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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Penlee House</text>
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          <name>Street Name</name>
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              <text>Penlee Park</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <name>Subject Era</name>
          <description>e.g. "Victorian" or a later photo related to an earlier date. For example a 1920 photo of a ship wrecked in 1914 - enter 1914 into this field.</description>
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              <text>1750</text>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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              <text>No</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>photo</text>
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            <name>Identifier</name>
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                <text>STAT 8.003</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Anchor in Penlee Park 18th Century</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="46234">
                <text>Anchor</text>
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              <elementText elementTextId="46235">
                <text>Street furniture</text>
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              <elementText elementTextId="46236">
                <text>Anno</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="46240">
                <text>1980</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="46243">
                <text>A large anchor in Penlee Park, pictured with granite moulds and sea shells.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                  <text>Richards Collection</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Penzance Cemetary</text>
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            <name>Identifier</name>
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                <text>PEOP 21CF 347</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Anchor shaped wreath for drowned Spanish sailors</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>General Group</text>
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                <text>Gravestones</text>
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                <text>Shipwreck</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1963</text>
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            <name>Coverage</name>
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                <text>Penzance</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Wreath for drowned crew of Spanish coaster Juan Ferrer.&#13;
The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. &#13;
&#13;
Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. &#13;
&#13;
The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. &#13;
&#13;
Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished  as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. &#13;
&#13;
Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. &#13;
&#13;
At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action.&#13;
&#13;
Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. &#13;
&#13;
Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it,  but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo.&#13;
&#13;
The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. &#13;
&#13;
Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below.&#13;
&#13;
Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours.&#13;
&#13;
The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. &#13;
&#13;
Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. &#13;
&#13;
Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p.215-218.</text>
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        <name>Wrecks</name>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                  <text>Morrab Library unless otherwise stated</text>
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                  <text>Glass negatives and positives</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient Climate Map</text>
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            <description>An account of the resource</description>
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                <text>Hand drawn, illustrated climate map. Slide labels it as by Petrus Alphonsus c AD1110</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Lantern Slide</text>
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            <name>Identifier</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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                  <text>Morrab Library unless otherwise stated</text>
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                <text>Ancient Henry of Mainz Map</text>
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                <text>This is the earliest surviving mappa mundi (world map) made in England. Formerly known as the Henry of Mainz map it is now known as the Sawley map. It was made between about 1180 and the early 13th century. The map is the frontispiece of a copy of the Imago mundi of Honorius of Autun. It is oriented with east (and the Garden of Eden) at the top and the island of Delos at the centre. It is annotated "Henry of Mainz c AD1110"</text>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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                <text>Lantern Slide</text>
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            <name>Identifier</name>
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                  <text>Stanley Opie Archaeology</text>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Settlement Related Sites</text>
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                <text>Calvadnack, Burras, nr. Wendron</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient hut circle . </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ancient hut circle . </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab Library</text>
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            <name>Creator</name>
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                <text>Stanley Opie</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>O.874</text>
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        <name>archaeology</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>Morrab Library unless otherwise stated</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="181123">
                <text>Ancient illustrated circular map of world.</text>
              </elementText>
            </elementTextContainer>
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            <description>An account of the resource</description>
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                <text>Hand drawn illustrated map in circular form.&#13;
It is annotated with lots of detail and information.&#13;
Label on slide reads "British Museum. Maps 184 d. 2 BORGIAN MAP"&#13;
The Borgia Map is an ancient mappa mundi, or world map, thought to have been made sometime in the early 15th century, and engraved on a metal plate.</text>
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            </elementTextContainer>
          </element>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="181126">
                <text>Morrab Library</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Lantern Slide</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>MG.419</text>
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  <item itemId="21030" public="1" featured="0">
    <fileContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <name>Rights</name>
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              <elementTextContainer>
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                  <text>Morrab Library unless otherwise stated</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient Illustrated Map</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An ancient map of the world.&#13;
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            <name>Identifier</name>
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                <text>MG.490</text>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient Illustrated Map of Britain</text>
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            <description>An account of the resource</description>
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                <text>Matthew Paris map circa 1250. He drew the first regional maps of Britain, made even more notable for his decision to orient them with north at the top, in an age when most maps looked eastward. &#13;
Slide is labelled "British Museum. Cot MS CLAUD. D VI fol 8. GT BRITAIN Matthew Paris"</text>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient tinners wooden shovel. Found near the 'Jamaica Inn', Bodmin Moor</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Ancient tinners wooden shovel. Found near the 'Jamaica Inn', Bodmin Moor</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                  <text>The Stanley Opie Archaeology collection (1001 quarter plate glass negatives) covers archaeological sites and excavations from the 1920s to 1950s. It covers hillforts, megaliths, ancient villages, artefacts, excavations such as the Roman villa at Magor near Redruth, and Cornish cultural events such as the first Cornish Gorsedh at Boscawen-ûn in 1928.&lt;br /&gt;&lt;br /&gt;In 1935 Stanley entered a News Chronicle competition called "Britain 1935". A copy of his entry form was found attached to the back of a small print, listing his address, camera model and film type. He lived at Barncoose, Redruth, Cornwall, and used an Ensign Cameo No. 2 camera with Imperial Eclipse plates.&lt;br /&gt;&lt;br /&gt;The glass negatives were cleaned, repackaged and digitised thanks to funding from &lt;a href="http://www.cornwallheritagetrust.org"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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          <name>Acknowledgements</name>
          <description>Funding acknowledgements where appropriate.</description>
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              <text>Digitisation and conservation of the original glass negative was kindly supported by &lt;a href="http://www.cornwallheritagetrust.org/"&gt;Cornwall Heritage Trust&lt;/a&gt;.</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Settlement Related Sites</text>
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            <name>Format</name>
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                <text>Quarter Plate Glass Negative</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient wall. </text>
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            <description>An account of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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        <name>archaeology</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              </elementTextContainer>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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              <description>Information about rights held in and over the resource</description>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient World Map</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>A hand drawn, illustrated map by Guido of Pisa. Slide labels its date 1119 AD</text>
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            <name>Publisher</name>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Lantern Slide</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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