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                <text>Family Portrait&#13;
Robert Barker,Sam and Annie Nankervis outside Tinners Arms&#13;
&#13;
Additional Information provided by Jean Nankervis, 2026:&#13;
&#13;
William Nankervis married Elizabeth Ann Christopher in 1862 and they had ten children. The youngest were Sam and Annie. The eldest was Grace who married Robert Barker in the Penzance Registry Office. &#13;
&#13;
Ten months later her son Robert Wood Barker was born on October 8th 1893 at Trewey Cottage which her father owned. She died of childbed fever six days later. &#13;
Three women died of childbed fever between Zennor and St Ives and they had all been visited by the doctor so people thought he might have carried the infection.&#13;
&#13;
The baby was brought up by Grace's parents in the Tinners Arms. Their youngest was Annie who was ten. Young Robert Barker was sent to school at Hayle. This must have been a boarding school as he had a wooden trunk with his name on. We still have the trunk. I think his father might have paid for his education. When he grew up he emigrated to Canada.&#13;
&#13;
William Nankervis, born 1840, applied for the lease of the Tinners' Arms in 1875. With it he acquired the stables, a shed, pigsties and meadow but he kept on his mining as well. He bought Higher Trewey in the 1890s. &#13;
He died on November 9th 1911, aged 71. He left Trewey to his two youngest sons Johnny and Sam. This included the farm, the mine, Trewey Cottage and Trewey Bungalow. &#13;
&#13;
Aunt Annie was not married and he left her six heifers as a dowry. She married James Paynter, a seaman. All her life she never answered the question that she had received the heifers so the will could not be finalised until she died in the spring of 1962.</text>
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                <elementText elementTextId="147823">
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                <text>Zennor Choir</text>
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            <name>Description</name>
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                <text>Zennor Choir outing to Fowey</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="150649">
                <text>Morrab Library</text>
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            <name>Identifier</name>
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                <text>ZWM 134</text>
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            <name>Coverage</name>
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                <text>Fowey</text>
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                <text>Postcard. In the Harbour, Penzance.</text>
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            <description>The topic of the resource</description>
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                <text>Holiday.</text>
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            <description>An account of the resource</description>
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                <text>Postcard. 135mm x 84mm. No stamp, postmark, address or message. Published by Judges Ltd, Hastings. Serial no 8017. Suggests production date of approx 1923. Sepia print of wet dock at Penzance. The steamer on the left is the Deneside, built 1910, broken up 1961. To her right is the Ryelands, built 1887 and used in various films, including Treasure Island, 1950, and Moby Dick, 1956.</text>
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                <text>James Downing.</text>
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              <elementText elementTextId="150659">
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              <elementText elementTextId="150661">
                <text>Morrab Library.</text>
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                <text>Penzance.</text>
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                <text>Lieut Colonel Hirst</text>
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                <text>Lieut Colonel Hirstin his garden&#13;
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                <text>James Downing.</text>
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                <text>Penzance.</text>
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                <text>Osborne Family Group</text>
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                <text>Osborne Family Group&#13;
Feast Sunday 1935 Osborne Farm Tremedda</text>
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            <name>Publisher</name>
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              <elementText elementTextId="150727">
                <text>Morrab Library</text>
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                <text>Zennor</text>
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                <text>Postcard. Penzance, Quay Street and St Mary's Church.</text>
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            <description>An account of the resource</description>
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                <text>Postcard. 138mm x 88mm. Half-penny stamp. Postmarked 13th October 1908. Published by The Pictorial Stationery Co, Ltd, London. Serial no 5388. Badly faded message in pencil on the reverse, possibly deliberately erased. Addressed to Mrs Pascoe, Willow Green, Threemilestone, Truro. Greetings from Ada. Coloured print of Quay Street with The Dolphin Inn on the left and St Mary's in the background.</text>
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                <text>The Pictorial Stationery Co. Ltd, London.</text>
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            <name>Source</name>
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                <text>1908</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="150740">
                <text>Postcard</text>
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            <name>Identifier</name>
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                <text>JDCP 546</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance.</text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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                <text>Zennor Cricket Team </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Zennor Cricket Team 1963 the year they won the Cup</text>
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            <name>Publisher</name>
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              <elementText elementTextId="150747">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="150749">
                <text>Morrab Library</text>
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              <elementText elementTextId="150750">
                <text>Print</text>
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            <name>Identifier</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Serena Wadham Archive</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Serena Wadham</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>9¼x6 inches</text>
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          <name>Artist</name>
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              <text>Serena Wadham&#13;
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Jewish studies</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>written on the back by Serena Wadham:&#13;
'H&gt;G&gt;S&gt; Jewish studies, by reading Hebrew'&#13;
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="150807">
                <text>Serena Wadham&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960-1965</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.321</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="150812">
                <text>sunderland</text>
              </elementText>
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    <tagContainer>
      <tag tagId="2453">
        <name>1951-1970</name>
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