653 20 18351 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17767/PC_110.tif 17181930df8c39cdec9ffeabf7170c48 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman in Black dress and Coat Description An account of the resource Young Woman in Black dress and Coat Source A related resource from which the described resource is derived J Mitchell Truro In 1854 he entered some photographic portraits at the Polytechnic and won a Second Bronze Medal in the Fine art class. This was an early award and it places him among the first group of prise-winners in this field. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 110 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17768/PC_111.tif 15f2e70ab92ea5de8d8d00c6b1c3837c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young man standing by a Pedestal Description An account of the resource Young man standing by a Pedestal Creator An entity primarily responsible for making the resource J Mitchell TruroJ Mitchell Truro In 1854 he entered some photographic portraits at the Polytechnic and won a Second Bronze Medal in the Fine art class. This was an early award and it places him among the first group of prise-winners in this field. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1855 - 1870 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 111 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17769/PC_112.tif 227ae5bac8cfd7f56bbe1d0bf04a6b8c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Portrait of Man with full Beard Description An account of the resource Portrait of man with full Beard Creator An entity primarily responsible for making the resource J Mitchell TruroJ Mitchell Truro In 1854 he entered some photographic portraits at the Polytechnic and won a Second Bronze Medal in the Fine art class. This was an early award and it places him among the first group of prise-winners in this field. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 112 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17770/PC_113.tif 6e73e9e7ffbe24d54710c95cf88b264f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman in dark Velvet Dress Description An account of the resource Young Woman in Dark Velvet Dress Creator An entity primarily responsible for making the resource Michell St Austell Comparatively little known, but he was the more interesting of Cornwall's early photographers. The photography began in 1846 when he won a prize at the Polytechnic for his entry of daguerreotypes. William Michell was not a competitor after 1862 and carte imprints by the end of the 1860's read Michell & Son , Church Street St Austell. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1854 -1889 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 113 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17771/PC_114.tif 3b36bff328552383bc7ae5fe3f254c2a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Young Woman in dark Dress standing by padded chair Description An account of the resource Young Woman in dark Dress standing by padded chair Creator An entity primarily responsible for making the resource Michell & Son St AustellMichell St Austell Comparatively little known, but he was the more interesting of Cornwall's early photographers. The photography began in 1846 when he won a prize at the Polytechnic for his entry of daguerreotypes. William Michell was not a competitor after 1862 and carte imprints by the end of the 1860's read Michell & Son , Church Street St Austell. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1854 - 1889 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 114 Peop Personal life Portrait https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17772/PC_115.tif 3f4a898da33d6106731367852d5cc955 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tol-Pedn -Penwith , Lands End Description An account of the resource Tol-Pedn-Penwith, Lands End Creator An entity primarily responsible for making the resource C.R Lobb Wadebridge Born at Egloshayle 12th September 1841. Married Winifred Rundle in 1865. He died aged 30 and his widow re married. Not much is known about his photography other than he was mainly concerned with exterior photography of high quality. His career took place in a gap between the county directories so not much is known. Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1860's Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 115 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17773/PC116.tif 780eb0fc8d74bffdcf5123670aa435f8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Logan Rock Treen Description An account of the resource Logan Rock Treen Creator An entity primarily responsible for making the resource C.R LobbC.R Lobb Wadebridge Born at Egloshayle 12th September 1841. Married Winifred Rundle in 1865. He died aged 30 and his widow re married. Not much is known about his photography other than he was mainly concerned with exterior photography of high quality. His career took place in a gap between the county directories so not much is known. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 116 https://photoarchive.morrablibrary.org.uk/files/original/Pye_Collection/17774/PC_117.tif 9734a9321df81c5cf0ba7bde771e2fa2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pye Collection Description An account of the resource The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century. It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those. Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833. Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type. It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian. All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today. This collection is a very interesting record of the work of the Victorian photographer. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 4 x 2.5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St Michael's Mount Description An account of the resource St Michael's Mount Creator An entity primarily responsible for making the resource C.R LobbC.R Lobb Wadebridge Born at Egloshayle 12th September 1841. Married Winifred Rundle in 1865. He died aged 30 and his widow re married. Not much is known about his photography other than he was mainly concerned with exterior photography of high quality. His career took place in a gap between the county directories so not much is known. Publisher An entity responsible for making the resource available Morrab Library Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context PC 117 https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/17775/M.2165.tif e1125deff578dfcec29e312289636d1f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Morrab Library 'At Home' July 1975 John Le Carre and Committee and invited guests Subject The topic of the resource 'At Home' was the library's open day at the time Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1975-07 Rights Information about rights held in and over the resource Morrab Library Identifier An unambiguous reference to the resource within a given context M.2165 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/17776/M.2166.tif 