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                  <text>Pye Collection</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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              <text>4 x 2.5</text>
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                <text>Portrait of man with side whiskers standing by ornate furniture</text>
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                <text>Portrait of man with side whiskers standing by ornate furniture</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>John E Palmer Plymouth and Truro&#13;
&#13;
A successful commercial photographer based at 58 Union street Plymouth doing very well in the late 1850's, decided to lease a shop in Truro possibly 1857.&#13;
In 1865 he was awarded a First Bronze Medal  by the Polytechnic at Falmouth for three very fine portraits on opal glass. His involvement with Truro was complete by 1867.</text>
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                <text>Morrab Library</text>
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            <name>Date</name>
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                <text>1857 - 1867</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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            <name>Format</name>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>PC 58</text>
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        <name>Peop</name>
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        <name>Personal life</name>
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        <name>Portrait</name>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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                <text>ARTS 4HG 100</text>
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                <text>Portrait of Man, Woman and House</text>
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                <text>Paintings</text>
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                <text>Unknown</text>
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                <text>Richards</text>
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                  <text>Trevaskis Collection</text>
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                  <text>Morrab Library</text>
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                  <text>The surname comes from the farm of Trevaskis standing close by Gwinear parish.&#13;
W.J. Trevaskis was in a geographically-constrained way a successful local photographer. Evidence exists of a carte de visit taken in 1863 although he was first listed as a photographer in 1883. The business was run from the Leedstown house now called 'An Gernyk'. From 1889 Trevaskis had a branch studio at Nettles Hill in Helston. Carte de visit imprints of the later 1870s or the 1880s announce that he was at Leedstown on Mondays, Thursdays, and Saturdays; Porthleven, Tuesdays and Wednesdays; Breage on Fridays.&#13;
Business continued into the early years of the 20th Century - it is not known when Mr Trevaskis died. The business was revived by his daughter Miss Polly Trevaskis who was listed as a photographer at Leedstown up to the start of the last war.</text>
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          <name>Damaged?</name>
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              <text>No</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>6.25 x 4.75</text>
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                <text>Portrait of Mary Trevaskis</text>
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                <text>Portrait of Mary Trevaskis, mother of Polly</text>
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                <text>Trevaskis  Leedstown</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Quarter Plate Glass Negative</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <description>An unambiguous reference to the resource within a given context</description>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>10x8 inches</text>
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              <text>Serena Wadham&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Mikis Theodorakis, greek composer.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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            <name>Date</name>
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                <text>1960-1970</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.110</text>
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                  <text>Armstrong</text>
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                  <text>Two family photograph albums related to the Armstrong family.&#13;
The larger album is embossed with the initials E.E.A..  The smaller album has a dedication on the first page which reads "Agnes from E.A.A. 1883".  This album has an embossed spine and is fastened with a metal clasp.&#13;
"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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              <description>Information about rights held in and over the resource</description>
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                <text>Portrait of Miss Ellen Terry, in costume as Portia.</text>
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                <text>The album page is decorated with hand-painted illustration as if under the sea, with sea weed, fish, a lobster and three water babies.</text>
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                <text>The photographer was Window &amp; Grove of Baker Street, London</text>
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                <text>Portrait of mongrel dog</text>
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                <text>St Ives Archive</text>
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Image probably taken in Penzance.&#13;
Donated by April Arnatt, descendant.&#13;
Information from donor reads "Morley Richards (1888-1980) grew up in Penzance after moving from Lanner with his mother and brother after his father's early death. He opened Richards Cycle Shop at 51 Causeway Head, Penzance after working at Devonport dockyard during WW1. He was variously President of the Penzance Wheelers Cycle Club and one of the Penzance football clubs."</text>
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            <name>Identifier</name>
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              <name>Title</name>
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          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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            <description>An account of the resource</description>
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                <text>Portrait of Mr  Edward Richards and his wife Alice nee Barker  third generation of the photographic family.. 1875-1935. </text>
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                <text>c. 1930</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Morrab Library</text>
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            <name>Type</name>
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            <name>Identifier</name>
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                <text>Penzance, Cornwall</text>
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                <text>Portrait of Mr  Edward Richards, Photographer and his wife Alice.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portrait of Mr Avis</text>
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                <text>Studio</text>
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                <text>Mr. Avis,  owner of a flower nursery, shop and farmhouse.&#13;
The 1930 edition of Kelly's Directory shows a Mr. Walter Avis owning a house and flower nursery at Higher Minney and a florist shop at 110a Market Jew Street.&#13;
Higher Minney was situated in the area behind Alverton Cottage.</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <description>A name given to the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <description>An account of the resource</description>
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                <text>written on the back by Serena Wadham&#13;
'sent MEPL may '91"&#13;
This refers to the Mary Evans Picture Library</text>
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            <name>Creator</name>
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                <text>Serena Wadham&#13;
&#13;
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            <name>Date</name>
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                <text>Silver Bromide Print</text>
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            <name>Identifier</name>
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            <name>Coverage</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <name>Publisher</name>
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                  <text>Morrab Library</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library unless otherwise stated</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Portrait of Richard Trevithick</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Etching after a portrait of Trevithick by John Linnell in 1816, when Trevithick was about 45years old.&#13;
Original painting is in the Science Museum</text>
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            <name>Publisher</name>
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                <text>After 1816</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>MG.291</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Camborne</text>
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