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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Bay of Panama, wrecked at Nare Point, Lizard, March 10th 1891.</text>
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                <text>The Bay of Panama was a 2,282-ton, four masted, square-rigged steel ship, launched by Harland &amp; Wolff at Belfast in 1883 and described as one of the finest sailing vessels ever built. &#13;
&#13;
She left Calcutta on November 18th 1890 with 13,000 bales of jute between decks, destined for the mills at Dundee. The homeward voyage was uneventful, and by the early days of March 1891 the Bay of Panama was nearing Cornwall. &#13;
&#13;
The weather was deteriorating  fast and Captain David Wright hove-to in order to take deep soundings. The results led him to believe he was close to the Lizard. Dawn on March 9th came with all the signs of an approaching blizzard. At 4pm, when the deck watch was relieved, a strong north-easterly gale was blowing accompanied by driving snow. For the best part of the day the ship had been under fore and main topsails only, but now all sail was furled. This storm became known as the "blizzard of '91", the worst the West Country had known for 200 years. Animals died in the fields of Cornwall and Devon in their hundreds, and four ships were wrecked at the Manacles alone.&#13;
&#13;
At 11:30 pm a white light, thought to be that of a steamship, was sighted from the Bay of Panama but there was no answer to their blue distress flare. A little after 01:00 am on March 10th a huge wave pooed the ship, sweeping her from end to end and smashing every boat on deck. Soon afterwards, still in driving snow and with visibility almost nil, the ship went headlong into the cliffs south of Nare Point, less than seven miles from the safety of Falmouth. &#13;
&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
Meanwhile the mate ordered the rest of the crew into the rigging to get above the freezing water which swirled over the deck. The bosun, carpenter and sailmaker took shelter behind the deckhouse, but two were swept overboard to die in the darkness. The bosun managed to reach the mizzen rigging, but during the night went out of his mind and jumped into the sea. Extreme cold and exposure took its toll of the others in the rigging, all soaked by spray which turned into ice on their clothing and on the ropes to which they clung. At least six seamen froze to death, others lost their grip and fell into the sea. &#13;
&#13;
Daybreak revealed the Bay of Panama hard and fast under the cliff, broadside on to the sea, her bowsprit less than fifty feet from the rocks. Her rigging and deck were in ruins, with a mass of cordage attached to the masts trailing alongside. A few pitiful figures still hung in the rigging, some alive, some dead; it was impossible to tell the difference from ashore. A local farmer searching the clifftops for his sheep was the first to find the wreck and promptly made for Porthallow to inform the coastguards, who sent out from St Keverne with rocket apparatus. &#13;
&#13;
By 9am a breeches line had been rigged and seventeen survivors from the crew of forty were brought ashore. Quite incapable of helping themselves, they had to be lifted from the rigging and placed in the breeches-buoy with limbs in the position in which they were found. Several bodies were floating alongside or lying in the scuppers of the wreck, the first to be recovered being that of the captain's wife. The survivors were taken to St Keverne where they thawed out, fed and put to bed, Next day, a local carrier's horse drawn bus took them to Gweek on the first stage of their journey to Falmouth, but snowdrifts blocking the road forced them to abandon it and for the second time in twenty-four hours they were exposed to near-Artic conditions. Some without shoes, they struggled along the road and eventually reached the outskirts of Falmouth, having as the Falmouth Packet reported 'endured as much privation in that walk as they did in the actual shipwreck.' &#13;
&#13;
Two days later the steamer Hermes, belonging to the Neptune Salvage Company of Cowes, Isle of Wight, arrived to inspect the wreck, but the actual work of salvage was carried out by two Liverpool divers who set up a steam donkey-engine and boiler on deck to operate a winch and tranship the cargo of baled jute into barges alongside. The work was interrupted in August when the donkey boiler burst, killing one man and sending pieces of metal as high as the clifftop. Sightseers came in their hundreds to see the wreck and hear the story of crew's ordeal. Timber from the her deck was cut into small pieces and sold as souvenirs, and her bell was donated to a small chapel at Helford, where it can still be seen high up in the pointed tower, weather beaten and green. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p72-75.</text>
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                <text>The Bay of Panama was a 2,282-ton, four masted, square-rigged steel ship, launched by Harland &amp; Wolff at Belfast in 1883 and described as one of the finest sailing vessels ever built. &#13;
&#13;
She left Calcutta on November 18th 1890 with 13,000 bales of jute between decks, destined for the mills at Dundee. The homeward voyage was uneventful, and by the early days of March 1891 the Bay of Panama was nearing Cornwall. &#13;
&#13;
The weather was deteriorating  fast and Captain David Wright hove-to in order to take deep soundings. The results led him to believe he was close to the Lizard. Dawn on March 9th came with all the signs of an approaching blizzard. At 4pm, when the deck watch was relieved, a strong north-easterly gale was blowing accompanied by driving snow. For the best part of the day the ship had been under fore and main topsails only, but now all sail was furled. This storm became known as the "blizzard of '91", the worst the West Country had known for 200 years. Animals died in the fields of Cornwall and Devon in their hundreds, and four ships were wrecked at the Manacles alone.&#13;
&#13;
