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                <text>Richards carriage to Logan Rock and Land's End</text>
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                <text>The carriage, operated by Richards, to Logan Rock and Land's End, sits outside Dingley's Private Hotel and Boarding House. Wardour House is also visible in the scene.&#13;
&#13;
Digital copy only.</text>
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                <text>Alan Tregurtha</text>
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                <text>c. 1880-1890</text>
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                <text>Penzance</text>
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                  <text>Miscellaneous Photos</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Richards family having a picnic</text>
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                <text>Richards family and friends having a picnic at Hayle River. L-R Mrs Frank Treglowan, Millicent Treglowan, Mrs E Richards, Jim Treglowan, Jean Richards, Fred Treglowan, plus Nipper the dog.</text>
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                <text>April Arnatt</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Business Name</name>
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              <text>Doreen Alice  Irene Rowe Kathleen Hill</text>
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                <text>Richards family stirring Christmas Pudding</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Penance</text>
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                <text>A pleasant scene at no. 2 Queen Street in November 1934. Alice Richards nee Barker is supervising her youngest daughter Doreen Richards seated left. Also present Doreen's friend Irene Hill and her younger sister Kathleen stirring the mix. </text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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              <text>The whole glass negative is in drawer A3</text>
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                <text>Richards Photographer , Shop Window &amp; Photographs in Queen Street, Penzance.</text>
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                <text>1927</text>
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                <text>Penzance, Cornwall</text>
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                <text>Richards, Photographer, shop window in Queen Street, Penzance. A reflection of the opposite side of the street can be seen in the glass. flimsy neg. copy from whole glass.</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab ibrary</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A name given to the resource</description>
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          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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            <description>The topic of the resource</description>
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                <text>Situated at 2 New Street, taken from the Penzance Guide 1902. </text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Rig Mill</text>
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                <text>Water Wheel</text>
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                <text>IPB</text>
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            <description>An account of the resource</description>
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                <text>Part of a set of photos and postcards of Rig Mill, near Whitby</text>
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                <text>Angove</text>
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                <text>1920</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Whitby</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Right wing 'National Freedom' rally Trafalgar Square May 1970.</text>
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                <text>Serena Wadham&#13;
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                <text>1970-05-03</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.350</text>
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                <text>Trafalgar Square London</text>
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            <description>An account of the resource</description>
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                <text>Written on the back of the print by Serena Wadham: "At the National Freedom Rally organised by The &lt;a href="https://en.wikipedia.org/wiki/Conservative_Monday_Club"&gt;Monday Club&lt;/a&gt; 3.5.70"</text>
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              <description>An account of the resource</description>
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                  <text>Various digitised images from the Morrab Archives. Each with the archival number expressed using dots instead of slashes.</text>
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Ripped up.&#13;
&#13;
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              <description>A name given to the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ritz Cinema Doorman</text>
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                <text>Doorman from the Ritz Cinema, Penzance, in his uniform, walking up Market Jew Street. Woolworth's can be seen in the background across the road.</text>
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                <text>Nina Vague</text>
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                <text>Morrab Library&#13;
</text>
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                <text>Penzance</text>
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            <name>Title</name>
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            <description>An account of the resource</description>
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                <text>Christmas Fancy Dress Competition at the Ritz Cinema, Penzance, Leonora Trahair (assistant manageress) and Archibald Quilter (manager) are standing on the extreme left. On the reverse, the image is annotated "Nina is the Red Indian" and Nina Vague (nee Bottrell) is in the centre. The photograph was taken by Richards Brothers, Penzance</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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                  <text>Photographs  which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. </text>
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                <text>Christmas Fancy Dress Competition at the Ritz Cinema, Penzance. The manageress Leonora Trehair is standing on the left, back row. Nina Vague, (nee Bottrell) is dressed as a poodle. A boy on the left in front of Mrs Trehair is holding an 1965 Eagle Annual, which would date the image to Christmas 1964. The photograph was taken by Richards Brothers, Penzance.</text>
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            <name>Source</name>
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                <text>Morrab Library&#13;
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            <name>Rights</name>
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                <text>Morrab Library&#13;
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>M.3136</text>
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