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                <text>Inside Newlyn Harbour, view across to the north and The Tolcarne.</text>
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                <text>Larger identical image to JDC 381, details as before.</text>
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            <name>Title</name>
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                <text>Larger identical image to JDC 381, details as before.</text>
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          <name>Damaged?</name>
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              <text>Somewhat grainy and underexposed.</text>
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              <text>178x125mm</text>
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                <text>The foreground is the Old (Medieval) pier at Newlyn Town. </text>
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                <text>JDC 383</text>
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                <text>Newlyn</text>
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                <text>Pier is Grade 2-listed, built before 1435. Longline fish baskets and longlines are in view. The distant view is across to the fish market and ice works. At low tide all vessels are aground.</text>
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                <text>1930</text>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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                  <text>James Downing Collection</text>
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          <name>Damaged?</name>
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              <text>No</text>
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          <name>Physical Dimensions</name>
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                <text>'Unloading the catch' at the old harbour, Newlyn Town</text>
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                <text>JDC 384</text>
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                <text>Newlyn</text>
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                <text>The Old Pier (Medieval) and a Mount's Bay lugger aground in the harbour foreground, with many more anchored off shore in Gwavas Lake. Fish being landed in small punts to the waiting 'Jousters' with their wicket baskets and donkey carts. This is the time before the current Newlyn piers were built.</text>
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                <text>Morrab Library</text>
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                <text>Postcard</text>
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                <text>Photograph</text>
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              <text>200x124mm</text>
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                <text>View from the 'Green' looking towards Newlyn Harbour.</text>
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                <text>Newlyn </text>
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            <description>An account of the resource</description>
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                <text>Looking towards the Old (Medieval) Pier and the completed piers to Street-an-Nowan and Tolcarne. The Elizabeth and Blanch lifeboat is in the foreground and was stationed here from 1909-1913. Harbour has been constructed (1908).</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                <text>Photograph</text>
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            <description>A name given to the resource</description>
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                <text>Similar to JDC 385 but a bit earlier.</text>
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                <text>Newlyn </text>
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                <text>1895 estimate. </text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Photograph</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>JDC 387</text>
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                <text>Newlyn </text>
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            <description>An account of the resource</description>
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                <text>View from the Green, Newlyn Town, across the harbour to Street-an-Nowan and the Tolcarne. </text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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              <elementText elementTextId="158011">
                <text>Print</text>
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          <element elementId="51">
            <name>Type</name>
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                <text>Photograph</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Declaring new Penzance promenade open</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>From the Way donation</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Gibson</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Schoolgirl in Black Dress standing by Lion Head Balustrade</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Schoolgirl in Black Dress standing by Lion Head Balustrade</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>James Chenhall.  Redruth.  Born in 1845, first appeared as a photographer in 1866 aged 21. Continued  at 11 West End Redruth until 1910. Not a particularly prominent photographer whose work consisted mainly of portraits.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1866 - 1910</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 085</text>
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        <name>Personal life</name>
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  <item itemId="17984" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Pye Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Mount has a crease for the whole length, less damage to left of portrait.</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of young dark haired woman in white dress</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Portrait of young dark haired woman in white dress. &#13;
name on back of photo   Aunt Jane 1904</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>EI Ellery 32 River Street Truro </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="157760">
                <text>Morrab Library</text>
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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                <text>Built by Harvey's of Hayle in 1875 for West Cornwall Steamship Co. Worked between Scilly and Penzance and also on pleasure cruises. It was on one of those cruises that she ran aground in Lamorna harbour after grazing a reef. Refloated and repaired sold to Western Marine Salvage in Penzance. Finally sunk by a mine in 1940.</text>
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It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Donation_from_S.K._Way/17994/W_8.tif</src>
        <authentication>0067f6b235ea0dd2f68f730da687f8d4</authentication>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Way Collection&#13;
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
&#13;
It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
&#13;
One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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              <name>Source</name>
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                  <text>from S.K. Way</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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          <element elementId="50">
            <name>Title</name>
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                <text>Penzance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>View of Penzance </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>W.Penaluna</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="40">
            <name>Date</name>
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                <text>1817</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="157882">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>W 8</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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