654 20 18351 https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17787/SWA.357.tif 950d4b60aca83c82b538ff0fc7728ea0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6¼ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.357 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17788/SWA.358.tif 85b863a444abfdc7297e5f83ef367f6b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.358 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17789/SWA.359.tif 61378fec583d783dc54d8fc6f2b56476 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.359 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17790/SWA.360.tif 8acf32e1c9a6958a8f21723c8d7f74af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.360 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17791/SWA.361.tif 64004e7e9fd9494e01d2c7bb2a316d44 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.361 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17792/PC_118.tif cf7522915044b2518b5e0061b6061778 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman standing by Velvet Chair Description An account of the resource Young Woman standing by Velvet Chair Creator An entity primarily responsible for making the resource Alfred Harris - Killigrew Street Falmouth Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 118 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17793/PC_119.tif a63827a688266e53719de766de9b1fa4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Two School Girls, One sitting on a Chair Description An account of the resource Two School Girls, One sitting on a Chair Creator An entity primarily responsible for making the resource Alfred Harris, Killigrew Street, Falmouth Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 119 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17794/PC_120.tif 6b75bdf8769c1f193d5689e391984f19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Punt on Crane on Quayside, Crowd watching Description An account of the resource Punt on Crane on Quayside, Crowd watching Creator An entity primarily responsible for making the resource J Moody - Penzance John Moody operated from a studio at No 27 Market Jew Street. His work seems to have been mainly likenesses, carte de visits and cabinet portraits. He was working in the town until the 1890's. His father ran the Redruth branch Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 - 1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 120 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17795/PC_121.tif 191a1bb2a4a1fb151263faee17442aa1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Young man Description An account of the resource Portrait of Young man Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 121 Creator An entity primarily responsible for making the resource J Moody - Penzance John Moody operated from a studio at No 27 Market Jew Street. His work seems to have been mainly likenesses, carte de visits and cabinet portraits. He was working in the town until the 1890's. His father ran the Redruth branch Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17796/PC_122.tif 5f234f4055843fc70703cee99d93dba0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Middle Aged Woman seated Description An account of the resource Middle Aged Woman seated Creator An entity primarily responsible for making the resource James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 -1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 122 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17797/PC_123.tif 8cb2110b876230dd6f315c17e6f4495e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Schoolgirl standing by Velvet Chair Description An account of the resource Young Schoolgirl standing by Velvet Chair Source A related resource from which the described resource is derived James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 - 1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 123 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17798/PC_124.tif 6a7202d8ca75e61a061cf7ea43589e19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elderly man sitting on soft chair. Heavy Beard Description An account of the resource Elderly man sitting on soft chair. Heavy Beard. Creator An entity primarily responsible for making the resource James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 - 1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 124 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17799/PC_125.tif 32fd67b1ef63ed8a72dc60851f2a4323 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait Head and Shoulders of Young Schoolgirl Description An account of the resource Portrait Head and Shoulders of Young Schoolgirl Creator An entity primarily responsible for making the resource James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 -1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 125 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17800/PC_126.tif 2ecd1af27fd7fa2b03a3e03a82100ced Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman standing by soft chair Description An account of the resource Young Woman standing by soft chair Creator An entity primarily responsible for making the resource James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab library Date A point or period of time associated with an event in the lifecycle of the resource 1860 -1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 126 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17801/PC_127.tif de7f772c47a7558f7bc03e91796073a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Middle aged woman , seated at an ornate desk Description An account of the resource Middle aged woman, seated at an ornate desk Creator An entity primarily responsible for making the resource James Moody set up shop in Redruth about 1859 at No 67 Fore Street. The site is now the central post office. For nearly 30 years the Moody imprint is to be found on carte and cabinet imprints, output almost entirely likenesses with the occasional street scene in and around Redruth. He opened a branch in Penzance for his son John in the latter part of the 1860's. One of his daughters Fanny became famous as a singer and toured overseas. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 127 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17802/PC_128.tif 2c72832ae96bbd3e97fb4285a12455a3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Middle aged man standing by Pedestal Description An account of the resource Middle aged man standing by Pedestal Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860 - 1890 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 128 Creator An entity primarily responsible for making the resource J Moody - Penzance John Moody operated from a studio at No 27 Market Jew Street. His work seems to have been mainly likenesses, carte de visits and cabinet portraits. He was working in the town until the 1890's. His father ran the Redruth branch Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17803/PC_129.tif d64e7f51e9c77feb9c424cfe663c8651 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elderly woman with young girl Description An account of the resource Elderly woman with young girl Creator An entity primarily responsible for making the resource J.W. Moor Falmouth Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 129 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17804/PC_130.tif e988d5606154c47725f6a95e8a24b7aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Badly disfigured, faded. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Man in chair holding book Description An account of the resource Man in chair holding book Creator An entity primarily responsible for making the resource W.M. Harrison - Truro Redruth Falmouth HelstonW.M. Harrison who was an experienced photographer, worked at Falmouth in the 1880s where he established a studio at 40 Church Street, opposite the Polytechnic Hall. By c.1885 he had already submitted photographs to a number of photographic expositions, gaining medals at seven of them, in England, France and Austria Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PcC 130 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17805/PC_131.tif 9043fee247f7ace300483dfa8e896087 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4.5 x 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman in White Dress by a Sheepskin Description An account of the resource Young Woman in White Dress by a Sheepskin Creator An entity primarily responsible for making the resource W.M. Harrison who was an experienced photographer, worked at Falmouth in the 1880s where he established a studio at 40 Church Street, opposite the Polytechnic Hall. By c.1885 he had already submitted photographs to a number of photographic expositions, gaining medals at seven of them, in England, France and Austria Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1880's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 131 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17806/PC_132.tif 7fb5ede3856d6e60890119f783155187 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Schoolgirl in Lace type Bonnet Description An account of the resource Young Schoolgirl in Lace type Bonnet Creator An entity primarily responsible for making the resource W.M. Harrison who was an experienced photographer, worked at Falmouth in the 1880s where he established a studio at 40 Church Street, opposite the Polytechnic Hall. By c.1885 he had already submitted photographs to a number of photographic expositions, gaining medals at seven of them, in England, France and Austria Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1880's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 132 Peop Personal life Portrait