At 11:30 pm a white light, thought to be that of a steamship, was sighted from the Bay of Panama but there was no answer to their blue distress flare. A little after 01:00 am on March 10th a huge wave pooed the ship, sweeping her from end to end and smashing every boat on deck. Soon afterwards, still in driving snow and with visibility almost nil, the ship went headlong into the cliffs south of Nare Point, less than seven miles from the safety of Falmouth. &#13;
&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
Meanwhile the mate ordered the rest of the crew into the rigging to get above the freezing water which swirled over the deck. The bosun, carpenter and sailmaker took shelter behind the deckhouse, but two were swept overboard to die in the darkness. The bosun managed to reach the mizzen rigging, but during the night went out of his mind and jumped into the sea. Extreme cold and exposure took its toll of the others in the rigging, all soaked by spray which turned into ice on their clothing and on the ropes to which they clung. At least six seamen froze to death, others lost their grip and fell into the sea. &#13;
&#13;
Daybreak revealed the Bay of Panama hard and fast under the cliff, broadside on to the sea, her bowsprit less than fifty feet from the rocks. Her rigging and deck were in ruins, with a mass of cordage attached to the masts trailing alongside. A few pitiful figures still hung in the rigging, some alive, some dead; it was impossible to tell the difference from ashore. A local farmer searching the clifftops for his sheep was the first to find the wreck and promptly made for Porthallow to inform the coastguards, who sent out from St Keverne with rocket apparatus. &#13;
&#13;
By 9am a breeches line had been rigged and seventeen survivors from the crew of forty were brought ashore. Quite incapable of helping themselves, they had to be lifted from the rigging and placed in the breeches-buoy with limbs in the position in which they were found. Several bodies were floating alongside or lying in the scuppers of the wreck, the first to be recovered being that of the captain's wife. The survivors were taken to St Keverne where they thawed out, fed and put to bed, Next day, a local carrier's horse drawn bus took them to Gweek on the first stage of their journey to Falmouth, but snowdrifts blocking the road forced them to abandon it and for the second time in twenty-four hours they were exposed to near-Artic conditions. Some without shoes, they struggled along the road and eventually reached the outskirts of Falmouth, having as the Falmouth Packet reported 'endured as much privation in that walk as they did in the actual shipwreck.' &#13;
&#13;
Two days later the steamer Hermes, belonging to the Neptune Salvage Company of Cowes, Isle of Wight, arrived to inspect the wreck, but the actual work of salvage was carried out by two Liverpool divers who set up a steam donkey-engine and boiler on deck to operate a winch and tranship the cargo of baled jute into barges alongside. The work was interrupted in August when the donkey boiler burst, killing one man and sending pieces of metal as high as the clifftop. Sightseers came in their hundreds to see the wreck and hear the story of crew's ordeal. Timber from the her deck was cut into small pieces and sold as souvenirs, and her bell was donated to a small chapel at Helford, where it can still be seen high up in the pointed tower, weather beaten and green. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p72-75.</text>
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&#13;
She left Calcutta on November 18th 1890 with 13,000 bales of jute between decks, destined for the mills at Dundee. The homeward voyage was uneventful, and by the early days of March 1891 the Bay of Panama was nearing Cornwall. &#13;
&#13;
The weather was deteriorating  fast and Captain David Wright hove-to in order to take deep soundings. The results led him to believe he was close to the Lizard. Dawn on March 9th came with all the signs of an approaching blizzard. At 4pm, when the deck watch was relieved, a strong north-easterly gale was blowing accompanied by driving snow. For the best part of the day the ship had been under fore and main topsails only, but now all sail was furled. This storm became known as the "blizzard of '91", the worst the West Country had known for 200 years. Animals died in the fields of Cornwall and Devon in their hundreds, and four ships were wrecked at the Manacles alone.&#13;
&#13;
At 11:30 pm a white light, thought to be that of a steamship, was sighted from the Bay of Panama but there was no answer to their blue distress flare. A little after 01:00 am on March 10th a huge wave pooed the ship, sweeping her from end to end and smashing every boat on deck. Soon afterwards, still in driving snow and with visibility almost nil, the ship went headlong into the cliffs south of Nare Point, less than seven miles from the safety of Falmouth. &#13;
&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
Meanwhile the mate ordered the rest of the crew into the rigging to get above the freezing water which swirled over the deck. The bosun, carpenter and sailmaker took shelter behind the deckhouse, but two were swept overboard to die in the darkness. The bosun managed to reach the mizzen rigging, but during the night went out of his mind and jumped into the sea. Extreme cold and exposure took its toll of the others in the rigging, all soaked by spray which turned into ice on their clothing and on the ropes to which they clung. At least six seamen froze to death, others lost their grip and fell into the sea. &#13;
&#13;
Daybreak revealed the Bay of Panama hard and fast under the cliff, broadside on to the sea, her bowsprit less than fifty feet from the rocks. Her rigging and deck were in ruins, with a mass of cordage attached to the masts trailing alongside. A few pitiful figures still hung in the rigging, some alive, some dead; it was impossible to tell the difference from ashore. A local farmer searching the clifftops for his sheep was the first to find the wreck and promptly made for Porthallow to inform the coastguards, who sent out from St Keverne with rocket apparatus. &#13;
&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
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&#13;
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&#13;
