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                <text>The Strand, Street-an-Nowan, Newlyn, 1945-1950</text>
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                <text>Area is the Strand, Street-an-Nowan, showing a weigh bridge far left bottom, now discontinued. Buildings left to right are part of Chigwins Grocery Shop (now the Chinese takeaway), then The Swordfish Inn (previously the Union), then the Newlyn Co-op (built 1935, still there). The large building on the right was Newlyn Post Office (*), was originally the Coastguard building.&#13;
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <name>Date</name>
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                  <text>2015</text>
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                <elementText elementTextId="147823">
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              <elementTextContainer>
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                  <text>Photographic prints</text>
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                <text>Dairy School Nance Farm</text>
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              <elementText elementTextId="155006">
                <text>Dairy School Nance Farm Trevarrack&#13;
&#13;
Run by Miss Nicholls</text>
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                <text>Early 1900's</text>
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              <elementText elementTextId="155009">
                <text>Morrab Library</text>
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            <name>Identifier</name>
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        <name>Peop</name>
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                  <text>Zennor Wayside Museum</text>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <name>Publisher</name>
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                  <text>Morrab Library</text>
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                  <text>2015</text>
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              <name>Rights</name>
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              <elementTextContainer>
                <elementText elementTextId="147823">
                  <text>Morrab Library</text>
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              <name>Format</name>
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                  <text>Photographic prints</text>
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        <element elementId="10">
          <name>Physical Dimensions</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>School Group</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="155015">
                <text>School Group</text>
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            <name>Publisher</name>
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            <elementTextContainer>
              <elementText elementTextId="155016">
                <text>Morrab Library</text>
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            <name>Date</name>
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                <text>C 1900</text>
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            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="155018">
                <text>Morrab Library</text>
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            <name>Format</name>
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              <elementText elementTextId="155019">
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            <name>Identifier</name>
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                <text>ZWM 329</text>
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                <text>Zennor</text>
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        <name>Peop</name>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <elementTextContainer>
                <elementText elementTextId="147823">
                  <text>Morrab Library</text>
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              <name>Format</name>
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              <elementTextContainer>
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                  <text>Photographic prints</text>
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            <elementText elementTextId="155033">
              <text>Faded Image</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>School Group</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>School Group</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>C 1900's</text>
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          <element elementId="47">
            <name>Rights</name>
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              <elementText elementTextId="155027">
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                <text>ZWM 330</text>
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                <text>Zennor</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Schoolboy standing by a wooden chair near studio window</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Portrait of a schoolboy standing by a wooden chair near studio window.</text>
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                <text>W.B Trebilcock   St Day&#13;
Baptised near Truro in August 1834. Appeared as a photographer  at St Day in 1866.&#13;
Did not enter work at and was not a talented artist and is known  only from a few cartes de visite the Polytechnic.&#13;
In trouble with the law his career was over by 1872.</text>
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                <text>1866-1872</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
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It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                <text>Portait of young boy standing on a velvet stool by ornate furniture.</text>
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                <text>John E Palmer Plymouth and Truro&#13;
&#13;
A successful commercial photographer based at 58 Union street Plymouth doing very well in the late 1850's, decided to lease a shop in Truro possibly 1857.&#13;
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Portrait of man with side whiskers standing by ornate furniture</text>
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                <text>Portrait of man with side whiskers standing by ornate furniture</text>
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                <text>John E Palmer Plymouth and Truro&#13;
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A successful commercial photographer based at 58 Union street Plymouth doing very well in the late 1850's, decided to lease a shop in Truro possibly 1857.&#13;
In 1865 he was awarded a First Bronze Medal  by the Polytechnic at Falmouth for three very fine portraits on opal glass. His involvement with Truro was complete by 1867.</text>
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                <text>Morrab Library</text>
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              <text>A bit grainy</text>
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              <text>203x126mm</text>
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                <text>JDC 341</text>
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                <text>The Royal National Mission to Deep Sea Fishermen (RNMDSF), Street-and-Nowan, Newlyn.&#13;
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                <text>This institute is also known as the Fishermen's Mission.&#13;
Miss Nora Bolitho of Laregan, Penzance, who built the Institute in 1911 and until her death in 1929, ever sought the welfare of all Fishermen sailing out of Newlyn. The War Memorial was unveiled in 1921 by Sir Arthur Quiller-Couch. The building is now owned by a local businessman.&#13;
See also http://openplaques.org/plaques/51741.</text>
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                <text>1920-1922</text>
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                <text>Morrab Library</text>
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                <text>Newlyn</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Two women and a child at a bus stop in Islington</text>
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                <text>Serena photographed women, famous, at work and play and generally going about their business. These photographs are taken around the streets of &lt;a href="https://en.wikipedia.org/wiki/Islington"&gt;Islington&lt;/a&gt; where Serena lived. A snapshot of the lives of women in the 1970s.</text>
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                <text>Serena Wadham</text>
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                <text>1970-1980</text>
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                <text>Silver Bromide Print</text>
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                <text>SWA.338</text>
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                <text>Islington London</text>
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