scene Description An account of the resource Threshing Scene Creator An entity primarily responsible for making the resource Trevaskis Leedstown Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource C 1910 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context TJ.28 https://photoarchive.morrablibrary.org.uk/files/original/Trevaskis_Collection/18540/TJ.29.tif c34ba0297103b34d001fa5d7c64af857 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trevaskis Collection Publisher An entity responsible for making the resource available Morrab Library Description An account of the resource The surname comes from the farm of Trevaskis standing close by Gwinear parish. W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays. Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5 x 6.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Family Portrait Description An account of the resource Family Portrait Creator An entity primarily responsible for making the resource Trevaskis Leedstown Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context TH.29 https://photoarchive.morrablibrary.org.uk/files/original/Trevaskis_Collection/18541/TJ.30.tif cd02a18d39a8e4513cfadbc0ca6f9232 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trevaskis Collection Publisher An entity responsible for making the resource available Morrab Library Description An account of the resource The surname comes from the farm of Trevaskis standing close by Gwinear parish. W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays. Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 10 x 8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Groom with Horse Description An account of the resource Groom with Horse Creator An entity primarily responsible for making the resource Trevaskis Leedstown Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Whole Plate Glass Negative Identifier An unambiguous reference to the resource within a given context TJ.30 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18542/SWA.neg.0012.tif 32f3bd34825dab8d332ce10e8594ebc7 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18542/SWA.neg.0012.1.tif 32f3bd34825dab8d332ce10e8594ebc7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Medium format film Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soho Subject The topic of the resource Written on the back of the contact print by Serena Wadham: 'Soho' Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0012 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18543/SWA.neg.0019.tif 4f0573122864518f274beeb0391bb8c6 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18543/SWA.neg.0019.1.tif 4f0573122864518f274beeb0391bb8c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data medium format film Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man and woman with a cat in a living room Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant cornwall https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18544/SWA.neg.0013.a.tif 50d8ffda45cd78c98623af02283f1b05 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18544/SWA.neg.0013.a.1.tif 50d8ffda45cd78c98623af02283f1b05 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man (David Chapple?) working with dried flowers. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant cornwall https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18545/SWA.neg.0014.a.tif 923424dfbcad9949653936d403488619 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18545/SWA.neg.0014.b.tif 0a41c89836ce6cfd3ff05e055022e013 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 35mm film scanned in two parts Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Street images London Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0014.a SWA.neg.0014.b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18546/SWA.neg.0016.a.tif 9081a93e44b08e87879c6a66d2d2adf3 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18546/SWA.neg.0016.b.tif fbbb35daa176ddbded40311c8ef2b3ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 35mm film scanned in two parts Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource People working picking flowers Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0016.a SWA.neg.0016.b 1951-1970 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18547/SWA.neg.0018.a.tif c3414234a66b54c7f4ceee8a68869f78 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18547/SWA.neg.0018.b.tif bf84ca2c39caea84f3fa99a06e452790 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 35mm film scanned in two parts Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Penberth, man working with a small boat. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0018.a SWA.neg.0018.b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penberth https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18548/SWA.neg.0020.a.tif a2ff02c32db919176b954bd031571bfe https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18548/SWA.neg.0020.b.tif c22e391a6dbb6322a96009568481832c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 35mm film scanned in two parts Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Butcher's shop and Penzance train station. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0020.a SWA.neg.0020.b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18549/SWA.neg.0021.a.tif 3f3d230b318709ef01687bf61801b828 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/18549/SWA.neg.0021.b.tif cbedb61c6ccd99b44ad3880ed34c7293 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in A4-format box files, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in large archival boxes, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an archival portfolio. Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology. Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 35mm film scanned in two parts Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Women picking violets Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1963-1965 Format The file format, physical medium, or dimensions of the resource Negative Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.neg.0021.a SWA.neg.0021.b Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Treen https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18550/PEOP_21HG_034.tif 297c9be2c36debdbc5c9e9c952024b48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two women Victorian dress studio portrait Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Identifier An unambiguous reference to the resource within a given context PEOP 21HG 034 Description An account of the resource Two very similar looking women - sisters? both wearing glasses Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative 1891-1910 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18551/PEOP_21HG_035.tif ec2d654608aff871df6c9ae99d8bce08 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Emulsion degraded, missing in places Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two women, Victorian dress, studio portrait Description An account of the resource Mature woman seated, younger woman standing Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 035 1871-1890 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18552/PEOP_21HG_036.tif f1af0f1cd45da16da724304689819003 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). slight damage to emulsion; bits of white substance stuck to non-emulsion side Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two women, Victoria dress, studio portrait Description An account of the resource Two young women, one seated one standing Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 036 1871-1890 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18553/PEOP_21HG_037.tif 4123634d1e0f814fbb22dca33e9046b9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). emulsion degraded round edges, scratches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three women,Victorian dress studio portrait Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 037 Description An account of the resource Three very similar looking women - mother and two daughters? 1871-1890 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18554/PEOP_HG21_038.tif 85f72118243e778236b8c834253c1ac3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Emulsion degraded and coming off in areas, especially round edges Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three women, studio portrait, outdoor Victorian dress Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 038 1891-1910 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18555/PEOP_HG21_039.tif bbf7e7fbf18227bd56244ce8929e4abf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). three corners missing, some scratches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three young women, studio portrait Publisher An entity responsible for making the resource available Morrab librrary Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 039 Description An account of the resource Three young women wearing large hats 1891-1910 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18556/PEOP_HG21_040.tif c334a297605b40fd6c773e0fd515468d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). emulsion degraded round edges, some scratches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four young women, Victorian dress, studio portrait Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 040 Description An account of the resource Photograph of four young women, all wearing elaborate hats 1871-1890 Domestic and family life https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/18557/PEOP_21HG_041.tif 1e82e9947d7d5be1a33683e2c61e056e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Richards Collection Description An account of the resource The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). bottom third of glass negative missing Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man and three women, Victorian dress studio portrait Description An account of the resource Possible family portrait Publisher An entity responsible for making the resource available Morrab library Rights Information about rights held in and over the resource Morrab library Format The file format, physical medium, or dimensions of the resource Half Plate Glass Negative Identifier An unambiguous reference to the resource within a given context PEOP 21HG 041 1891-1910 Domestic and family life