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                  <text>Angove Collection</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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              <text>No</text>
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            <name>Identifier</name>
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                <text>ARTS 8.007</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Major Oak Tree in Sherwood Forest near Edwinstowe</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Postcard</text>
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                <text>Tree</text>
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                <text>1970</text>
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                <text>The Major Oak tree in Sherwood Forest (Nottinghamshire). Oak trees here are said to date from mediaeval times or even Norman times. This tree, hollow inside with room for a small group of people, is near the village of Edwinstowe. The church in the village is reputedly where Robin Hood married Maid Marion.&#13;
&#13;
The caption reads: "Major Oak. Age 1,500 years. Girth 35 feet. Base 64 feet."&#13;
&#13;
"The 500-year-old Major oak tree, reputed to have been Robin Hood's hideout in Sherwood Forest, Nottinghamshire, which was badly damaged by fire last August, has survived, experts said yesterday." (10/5/1983)</text>
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                <text>Morrab Library</text>
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                  <text>An album of photos was donated to the library with no information attached other than a signature inscribed inside the cover.&#13;
'Florence M. Woodman Turner April 1907'.&#13;
From this name we found that this lady was born in Essex in 1885, died in 1977 and was buried in Marazion cemetery.&#13;
She was the daughter of Samuel Thomas Turner and Florence Maud Dennis, the latter being the daughter of Charles Dennis and Mary Woodman who lived at The Bungalow, Perran Crossroads. (Now a Chinese restaurant.)&#13;
Many of the family came down from Essex to visit Charles and Mary, and later settled here themselves.&#13;
They took many photos of the countryside around the area.&#13;
Also in the album are many photos of the family at home in Essex.&#13;
Florence M.Woodman Turner married Charles Henry Lee, son of Henry Lee, butler for Lord St. Levan on St Michaels Mount.</text>
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                  <text>Florence M. Woodman Turner</text>
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              <name>Publisher</name>
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                  <text>Morrab Library</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Morrab Library</text>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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          <name>Damaged?</name>
          <description>Is the item damaged? Select Yes or No then describe in the "Condition" field.</description>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Identifier</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Making Lobster Pots at Porthgwarra</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Fishermen</text>
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                <text>MWork</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1920</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Porthgwarra</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Postcard depicting a man with a pipe making lobster pots at Porthgwarra.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Photo by Johnston Sennen Land's End</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard</text>
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  <item itemId="11228" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Richmond Chapel</text>
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          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
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              <text>Norris Williams</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>BANDS 5HF 033</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Male Female singers pianist Richmond Chapel</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Music</text>
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                <text>Uniforms piano</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                <text>Malta, wrecked at Botallack, October 14th 1889. </text>
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                <text>On October 15th 1889, the miners of St Just awoke to find the Cunarder Malta on the rocks, half a mile east of Cape Cornwall, beneath the Wheal Castle Mine. &#13;
&#13;
The 2,244-ton Malta had been launched in 1865 by G. &amp; J. Thompson of Glasgow for the Mediterranean service of the early Cunard Line. Brig rigged with a tall funnel, she was 39tft 3 inches in beam, and 303 ft long, excluding her magnificent female figurehead.  The engines were two-cylinder compounds by J. Jack &amp; Co of Liverpool. &#13;
&#13;
She had left Liverpool on October 14th 1889, bound for Genoa via Falmouth, with 2,000 tons of general cargo and nineteen passengers. &#13;
&#13;
Hazy weather thickened off Lundy, but Captain Richard Lavis decided not to reduce speed as the elderly Malta could barely raise nine knots. It was not until nearing Land's End and having failed to sight either Trevose Head or Godrevy light that speed was reduced and the lead prepared. &#13;
&#13;
The Malta then idled ahead until a lookout saw breakers on the port quarter, and she slid gently ashore below the black, dripping cliffs o Kenidjack Castle Headland. At first few on board realized that they were shipwreck. No on was quite sure where they were; above the roar of the swell came a rhythmic thudding that was assumed to be a railway engine, but in reality was the sound of the stamps crushing ore at the nearby cliff-top mine of Botallack. &#13;
&#13;
Cottagers from St. Just, Pendeen and Botallack were converging on the headland and as the Malta's boat came in two brothers waded out to it. Like most St Just miners, Edward and William Roberts knew the coast intimately working their own boat when work underground was slack, or in the summer evenings. They made several trips piloting the heavily laden ship's boat into a narrow gully, with the seas sweeping around them and guided only by lanterns. Coastguards and other miners helped the shaken passengers up the steep cliff, and soon they were all gathered before cottage fires at St Just.&#13;
&#13;
The Malta was only flooded forward so the crew stayed on board but at daybreak Falmouth tugs failed to shift her. By 11am she was pounding so heavily that the crew transferred to Sennen lifeboat and the tugs. Deck gear, stores, and baggage were salvaged, but at dusk one of the Malta's boat capsized, and James Roberts , one of the six Sennen Fishermen manning her, was drowned. &#13;
&#13;
The following evening a hard WNW gale got up, and by dawn the Maltas masts and funnel had gone and she had split amidships. Her cargo provided the best display since the Le Landois; bolts of velveteen, calico, muslin, linen sheets, rugs, and carpets, casks of palm oil, kegs of spirits, handkerchiefs, bottles of wine and beer, and rolls of India rubber littered the coast. &#13;
&#13;
At a Board of Trade inquiry in November, Captain Lavis, though given an excellent character by Cunard, was found guilty of not navigating with due care and in a proper and seamanlike manner, and his certificate was suspended for three months.&#13;
&#13;
Description from Clive Carter, Cornish Shipwrecks: The North Coast (London: Penn Ltd, 1970), p. 21-22. </text>
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                <text>Jeannette Williams</text>
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                <text>Botallack</text>
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            <description>The topic of the resource</description>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <description>Information about rights held in and over the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="152938">