94f16253bcc2591c1e227d6866132d04 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) Scrapbook 1997-1999 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Recording of Radio 4 Book Club at Morrab Library Including John Le Carre and James Naughtie Description An account of the resource J Le C and J N talking with other book club members in the background In Scrapbook 1997-1999 Creator An entity primarily responsible for making the resource Ruth Steadman Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource 1999-12-11 Rights Information about rights held in and over the resource Ruth Steadman/Morrab Library Identifier An unambiguous reference to the resource within a given context M.2166 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17777/SWA.349.tif dd250f9a027527c3e415e2adb720e3c9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeremy Thorpe and two others in a street in London, possibly on their way to an anti-apartheid demonstration in Trafalger Square. Description An account of the resource <a href="https://liberalhistory.org.uk">Jeremy Thorpe</a> was a Liberal Party MP who among other things was passionately anti-apartheid. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.349 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17778/SWA.350.tif 739c47ca91cb408ee9a800683df8f5ea Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8¼x7 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Right wing 'National Freedom' rally Trafalgar Square May 1970. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-05-03 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.350 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Trafalgar Square London Description An account of the resource Written on the back of the print by Serena Wadham: "At the National Freedom Rally organised by The <a href="https://en.wikipedia.org/wiki/Conservative_Monday_Club">Monday Club</a> 3.5.70" https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17779/SWA.351.tif 82ee344f8df6b5b08360623291a03d3c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-apartheid demonstration outside the South African embassy london, 1975. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.351 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant central london Description An account of the resource <a href="https://www.sahistory.org.za/article/british-anti-apartheid-movement">Anti-apartheid </a>demonstration https://photoarchive.morrablibrary.org.uk/files/original/James_Downing_Collection/17780/JDC_356.tif 2a0d60a0be5c2eca377966282dafb437 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Downing Collection Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Physical Dimensions The actual physical size of the original image 178x127mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context JDC 356 Title A name given to the resource Early Wherrytown stone bridge, 1885-1900. Description An account of the resource Same as JDC 355, except the photo is smaller. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wherrytown, Penzance, Cornwall Date A point or period of time associated with an event in the lifecycle of the resource 1885-1900 Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph https://photoarchive.morrablibrary.org.uk/files/original/James_Downing_Collection/17781/JDC_357.tif 9a64e668bc887e7434f495bda468a78f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource James Downing Collection Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. No Physical Dimensions The actual physical size of the original image 179x116mm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context JDC 357 Title A name given to the resource Wooden Wherrytown bridge, estimate 1912-1914. Description An account of the resource Same area as JDC 355 and JDC 356, but looks like a later time, estimate 1912-1914. Date A point or period of time associated with an event in the lifecycle of the resource 1912-1914 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Wherrytown, Penzance, Cornwall Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17782/SWA.352.tif 4ca0a845b5632909c11c59f5928b152a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-apartheid demonstration outside the South African Embassy London 1975. Description An account of the resource Close up of banners and activists. Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.352 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17783/SWA.353.tif 0977c2d70580bbb69475342be0ffeaad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anti-apartheid meeting, 1975 Date A point or period of time associated with an event in the lifecycle of the resource 1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.353 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Central London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17784/SWA.354.tif 2e9beebaf7c2656a8838a28975c1fc0c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 9¼x6½ inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Description An account of the resource Close up portrait at the meeting at the LSE Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.354 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London Creator An entity primarily responsible for making the resource Serena Wadham https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17785/SWA.355.tif 096cefa27b12e8c15aea62a7aa9b67f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Description An account of the resource Same person in close up, but standing and animated Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.355 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London https://photoarchive.morrablibrary.org.uk/files/original/Serena_Wadham_Archive/17786/SWA.356.tif 8980832043345c820a2d64b46aa34a79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Serena Wadham Archive Description An account of the resource <p>Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in <strong>A4-format box files</strong>, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in <strong>large archival boxes</strong>, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an <strong>archival portfolio</strong>.</p> <p>Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.</p> Creator An entity primarily responsible for making the resource Serena Wadham Identifier An unambiguous reference to the resource within a given context SWA Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8½x6 inches Artist Serena Wadham Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 354-361 is a series of images of a meeting of victims of apartheid held at the London School of Economics London in the early 1970s Creator An entity primarily responsible for making the resource Serena Wadham Date A point or period of time associated with an event in the lifecycle of the resource 1970-1975 Format The file format, physical medium, or dimensions of the resource Silver Bromide Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context SWA.356 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant LSE London