By 9am a breeches line had been rigged and seventeen survivors from the crew of forty were brought ashore. Quite incapable of helping themselves, they had to be lifted from the rigging and placed in the breeches-buoy with limbs in the position in which they were found. Several bodies were floating alongside or lying in the scuppers of the wreck, the first to be recovered being that of the captain's wife. The survivors were taken to St Keverne where they thawed out, fed and put to bed, Next day, a local carrier's horse drawn bus took them to Gweek on the first stage of their journey to Falmouth, but snowdrifts blocking the road forced them to abandon it and for the second time in twenty-four hours they were exposed to near-Artic conditions. Some without shoes, they struggled along the road and eventually reached the outskirts of Falmouth, having as the Falmouth Packet reported 'endured as much privation in that walk as they did in the actual shipwreck.' &#13;
&#13;
Two days later the steamer Hermes, belonging to the Neptune Salvage Company of Cowes, Isle of Wight, arrived to inspect the wreck, but the actual work of salvage was carried out by two Liverpool divers who set up a steam donkey-engine and boiler on deck to operate a winch and tranship the cargo of baled jute into barges alongside. The work was interrupted in August when the donkey boiler burst, killing one man and sending pieces of metal as high as the clifftop. Sightseers came in their hundreds to see the wreck and hear the story of crew's ordeal. Timber from the her deck was cut into small pieces and sold as souvenirs, and her bell was donated to a small chapel at Helford, where it can still be seen high up in the pointed tower, weather beaten and green. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p72-75.</text>
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&#13;
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&#13;
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&#13;
At 11:30 pm a white light, thought to be that of a steamship, was sighted from the Bay of Panama but there was no answer to their blue distress flare. A little after 01:00 am on March 10th a huge wave pooed the ship, sweeping her from end to end and smashing every boat on deck. Soon afterwards, still in driving snow and with visibility almost nil, the ship went headlong into the cliffs south of Nare Point, less than seven miles from the safety of Falmouth. &#13;
&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
Meanwhile the mate ordered the rest of the crew into the rigging to get above the freezing water which swirled over the deck. The bosun, carpenter and sailmaker took shelter behind the deckhouse, but two were swept overboard to die in the darkness. The bosun managed to reach the mizzen rigging, but during the night went out of his mind and jumped into the sea. Extreme cold and exposure took its toll of the others in the rigging, all soaked by spray which turned into ice on their clothing and on the ropes to which they clung. At least six seamen froze to death, others lost their grip and fell into the sea. &#13;
&#13;
Daybreak revealed the Bay of Panama hard and fast under the cliff, broadside on to the sea, her bowsprit less than fifty feet from the rocks. Her rigging and deck were in ruins, with a mass of cordage attached to the masts trailing alongside. A few pitiful figures still hung in the rigging, some alive, some dead; it was impossible to tell the difference from ashore. A local farmer searching the clifftops for his sheep was the first to find the wreck and promptly made for Porthallow to inform the coastguards, who sent out from St Keverne with rocket apparatus. &#13;
&#13;
By 9am a breeches line had been rigged and seventeen survivors from the crew of forty were brought ashore. Quite incapable of helping themselves, they had to be lifted from the rigging and placed in the breeches-buoy with limbs in the position in which they were found. Several bodies were floating alongside or lying in the scuppers of the wreck, the first to be recovered being that of the captain's wife. The survivors were taken to St Keverne where they thawed out, fed and put to bed, Next day, a local carrier's horse drawn bus took them to Gweek on the first stage of their journey to Falmouth, but snowdrifts blocking the road forced them to abandon it and for the second time in twenty-four hours they were exposed to near-Artic conditions. Some without shoes, they struggled along the road and eventually reached the outskirts of Falmouth, having as the Falmouth Packet reported 'endured as much privation in that walk as they did in the actual shipwreck.' &#13;
&#13;
Two days later the steamer Hermes, belonging to the Neptune Salvage Company of Cowes, Isle of Wight, arrived to inspect the wreck, but the actual work of salvage was carried out by two Liverpool divers who set up a steam donkey-engine and boiler on deck to operate a winch and tranship the cargo of baled jute into barges alongside. The work was interrupted in August when the donkey boiler burst, killing one man and sending pieces of metal as high as the clifftop. Sightseers came in their hundreds to see the wreck and hear the story of crew's ordeal. Timber from the her deck was cut into small pieces and sold as souvenirs, and her bell was donated to a small chapel at Helford, where it can still be seen high up in the pointed tower, weather beaten and green. &#13;
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Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p72-75.</text>
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                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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          <name>Physical Dimensions</name>
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              <text>8" x 10"</text>
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            <name>Title</name>
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                <text>Bay of Panama, wrecked at Nare Point, Lizard, March 10th 1891.</text>
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            <name>Creator</name>
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                <text>Gibson</text>
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            <name>Rights</name>
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              <elementText elementTextId="140289">
