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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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                <text>FD&amp;E Hudswell Clarke 0-4-0 saddle tank locomotive</text>
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                <text>train steam</text>
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                <text>Built in 1929</text>
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                <text>Morrab library</text>
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                <text>TRANS 6.107</text>
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                <text>Falmouth</text>
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        <name>Steam powered vehicle</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Bamboos and bandstand Morrab Gardens Penzance.   1970</text>
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            <name>Identifier</name>
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                <text>PARK 20HF 020</text>
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        <name>1951-1970</name>
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            <description>A name given to the resource</description>
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                <text>Snow in St. Anthony's Gardens,  Penzance.   1950&#13;
The 'pretty ' pattern around the edge is emulsion damage.</text>
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            <description>The topic of the resource</description>
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                <text>These gardens are almost opposite the Bathing Pool at the beginning of the Promenade.</text>
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                <text>Trengwainton,  National Trust Gardens, Penzance.  1970</text>
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            <description>An account of the resource</description>
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                <text>Same shoot as 162</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham</text>
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            <name>Date</name>
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                <text>1965-1970</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.163</text>
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                <text>london?</text>
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        <name>Portrait</name>
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              <name>Title</name>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
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                  <text>SWA</text>
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      <name>Still Image</name>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>9x6 inches</text>
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          <name>Artist</name>
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              <text>Serena Wadham</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Portait of an unidentified musician.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Same shoot as 163,164</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena wadham</text>
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            <name>Date</name>
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                <text>1965-1970</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Silver Bromide Print</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.164</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>london?</text>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="744">
        <name>Portrait</name>
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