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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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                  <text>This collection contains views and images of people taken in the latter part of the 19th  early 20th centuries.&#13;
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It is not possible to identify people but the families involved here are the Martin or Martyn  family from St Austell who began the China Clay business over 200 years ago and Jacob Corin from Penzance.&#13;
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One member of the Martin family Ellen married Jacob Corin from Penzance who with a Mr Rodda ran a very successful business supplying fresh beef and vegetables to HM ships from Penzance. </text>
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                <text>Plan of Penzance Harbour found in Green envelope in W 85</text>
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                <text>Plan of Penzance Harbour found in Green envelope in W 85.&#13;
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                <text>Morrab Library</text>
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                <text>July 1904</text>
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  <item itemId="8591" public="1" featured="0">
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ARTS 8.018</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Plan of Principal Floor of unknown building</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1930</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="101686">
                <text>Unknown building, plan of principal floor.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="101688">
                <text>Morrab Library</text>
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            <name>Format</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Burial Chambers</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Plan of the long Barrow of Kerlescant. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="34447">
                <text>Plan of the long Barrow of Kerlescant. </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="34449">
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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  <item itemId="10569" public="1" featured="0">
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              <name>Title</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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&#13;
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