                <text>Morrab library</text>
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                <text>RGN.027</text>
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                <text>The Bay of Panama was a 2,282-ton, four masted, square-rigged steel ship, launched by Harland &amp; Wolff at Belfast in 1883 and described as one of the finest sailing vessels ever built. &#13;
&#13;
She left Calcutta on November 18th 1890 with 13,000 bales of jute between decks, destined for the mills at Dundee. The homeward voyage was uneventful, and by the early days of March 1891 the Bay of Panama was nearing Cornwall. &#13;
&#13;
The weather was deteriorating  fast and Captain David Wright hove-to in order to take deep soundings. The results led him to believe he was close to the Lizard. Dawn on March 9th came with all the signs of an approaching blizzard. At 4pm, when the deck watch was relieved, a strong north-easterly gale was blowing accompanied by driving snow. For the best part of the day the ship had been under fore and main topsails only, but now all sail was furled. This storm became known as the "blizzard of '91", the worst the West Country had known for 200 years. Animals died in the fields of Cornwall and Devon in their hundreds, and four ships were wrecked at the Manacles alone.&#13;
&#13;
At 11:30 pm a white light, thought to be that of a steamship, was sighted from the Bay of Panama but there was no answer to their blue distress flare. A little after 01:00 am on March 10th a huge wave pooed the ship, sweeping her from end to end and smashing every boat on deck. Soon afterwards, still in driving snow and with visibility almost nil, the ship went headlong into the cliffs south of Nare Point, less than seven miles from the safety of Falmouth. &#13;
&#13;
As the vessel struck, she swung round until her bows pointed east, listing heavily to starboard. One mast came down, and both fore and main topmast broke off and fell into the sea. The second mate managed to fire a distress rocket before a wave swept along the deck and washed him overboard. The same wave swamped the cabin, carrying the captain, his wife, the cook, steward and four apprentices over the side to drown. &#13;
&#13;
Meanwhile the mate ordered the rest of the crew into the rigging to get above the freezing water which swirled over the deck. The bosun, carpenter and sailmaker took shelter behind the deckhouse, but two were swept overboard to die in the darkness. The bosun managed to reach the mizzen rigging, but during the night went out of his mind and jumped into the sea. Extreme cold and exposure took its toll of the others in the rigging, all soaked by spray which turned into ice on their clothing and on the ropes to which they clung. At least six seamen froze to death, others lost their grip and fell into the sea. &#13;
&#13;
Daybreak revealed the Bay of Panama hard and fast under the cliff, broadside on to the sea, her bowsprit less than fifty feet from the rocks. Her rigging and deck were in ruins, with a mass of cordage attached to the masts trailing alongside. A few pitiful figures still hung in the rigging, some alive, some dead; it was impossible to tell the difference from ashore. A local farmer searching the clifftops for his sheep was the first to find the wreck and promptly made for Porthallow to inform the coastguards, who sent out from St Keverne with rocket apparatus. &#13;
&#13;
By 9am a breeches line had been rigged and seventeen survivors from the crew of forty were brought ashore. Quite incapable of helping themselves, they had to be lifted from the rigging and placed in the breeches-buoy with limbs in the position in which they were found. Several bodies were floating alongside or lying in the scuppers of the wreck, the first to be recovered being that of the captain's wife. The survivors were taken to St Keverne where they thawed out, fed and put to bed, Next day, a local carrier's horse drawn bus took them to Gweek on the first stage of their journey to Falmouth, but snowdrifts blocking the road forced them to abandon it and for the second time in twenty-four hours they were exposed to near-Artic conditions. Some without shoes, they struggled along the road and eventually reached the outskirts of Falmouth, having as the Falmouth Packet reported 'endured as much privation in that walk as they did in the actual shipwreck.' &#13;
&#13;
Two days later the steamer Hermes, belonging to the Neptune Salvage Company of Cowes, Isle of Wight, arrived to inspect the wreck, but the actual work of salvage was carried out by two Liverpool divers who set up a steam donkey-engine and boiler on deck to operate a winch and tranship the cargo of baled jute into barges alongside. The work was interrupted in August when the donkey boiler burst, killing one man and sending pieces of metal as high as the clifftop. Sightseers came in their hundreds to see the wreck and hear the story of crew's ordeal. Timber from the her deck was cut into small pieces and sold as souvenirs, and her bell was donated to a small chapel at Helford, where it can still be seen high up in the pointed tower, weather beaten and green. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p72-75.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <element elementId="50">
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                <text>Beach and bay at near Land's End.   1935</text>
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                <text>WATERSCAPE</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Beach, bay sea and cliffs taken from Logan Rock </text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>1935</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="118525">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SCAPE 31OG 134</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Porthcurno</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Beach and cliffs leading to Godrevy Point and Godrevy lighthouse</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102488">
                <text>Rocks Towans House print from destroyed/damaged negative</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102489">
                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <name>Identifier</name>
