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Robert Barker,Sam and Annie Nankervis outside Tinners Arms</text>
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                <text>Zennor Choir outing to Fowey</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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Feast Sunday 1935 Osborne Farm Tremedda</text>
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                <text>Penzance.</text>
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                  <text>Zennor Wayside Museum</text>
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                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <name>Date</name>
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                  <text>2015</text>
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                  <text>Morrab Library</text>
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                  <text>Photographic prints</text>
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          <name>Physical Dimensions</name>
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                <text>Zennor Cricket Team </text>
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                <text>Zennor Cricket Team 1963 the year they won the Cup</text>
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            <name>Publisher</name>
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                <text>1963</text>
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                <text>Morrab Library</text>
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              <elementText elementTextId="150750">
                <text>Print</text>
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            <name>Identifier</name>
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                <text>ZWM 139</text>
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                <text>Zennor</text>
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        <name>Peop</name>
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                <text>Postcard. Penzance, St Mary's Church.</text>
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                <text>Holiday.</text>
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                <text>Postcard. 139mm x 89mm. No stamp, postmark, address or message. Published by Raphael Tuck and Sons in the Oilette series which began in 1903. Serial no 7070. Watercolour by HB Wimbush 1858-1943 who was lead artist for Tuck's. Dolphin Inn on the left, St Mary's in background.</text>
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              <elementText elementTextId="150757">
                <text>Raphael Tuck and Sons.</text>
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                <text>James Downing.</text>
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          <element elementId="45">
            <name>Publisher</name>
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                <text>Raphael Tuck and Sons.</text>
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                <text>1905-1910</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150761">
                <text>Morrab Library.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="150762">
                <text>Postcard</text>
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            <name>Identifier</name>
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                <text>JDCP 547</text>
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                <text>Penzance.</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of a Rabbi laughing</text>
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            <name>Creator</name>
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            <name>Format</name>
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                <text>sunderland</text>
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            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150791">
                <text>Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="150792">
                <text>SWA.319</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="150793">
                <text>sunderland</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
