473 20 19113 https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13642/BUILD.PC.020.tif f0deb1c7fef2a7e3540660f5253a23a5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Building Name Name of building or structure. St. John's Hall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Public Buildings, Penzance Subject The topic of the resource Building Description An account of the resource The frontage of St. John's Hall, Public Buildings, Alverton, Penzance. Hand written message to the reverse of the card to a recipient in Notting Hill, London Publisher An entity responsible for making the resource available Argall's Series Date A point or period of time associated with an event in the lifecycle of the resource 1905-10-18 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.020 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Miscellaneous_Photos/13643/M.0178.tif bf580f44f20bc506ea86d21569c40788 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miscellaneous Photos Description An account of the resource Photographs which have come from multiple sources. They include a huge variety of photos of subjects which appear elsewhere. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) B2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Excursion Carriage, Penzance Subject The topic of the resource Miscellaneous Description An account of the resource Richards's Jersey excursion carriage outside Wardour House, formerly Wardour Pension, Wherrytown, Penzance. Loaded with people for Land's End. Family information on the back of the print. Source A related resource from which the described resource is derived Peggy Summer, Hayle Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource c. 1906 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context M.0178 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/13644/STAT.SL.0019.tif 907a12d80d3ae5cde39df4c113dc3d6e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Moving fountain outside the Public Buildings, Penzance Description An account of the resource The granite fountain is being dismantled ready to be moved from outside the Public Buildings (commonly called St John's Hall) in Penzance to St Anthony Gardens, Penzance. The fountain is seen here in in two pieces. Date A point or period of time associated with an event in the lifecycle of the resource 1934 Format The file format, physical medium, or dimensions of the resource 35mm Slide Identifier An unambiguous reference to the resource within a given context STAT.SL.0019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/13645/STAT.SL.0058.tif 5868c7fb7781801c10950ba713bbec00 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boy playing on the ice on the granite fountain in St Anthony Gardens, Penzance Description An account of the resource The boy is noted as being called Joe, later Churchwarden. Date A point or period of time associated with an event in the lifecycle of the resource c1950 Format The file format, physical medium, or dimensions of the resource 35mm Slide Identifier An unambiguous reference to the resource within a given context STAT.SL.0058 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13646/COLLINS.80B.tif a911bd8d4d5fbde5bebaec0482ecfdd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hansy, wrecked at the Lizard, 1911 Subject The topic of the resource Ship Pig Iron Shipwreck Wreck Description An account of the resource The 1,597-ton steel ship, Hansy, launched at Dumbarton by Alexander Macmillan & Sons in 1885 as the Aberfoyle. In the course of a somewhat chequered career, she had been picked up in Bass Strait, Tasmania in 1896 by a steamer which had found her crippled and her master and chief officer dead on board. Three years later she was sold to Crawford & Rowath of Glasgow and they, in turn, passed her on to her final owners, Akties Hansy of Frederickstadt in 1910. The Hansy left Sundsvall, Sweden on October 3rd 1911 with a cargo of timber and pig-iron for Melbourne and after a rough passage down Channel was caught by a hard SSW gale off the Lizard. While trying to claw off the coast she missed stays in coming about, became trapped in Housel Bay and was wrecked at Carn Table. The crew were rescued by breeches-buoy from the shore and the master, Captain Kiltvo, and the mate were later taken off by the lifeboat. Two days later, when the weather had moderated and a salvage party were able to board the wreck, they found a pig feasting on potatoes in what remained of the crew's quarters, while two goats eyed them amiably form the comfort of a bunk. For weeks after the stranding, great quantities of timber were washed out of the wreck and thankfully collected by the local fishing boats. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971),p.127-128. Date A point or period of time associated with an event in the lifecycle of the resource 03-11-1911 Rights Information about rights held in and over the resource Morrab Library Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context COLLINS.080B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Housel Bay, Lizard 1911-1930 Seafaring and shipping Wrecks https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13647/COLLINS.82B.tif 38d62c518b79cd661830e5bcb6c578bb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heather Bell Subject The topic of the resource Shipwreck Wreck Rights Information about rights held in and over the resource Morrab Library Type The nature or genre of the resource Print Identifier An unambiguous reference to the resource within a given context COLLINS.082B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Coverack https://photoarchive.morrablibrary.org.uk/files/original/13648/CUST_8.032.tif 53a805fe4fbfd6570bc376435201d011 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Main Dance Subject The topic of the resource Helston Flora Day Identifier An unambiguous reference to the resource within a given context CUST 8.032 Source A related resource from which the described resource is derived ANGOVE Date A point or period of time associated with an event in the lifecycle of the resource 1980 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant HELSTON https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13649/BUILD.PC.019.tif aa13be3fcb721a39bcb49377fc0bdd9a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Business Name Name of establishment depicted in the image. Trereife Manor Convalescent Guest House Building Name Name of building or structure. Manor House Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trereife Manor, Penzance Subject The topic of the resource Building Description An account of the resource Panoramic view of the building. The reverse giving details of its usage as a Convalescent Guest House and home for the elderly Publisher An entity responsible for making the resource available Morrab Library Date A point or period of time associated with an event in the lifecycle of the resource c. 1920 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.019 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Penzance https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13650/BUILD.PC.018.tif ad48a2504b08f114116060c8f4f76054 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Business Name Name of establishment depicted in the image. Tregenna Castle Hotel Building Name Name of building or structure. Hotel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Ives, Tregenna Castle Hotel Subject The topic of the resource Building Description An account of the resource General view of the frontage Publisher An entity responsible for making the resource available F. Frith & Co., Ltd, Reigate Date A point or period of time associated with an event in the lifecycle of the resource c. 1915 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.018 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St. Ives https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13651/BUILD.PC.017.tif 77228584d924f61ff42e5ce0fdba3ee9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Business Name Name of establishment depicted in the image. Terrine Castle Hotel Building Name Name of building or structure. Hotel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St. Ives, Tregenna Castle Hotel Subject The topic of the resource Building Description An account of the resource View of frontage Publisher An entity responsible for making the resource available F. Frith & Co., Ltd, Reigate Date A point or period of time associated with an event in the lifecycle of the resource c. 1915 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.018 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant St. Ives