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                <text>Surface</text>
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                <text>Building</text>
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                <text>Tincroft</text>
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                <text>Angove</text>
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            <description>An account of the resource</description>
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                <text>A 19th century scene at Tincroft Mine in Carn Brea. The man and 'bal maidens' with their hammers and typical Cornish shovels broke down the large lumps or ore to prepare it for further crushing and washing when the tin and copper was later refined on the gravity-washing tables. Here the "surface captains" or "bosses" are identified by their white duck coats.&#13;
&#13;
Source: Jack Trounson's Vol 1, page 126</text>
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                  <text>The Ronald Garlick Newport Collection of Gibson Wreck Photographs</text>
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                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
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CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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                <text>Balbec, Steamer wrecked at near Land's End, March 28th 1884. </text>
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                <text>Morrab library</text>
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                <text>Land's End</text>
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                <text>1884-03-28</text>
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                <text>The 848-ton early Cunarder Balbec was wrecked on a the 28th March 1884.  &#13;
&#13;
She had left Liverpool the previous day on her regular run to Le Havre, loaded with hides, chemicals, and Manchester goods, with a crew of twenty-nine and five saloon passengers. &#13;
&#13;
She struck a submerged object of the Longship Rocks, Land's End, and had be beached on Nanjizel Bay. It was the lowest tide for years as she rounded Land's End at noon on the 28th, in calm seas and easterly breeze. Suddenly she gave a slight shudder, but sailed on; a hasty inspection revealed water pouring in through the coal in the port side bunker. &#13;
&#13;
The pumps were started but could not cope, so Captain Marsh ran her ashore. No one was drowned, but the Balbec, which had launched on the Clyde in 1853, was a total wreck, the fourth Curnard Steamer lost on the Cornish Coast since 1857.&#13;
&#13;
A Trinity House steamer searched for the mysterious obstruction, but found neither reef nor sunken wreck. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p. 231. </text>
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              <description>A name given to the resource</description>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <elementText elementTextId="143334">
              <text>200 x 150 mm</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Balcony with Grace Strick's shop, 1910</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900-1910</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="143330">
                <text>Morrab library</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="143331">
                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
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                <text>JDC 038</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <description>A name given to the resource</description>
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                <text>Balcony, Newlyn, Demolition 1950's</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="137963">
                <text>Green Street, Newlyn&#13;
Note in paper archive reads "Mr Hall disputes the date, as he worked on  it in 1952"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards</text>
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                <text>c.1950</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="137966">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="137967">
                <text>Postcard Glass Negative</text>
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          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>IND 16PG 073</text>
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            <name>Coverage</name>
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                <text>Newlyn</text>
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              <description>An account of the resource</description>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
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              <text>4 x 2.5</text>
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          <element elementId="50">
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                <text>Balding Man in Beard</text>
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                <text>Balding Man in Beard</text>
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                <text>W.M. Harrison who was an experienced photographer, worked at Falmouth in the 1880s where he established a studio at 40 Church Street, opposite the Polytechnic Hall. By c. 1885 he had already submitted photographs to a number of photographic expositions, gaining medals at seven of them, in England, France and Austria.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Print</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>PC 138</text>
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        <name>Peop</name>
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        <name>Personal life</name>
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        <name>Portrait</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>TRANS 8.070</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Ballybunion Listowel Monorail</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Train Steam</text>
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                <text>Truck</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1900</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Ireland</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Donald &amp; Doris</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>Yes</text>
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          </elementTextContainer>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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            <elementText elementTextId="173294">
              <text>bottom left corner broken, whole negative bound in  black tape</text>
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      <elementSet elementSetId="1">
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 25CG 129</text>
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            </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="87543">
                <text>Baltic schooner sailing past South Pier, Newlyn harbour</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="87549">
                <text>1935</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newlyn</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="87551">
                <text>Richards</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="173290">
                <text>Morrab library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="173291">
                <text>Morrab library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="173292">
                <text>Cabinet Glass Negative</text>
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          </element>
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    </elementSetContainer>
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      <tag tagId="2449">
        <name>1931-1950</name>
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        <name>Seafaring and shipping</name>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Street Name</name>
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                <text>WRECKS 32OF 269</text>
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            <description>A name given to the resource</description>
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                <text>Baltic Thames sailing barge aground, St. Clements Isle off Mousehole.  1907</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>The Sailing barge Baltic was bound for Newlyn from Medway with a cargo of cement for the harbour extension works. It wrecked on St. Clements Island on November 1st 1907. &#13;
&#13;
The Baltic got off course after rounding the Lizard. The night was so dark and thick that her plight was hidden from the shore, and nearly an hour went by before the flickering light of a paraffin soaked mattress burning on the foredeck was seen from the village of Mousehole.&#13;
&#13;
The coastguards sent word to the lifeboat station at Newlyn, while six Mousehole fishermen decided to make a rescue bid of their own. They manned the crabber, White Lady, but as the harbour mouth was close by the large timber baulks which kept out the rough seas in the winter, they had to manhadle her over the pier and down into the sea outside. Big waves were dashing against the expose harbour wall, making is a hard struggle to row the crabber clear of the rocsk and shallow water.&#13;
&#13;
At last it was accomplished and the fishermen pulled towards the glimmer of foam which distinguished the dark mass of the island from the darkness around. The tide was ebbing fast and jagged ledges and rocks were coming awash: it took five attempts to find a landing place for the White Lady. The fisherman Stanley Drew leaped on to the rocks with the Mousehole pierhead light in one hand and managed to scramble across to where the shipwrecked peoople were huddled. &#13;
&#13;
Headed by a young Irish Sailor, Adam Torrie, who had risked his life to get on to the island over the Baltics Bowspirit, Captain Langford, his wife, and daughter, and mate George Baines had abandoned the barge for the slightly better safety of the rocks. &#13;
&#13;
Drew carried Mrs Langford, who was nearly hysterical, back to the crabber and William Harvey followed with her daughter in his arms. The others made their way after him and when all were safely aboard the White Lady the fishermen headed back for Mousehole. But by the time the tide was low and the task of getting back into the harbour was even more difficult, and the women had to be hauled to the top of the wall by ropes tied under their arms.&#13;
&#13;
The Baltic soon became a total wreck, but the bravery of the six fishermen did not go unrewarded: Stanely Drew, William H. Harvey, Luther Harvey, Charles Harry, Richard Harrym and Richard Thomas recieved a cash award from the RNLI, as well as a silver medal which a Birmingham buisnessman had especially struck to commemorate their action. Adam Torrie, the Irish sailor, settled in Mousehole and married the harbourmaster's daughter, and today his descendants live in the village. &#13;
&#13;
Descripton from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p. 194-195.</text>
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