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                  <text>Two family photograph albums related to the Armstrong family.&#13;
The larger album is embossed with the initials E.E.A..  The smaller album has a dedication on the first page which reads "Agnes from E.A.A. 1883".  This album has an embossed spine and is fastened with a metal clasp.&#13;
"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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                <text>Portrait of woman sitting, wearing tightly corseted dress.</text>
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                <text>Dr Melissa Hardie</text>
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                <text>The photographer was E Badoux &amp; Son of Jersey and Guernsey.</text>
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                <text>Portrait of woman with Airedale Terrier.</text>
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                <text>Portrait of woman with Airedale Terrier.</text>
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        <name>1911-1930</name>
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              <text>Age related damage around head of woman and also clothing.</text>
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                <text>The woman is dressed in back, her outfit comprises black skirt, waistcoat and short jacket. As an embellishment to the waistcoat a fancy watch chain is attached .</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Portrait of Young Baby siting up on ornate carved cabinet.</text>
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                <text>Portrait of Young Baby sitting up on ornate carved cabinet</text>
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                <text>Frederick Ernest Argall Truro.&#13;
A prominent Truro photographer becoming established between 1866 -1873. By 1871 was drawing attention to his 'New Cameo Vignette Portraits' in a heated studio. Among the first  to market Souvenir views of Truro Cathedral. Exhibited in Falmouth Polytechnic in 1881 and awarded a first class Bronze Medal in 1882 for 'The Skipper'</text>
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                <text>1866 -1882</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>The image shows a young boy standing. He is wearing a double breasted jacket and a hat , he is holding a walking stick.</text>
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"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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                <text>Dr Melissa Hardie</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
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                <text>The photographer was W &amp; D Downey of London and Newcastle upon Tyne.</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
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Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Lower quarter of image is totally obscured.</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of young boy.</text>
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                <text>Portrait of young boy leaning on the back of an upholstered chair.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Quarter Plate Glass Negative</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="167295">
                  <text>Morrab Library</text>
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              <description>A name given to the resource</description>
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                  <text>Alfred Edmund Julian Collection</text>
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          <name>Damaged?</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>AE Julian</text>
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            <name>Publisher</name>
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              <elementText elementTextId="168888">
                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>An unambiguous reference to the resource within a given context</description>
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        <name>Personal life</name>
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        <name>Portrait</name>
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All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                <text>John E Palmer Plymouth and Truro&#13;
&#13;
A successful commercial photographer based at 58 Union street Plymouth doing very well in the late 1850's, decided to lease a shop in Truro possibly 1857.&#13;
In 1865 he was awarded a First Bronze Medal  by the Polytechnic at Falmouth for three very fine portraits on opal glass. His involvement with Truro was complete by 1867.</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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            <description>A name given to the resource</description>
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                <text>Portrait of Young Girl standing near a window</text>
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            <description>An account of the resource</description>
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                <text>Portrait of a Young Girl standing near a window</text>
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                <text>William J Sandry, Camborne and Marazion&#13;
Born in Perranuthnoe in 1843. In 1871 he started as a photographer and moved to Camborne in 1881. In business with John Charles Burrow in the 1870s who was well known at that time.</text>
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                <text>1871 - 1880s</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 38</text>
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        <name>Peop</name>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
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                <text>Portrait of young girl standing on steps in studio garden scene</text>
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                <text>Castle Studio Launceston</text>
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  <item itemId="20279" public="1" featured="0">
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Young Girl with bunch of Flowers</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photo taken same time as MG.310 and MG.309&#13;
Girls had bow and sits on plaid blanket outside</text>
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            <name>Publisher</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Other Glass Negative</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Barbara Beckerleg</text>
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              <name>Description</name>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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Image taken outside in a countryside setting.&#13;
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&#13;
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&#13;
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