https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13652/BUILD.PC.016.tif b5b4e17f872a2446dd8f56670b1dc741 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Building Name Name of building or structure. Building Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Land's End, First & Last House Subject The topic of the resource Building Description An account of the resource General view of the subject. Hand written message to the reverse of the card to a recipient in Denby, Derbyshire Publisher An entity responsible for making the resource available Photochrom Co. Ltd., Royal Tunbridge Wells Date A point or period of time associated with an event in the lifecycle of the resource c. 1936 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.016 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Land's End https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13653/BUILD.PC.015.tif 8dbb9cb94fb764413c8a5f5deaf2818b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Building Name Name of building or structure. Lighthouse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Longships Lighthouse Subject The topic of the resource Building Description An account of the resource A general view of the Lighthouse located close to the shore at Land's End, Cornwall Publisher An entity responsible for making the resource available Valentine's Series Date A point or period of time associated with an event in the lifecycle of the resource c. 1900 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.015 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Land's End, Cornwall https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13654/BUILD.PC.014.tif e58ebf62b91de6d66674dba7bb320ef2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Building Name Name of building or structure. Lighthouse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Longships Lighthouse Subject The topic of the resource Building Description An account of the resource View of the Lighthouse, which is located close in to shore at Land's End, Cornwall Publisher An entity responsible for making the resource available F. Frith & Co. Ltd., Reigate Date A point or period of time associated with an event in the lifecycle of the resource c. 1910 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.014 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Land's End, Cornwall https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13655/BUILD.PC.013.tif 6198c91f2db23d8574bc75a9e771fd7e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Damaged? Is the item damaged? Select Yes or No then describe in the "Condition" field. Yes Condition Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative). Two creases to top right hand corner Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Longships Lighthouse Subject The topic of the resource Building Description An account of the resource View of the Lighthouse, located close to shore at Land's End, Cornwall. Hand written message to the reverse of the card to a recipient in Redruth Publisher An entity responsible for making the resource available Argall's Series Date A point or period of time associated with an event in the lifecycle of the resource c. 1912 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.013 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Land's End, Cornwall https://photoarchive.morrablibrary.org.uk/files/original/Classic_Postcard_Collection/13656/BUILD.PC.012.tif 3823944c36d041377ede74542331eb89 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Classic Postcard Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Cornwall Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Item Location How to find the item (e.g. cabinet name or number, shelf number, drawer name or number) D3 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Photograph Building Name Name of building or structure. Lighthouse Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Bishop Lighthouse, Scilly Subject The topic of the resource Building Description An account of the resource General closeup view of the Lighthouse located at the Bishop's Rock, Isles of Scilly Publisher An entity responsible for making the resource available Valentine's Series Date A point or period of time associated with an event in the lifecycle of the resource c. 1920 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context BUILD.PC.012 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Isles of Scilly https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13657/COLLINS.89B.tif 19b04918ab6170e8943b30b6ecbf2d06 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource J.W.Duncan Date A point or period of time associated with an event in the lifecycle of the resource 23-10-1963 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Identifier An unambiguous reference to the resource within a given context COLLINS.089B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Tol Pedn https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13659/COLLINS.91C.tif b35440d5a6c289e9619be6abd2501379 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Varenne Subject The topic of the resource Trawler Shipwreck Wreck Date A point or period of time associated with an event in the lifecycle of the resource 1972 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Postcard Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context COLLINS.091C Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Lamd's End Description An account of the resource Postcard "Cruel Seas Off Land's End" https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13660/COLLINS.96B.tif c5b6ed3f8e60d7dcf23b0e11095b5417 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Juan Ferrer, October 23rd 1963 Subject The topic of the resource Shipwreck Wreck Date A point or period of time associated with an event in the lifecycle of the resource 23-10-1963 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context COLLINS.096B Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carn Boscawen Description An account of the resource The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action. Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it, but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo. The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below. Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours. The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p.215-218. 1951-1970 Seafaring and shipping Wrecks https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13661/COLLINS.96C.tif 9b8d3fe815de51f6de83fdd856aa8813 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Juan Ferrer, October 23rd 1963 Date A point or period of time associated with an event in the lifecycle of the resource 23-10-1963 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context COLLINS.096C Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carn Boscawen Subject The topic of the resource Shipwreck Description An account of the resource The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action. Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it, but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo. The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below. Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours. The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p.215-218. 1951-1970 Seafaring and shipping Wrecks https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13662/COLLINS.96D.tif f5ebefe744f609520253647460917164 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Collins Shipwreck Collection Subject The topic of the resource Shipwrecks Wrecks Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Juan Ferrer, October 23rd 1963 Date A point or period of time associated with an event in the lifecycle of the resource 23-10-1963 Rights Information about rights held in and over the resource Morrab Library Format The file format, physical medium, or dimensions of the resource Print Type The nature or genre of the resource Photograph Identifier An unambiguous reference to the resource within a given context COLLINS.096D Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Carn Boscawen Subject The topic of the resource Shipwreck Description An account of the resource The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action. Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it, but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo. The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below. Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours. The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David & Charles, 1971), p.215-218. 1951-1970 Seafaring and shipping Wrecks