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                  <text>This is a wide ranging collection of images which includes photo albums, glass negatives and prints together with a large amount of 35mm slides by Margaret Orchard. More information will be added to description as we investigate the collection. (2024-05-30) </text>
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Two ladies a the old water wheel at Bosullow, one standing inside the wheel.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                  <text>Cornwall</text>
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          <name>Item Location</name>
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              <text>D3</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Milton "Glazette" Series, Woolstone Bros, London E. C.</text>
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                <text>c.1905</text>
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                <text>Postcard</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Older students in a tutorial with a Rabbi</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Older Woman sitting wearing woollen shawl;</text>
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            <description>An account of the resource</description>
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                <text>Opie Ltd Opie Ltd Redruth &amp; Branches&#13;
&#13;
Henry Opie - photographer in 1889 in Bond Street Redruth. Originally Opie later became Opie Ltd in 1914 operating in Redruth, truro, Falmouth and Helston.</text>
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                <text>View of Oldtown Bay on St. Mary's, Isles of Scilly.&#13;
Bottom left hand side is marked Gibson,  Scilly&#13;
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                <text>1908</text>
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                <text>Shepherd's Bush, London</text>
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                <text>Built at White City, Shepherd's Bush, London and opened by King George V (the Prince of Wales) on 14th May 1908 for the Franco British Exhibition and Olympic Games which Britain organised the same year. &#13;
Supplied by the 100 year-old Cleveland Bridge &amp; Engineering Co., it caught on in a big way in an Edwardian England which was just becoming accustomed to the still-controversial motor car. It carried an estimated 8,000 riders each day and, according to contemporary reports, "...queues where so long that many thousands more gave up the wait for the opportunity to view the exhibition from two hundred feet up" &#13;
&#13;
8 million people visited the exhibition which closed on 31st October in the same year.&#13;
&#13;
Flip Flap made by Cleveland Bridge &amp; Eng Co estimated 8,000 riders each day with thousands queuing. 8million visited until 31 Oct 1908&#13;
&#13;
(Duplicate of ENT8.009)</text>
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                <text>Angove</text>
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                <text>Morrab Library</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Collins Shipwreck Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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            <name>Identifier</name>
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                <text>COLLINS.144</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Omer Denise</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Trawler</text>
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                <text>Shipwreck</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="99354">
                <text>Morrab Library</text>
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            <name>Date</name>
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                <text>04-03-1928</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Coverack, Cornwall</text>
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/12154/WRECKS_32OF_245.tif</src>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Street Name</name>
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              <text>Omer Denise</text>
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            <name>Identifier</name>
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                <text>WRECKS 32OF 245</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="92723">
                <text>Omer Denise ashore on the rocks at Coverack. The Lizard.&#13;
1932</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>aground</text>
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            <name>Date</name>
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                <text>1932</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lizard</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>She hit the Manacles at night, the crew abandoned ship and later rescued when adrift on a liferaft</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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        <name>1931-1950</name>
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        <name>Seafaring and shipping</name>
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