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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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                <text>Family portrait</text>
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                <text>Jack, Mary &amp; Vera Trevaskis</text>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Identifier</name>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>Small studio portrait of a young man</text>
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                <text>Photographer: J. Brokenshire, Penzance.</text>
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                <text>Carlene Harry</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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                <text>Portrait Mary Ann Hitchens</text>
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                <text>Portrait Mary Ann Hitchens  Aunt of Ken James Father</text>
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                <text>Trevaskis   Leedstown</text>
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                <text>C 1910</text>
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                <text>Morrab Library</text>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Identifier</name>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>Elderly couple seated , studio photo</text>
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                <text>On the back, "Taken 1866 Joint ages 144 years. Walls from Stemnack (?) Former relatives&#13;
John and Mary age 67 and 66 brother to Thomas, father to William and Grace."</text>
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                <text>Carlene Harry</text>
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                <text>Morrab Library</text>
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                <text>Print</text>
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                <text>H.188</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <text>medium format negatives</text>
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              <text>Serena Wadham&#13;
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                <text>Man and boy working the land with a lorry and a tractor</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Farming at Georgia Nancledra</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="161578">
                <text>Serena Wadham&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963-1965</text>
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            <name>Format</name>
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                <text>Negative</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.neg.0010</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Nancledra West cornwall</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="161595">
              <text>medium format film</text>
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              <text>Serena Wadham&#13;
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161587">
                <text>Man working with wood, outside near a cottage.&#13;
Part of the film taken in Soho London</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161588">
                <text>Written on a note with the film:&#13;
'Charles Crendle'</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161589">
                <text>Serena Wadham&#13;
&#13;
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                <text>1963-1965</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161591">
                <text>Negative</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>Photograph</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.neg.0011</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="161594">
                <text>Nancledra </text>
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                  <text>Richards Collection</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
          <elementTextContainer>
            <elementText elementTextId="161999">
              <text>Yes</text>
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          </elementTextContainer>
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        <element elementId="60">
          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>slight damage to one corner of negative, few white spots.  Damage along right edge of photo</text>
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        </element>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="161597">
                <text>Two Victorian / Edwardian Girls studio portrait</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="161598">
                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161599">
                <text>Victorian</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161600">
                <text>Morrab Library</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161601">
                <text>Half Plate Glass Negative</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PEOP 21HG 033</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Two smartly dressed girls, older seated, younger standing</text>
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        <name>1891-1910</name>
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      <tag tagId="2435">
        <name>Domestic and family life</name>
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  <item itemId="18504" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Trevaskis Collection</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="162089">
                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="59">
          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
          <elementTextContainer>
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              <text>No</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>6.5 4.75</text>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Row of Cottages</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161613">
                <text>Row of Cottages</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161614">
                <text>Trevaskis  Leedstown</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>C 1900</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161617">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Quarter Plate Glass Negative</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>TJ.8</text>
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              <name>Title</name>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="162089">
                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
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      <elementContainer>
        <element elementId="59">
          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
          <elementTextContainer>
            <elementText elementTextId="161729">
              <text>No</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="161730">
              <text>6.5 4.75</text>
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        </element>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161620">
                <text>Portrait of Freda </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161621">
                <text>Portrait of Freda who married William Trevaskis in America</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161622">
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
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Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
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Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
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                <text>Claude (Shoemaker) Jane and Mother</text>
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                <text>Trevaskis Leedstown</text>
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                <text>Quarter Plate Glass Negative</text>
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                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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                <text>'Arthur Tippett his son was 20 days in S. Atlantic in open boat after "Trevessa" (Haynes st. Co)&#13;
See also H.71</text>
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                <text>Photographer: J. Brokenshire, Penzance.</text>
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She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
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