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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>Serena Wadham&#13;
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Causewayhead , Penzance.&#13;
William Henry Sampson, Poulterer, Ham and Bacon curer. &#13;
(Kelly's Directory 1903).&#13;
Shop decorated for the Coronation of George V</text>
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                <text>Penzance.</text>
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                <text>Sampson, Butcher,Causeway head , Penzance.    </text>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
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Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
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                <text>On the back, 'Uncle Sam Bolitho from whom ? brooch and nugget of gold came from c.1865&#13;
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                <text>Photographer: A.V.Smith, Bridge Street, Ballarat, Victoria, Australia.</text>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
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                <text>Seated in his garden at The Ferns, Cedar Road, Sutton.</text>
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They took many photos of the countryside around the area.&#13;
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>COLLINS.174</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Dredger</text>
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                <text>Shipwreck</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Hayle, Cornwall</text>
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                <text>Negative</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>WRECKS 32OF 252</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Sand Wyvern , Padstow stuck on the sand near Hayle.  &#13;
1975</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>aground</text>
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                <text>Hayle</text>
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            <name>Source</name>
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        <name>1971-1990</name>
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        <name>Seafaring and shipping</name>
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