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                  <text>Serena Wadham Archive</text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                  <text>Serena Wadham</text>
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              <text>medium format film</text>
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              <text>Serena Wadham&#13;
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            <description>A name given to the resource</description>
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                <text>Man working with wood, outside near a cottage.&#13;
Part of the film taken in Soho London</text>
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            <description>An account of the resource</description>
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                <text>Written on a note with the film:&#13;
'Charles Crendle'</text>
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                <text>Serena Wadham&#13;
&#13;
</text>
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                <text>1963-1965</text>
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                <text>Negative</text>
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                <text>Photograph</text>
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                <text>Nancledra </text>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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            <description>A name given to the resource</description>
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                <text>Man, woman and young girl on beach</text>
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                <text>A man, woman and young girl sitting against rocks on a beach, identified as l-r. Barbara Beckerleg, Reggie Richards and Marjorie Beckerleg.</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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                <text>Other Glass Negative</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <description>A name given to the resource</description>
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                <text>Man, Woman with Children</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Man, Woman, young boy and girl holding string instruments</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>E Thomas penzance</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>PC 79</text>
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        <name>Personal life</name>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Period Costume</name>
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              <text>photo postcard</text>
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              <text>Manaccan Church</text>
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                <text>ARTS 6.016</text>
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            <description>A name given to the resource</description>
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                <text>Manaccan Church</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Postcard</text>
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                <text>Church OUT</text>
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            <name>Date</name>
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                <text>1950</text>
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            <name>Coverage</name>
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                <text>Manaccan</text>
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            <description>An account of the resource</description>
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                <text>A postcard depicting Manaccan Church on the Lizard Peninsula.&#13;
Grid reference, SW 7639 2502.&#13;
For further information see Historic Environment Record, https://www.heritagegateway.org.uk/Gateway/Results_Single.aspx?uid=MCO6375&amp;resourceID=1020</text>
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                <text>Mannell's had another shop in Caldwells Road Pz</text>
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                <text>Manuscript pages from John Ralfs Manuscript 'Flora of West Cornwall' pages 236. stored in Artwork and Archive neg Catalogue. &#13;
NO NEGATIVE OR PRINT</text>
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                <text>MOR/RAL/1 vol 5 p237</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                <text>Slide is labelled "The World according to Cosmas, with the walls and arch of Heaven. Above the Creator surveying his works. The rising and setting sun are moving round the mountain in the north."</text>
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                <text>520 -550</text>
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                <text>Lantern Slide</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                <text>A copy of a 6th century map by Cosmas, showing the known world, centred on the Mediterranean Sea. It includes the Nile, Tigris and Euphrates and also the Arabian and Persian Gulfs. &#13;
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              <name>Title</name>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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                <text>Map of Europe and the Mediterranean, showing sites of principal ancient mines. </text>
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            <name>Rights</name>
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                <text>Stanley Opie</text>
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            <element elementId="50">
              <name>Title</name>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Map of Jamaica   several negs. </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>1900</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="24630">
                <text>© Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Identifier</name>
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                <text>M.1035</text>
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                <text>Penzance</text>
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            <description>A name given to the resource</description>
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                <text>Map of Jamaica   several negs. </text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Period Costume</name>
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              <text>N</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Map of Lighthouses/Lifeboat Stations W Cornwall</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Land's End</text>
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                <text>Richards</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Half Plate Glass Negative</text>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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            <description>A name given to the resource</description>
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                <text>Map of Matthew Paris' Itinerary</text>
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            <description>An account of the resource</description>
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                <text>Hand drawn and illustrated map of Matthew Paris' journey in the 13th century from London to Apulia. This image is a single page detailing part of Italy.&#13;
Paris created a number of expanded road maps known as itineraries, which detail the routes undertaken by travellers going on pilgrimage to Italy and the Holy Land. There are two housed at the British Library, the first also appearing in Paris’ Book of Additions. Drawn across a single opening in the manuscript, this itinerary outlines a potential route that could be taken between London and the Holy Land. It features the various cities, ports, abbeys and monasteries, and other major sites that a pilgrim might expect to encounter on their journey. These are all connected by a series of lines drawn in red, with accompanying inscriptions that indicate how long it would take between each stop on the way. </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="54">
          <name>Item Location</name>
          <description>How to find the item (e.g. cabinet name or number, shelf number, drawer name or number)</description>
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            <description>A name given to the resource</description>
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                <text>Map of Mousehole village and harbour</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Arts</text>
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            <description>An account of the resource</description>
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                <text>Margaret Orchard</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c.1890</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>35mm Slide</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>ORCH.SL.0047</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Mousehole</text>
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    <tagContainer>
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        <name>Seafaring and shipping</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Stanley Opie Archaeology</text>
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            <element elementId="49">
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="31838">
                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Stanley Opie</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>URL</name>
          <description/>
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              <text>http://192.168.0.2/omeka/plugins/Dropbox/files/O.675.tif</text>
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        <name>Dublin Core</name>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Maps</text>
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              <elementText elementTextId="37682">
                <text>Archaeology</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Map of Roman Cornwall showing discovered coin sites. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Map of Roman Cornwall showing discovered coin sites. </text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="37683">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Stanley Opie</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>O.675</text>
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