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                <text>WATERSc 31HF 068</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Hayle</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stanley Opie Archaeology</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Archaeology</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="31838">
                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                  <text>Stanley Opie</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="63">
          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Landscape</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Beach and marran grass. </text>
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            <description>An account of the resource</description>
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                <text>Beach and marran grass. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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            <name>Creator</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Beach and sea at Praa Sands near Helston</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="102840">
                <text>Print from damaged/destroyed negative</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="102841">
                <text>Landscape houses sands</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="102842">
                <text>Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102843">
                <text>1965</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102844">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="102845">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="102846">
                <text>WATERSc 31HF 085</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Praa Sands</text>
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  <item itemId="8580" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Original Format</name>
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              <text>Photo</text>
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        <element elementId="56">
          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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            <elementText elementTextId="101433">
              <text>1967</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ACTS 9.003</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Beach at Penzance, sea wall rebuilt after 1962 storm</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Storm</text>
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                <text>Houses Street Lamp</text>
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              <elementText elementTextId="59097">
                <text>Anno</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1967</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>The new sea wall built along the Penzance seafront in 1965-67, following the Ash Wednesday Storm of March 1962</text>
              </elementText>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101429">
                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="101430">
                <text>Print</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="1">
                  <text>Miscellaneous Photos</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="201493">
                <text>Beach Scene </text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="201494">
                <text>Large rock on a beach at unknown location though to be on the north coast of Cornwall</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="201495">
                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.3161</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>North Cornwall</text>
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  <item itemId="16391" public="1" featured="0">
    <fileContainer>
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="127847">
                  <text>The Ronald Garlick Newport Collection of Gibson Wreck Photographs</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="143030">
                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
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              <text>8" x 6"</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Beach scene with washed up spars in foreground, undated</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="143065">
                <text>Print; badly damaged corners. Inscription: "After the storm - all that was left Trevean/Perranuthnoe"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Gibson</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="143067">
                <text>Morrab library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>RGN.130</text>
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            <description>The topic of the resource</description>
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              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="160042">
                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="160044">
                  <text>Morrab Library unless otherwise stated</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Half Plate Glass Negative</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Photos</text>
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              <description>An account of the resource</description>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19649">
                <text>Miscellaneous</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19650">
                <text>Beachfield Hotel   Promenade   OP24. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19651">
                <text>1930</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19652">
                <text>© Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19653">
                <text>Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="19654">
                <text>M.424</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="19655">
                <text>Penzance</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19656">
                <text>Beachfield Hotel   Promenade   OP24. </text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
