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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Flooded Mounts Bay Inn ,Penzance Promenade. Ash Wednesday storm  1962</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="134244">
                <text>Wherrytown</text>
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                <text>Richards</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1962</text>
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                <text>STORMS 27CF 080</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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        <name>1951-1970</name>
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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <text>Serena Wadham&#13;
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                <text>Pianist Pierre Boulez with singer</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Serena Wadham&#13;
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                <text>Silver Bromide Print</text>
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                <text>probably London</text>
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                <text>The singer is possibly Ann Murray.&#13;
&#13;
Written on the back by Serena Wadham&#13;
"sent MEPL May '91"&#13;
(Mary Evans Picture Library )</text>
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                <text>Portrait of pianist Pierre Boulez</text>
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                <text>written on the back by Serena Wadham&#13;
'sent MEPL may '91"&#13;
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&#13;
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                <text>Portrait of Mikis Theodorakis, greek composer.</text>
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