                <text>Zennor</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152966">
                <text>C 1980</text>
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    </elementSetContainer>
  </item>
  <item itemId="17396" public="1" featured="0">
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    <collection collectionId="29">
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          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="147817">
                  <text>Zennor Wayside Museum</text>
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            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147818">
                  <text>Everyday life in rural Zennor</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147819">
                  <text>The collection came from the Zennor Wayside Museum which was housed at the old mill in Zennor. It was privately run and when the owners retired the photograph were gifted to the Morrab Library. </text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147822">
                  <text>2015</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147823">
                  <text>Morrab Library</text>
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            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="147824">
                  <text>Photographic prints</text>
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          </elementContainer>
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      <name>Still Image</name>
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        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
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              <text>6 x 4</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="152940">
                <text>Man -Crying The Neck</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152941">
                <text>Man - Crying The Neck&#13;
"I ave un"</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="152943">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
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                <text>ZWM 273</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Zennor</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="152967">
                <text>C 1980</text>
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  <item itemId="18544" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Serena Wadham Archive</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>SWA</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="161947">
                <text>Man (David Chapple?) working with dried flowers.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161948">
                <text>Serena Wadham&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="161949">
                <text>1963-1965</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Negative</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="161951">
                <text>Photograph</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SWA.neg.0013</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="161953">
                <text>cornwall</text>
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    </elementSetContainer>
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  <item itemId="18431" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="159449">
                  <text>Harry Collection</text>
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              </elementTextContainer>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="172870">
                  <text>This collection comprises of the family photos of Carlene Edith Harry, who was born in Essex in 1937.&#13;
She was the only child of Edith Sarah Harry (nee Tuck, 1911-1974) and Charles Clifford Harry (known as Clifford, 1904-1997)&#13;
Carlene's father was born in Carnyorth and she was immensely proud of her Cornish heritage and keenly interested in all aspects of local history and culture.&#13;
Her working life was spent at the Bank of England. When she eventually moved back to Cornwall she first lived in Truro before finally returning to Pendeen, where she immersed herself in the local community, being an active member of her church, the W.I. and several local history groups.&#13;
Morrab Library holds the publications of the Penwith Local History Group: 'Growing Up in West Cornwall', 'West Cornwall in the Twentieth Century', and 'Homes and households in west Cornwall'. All of these include articles written by Carlene, taken from her father's memories of Carnyorth and other related material.&#13;
Her second cousin was Raymond Harry who, under the pseudonym Jack Penhale, wrote 'The Mine Under the Sea', based on his experience working at Levant Mine as a 14 year old during the 1st World war. He was there at the time of the Levant Mine Disaster.&#13;
On her death in August 2020, Carlene left generous bequests to 7 local charities, confirming again her love of Cornwall and West Penwith in particular.</text>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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    <elementSetContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="161094">
                <text>Man (probably Charles Clifford Harry) shooting at Blackpool</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161095">
                <text>Hit the bullseye and have your photo taken!</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161096">
                <text>Photographic Shooting Gallery, Pleasure Beach, Blackpool.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="161097">
                <text>Carlene Harry</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161098">
                <text>1935</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161099">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="161100">
                <text>Print</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="161101">
                <text>H.144</text>
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  <item itemId="10979" public="1" featured="0">
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        <src>https://photoarchive.morrablibrary.org.uk/files/original/Richards_Collection/10979/SCAPE_17OF_035.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Richards Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="94467">
                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="81043">
                <text>SCAPE 17OF 035</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="81044">
                <text>Man &amp; Woman on Rocks view Cape Cornwall St Just</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81045">
                <text>Coast</text>
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                <text>Cliff Landsea</text>
              </elementText>
              <elementText elementTextId="81047">
                <text>MPlayW</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81049">
                <text>1960</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="81050">
                <text>Carn Gloose</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="81051">
                <text>Richards</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="147808">
                <text>Negative</text>
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    <tagContainer>
      <tag tagId="2453">
        <name>1951-1970</name>
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  <item itemId="20728" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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The larger album is embossed with the initials E.E.A..  The smaller album has a dedication on the first page which reads "Agnes from E.A.A. 1883".  This album has an embossed spine and is fastened with a metal clasp.&#13;
"E.A.A"  Edmund Archibald Armstrong (1859-1925) was the youngest son of the Rev. John Armstrong (1810-1862) of Dinder, Somerset, and Mary Ann Scobell (1817-1900) who inherited Nancalverne, Penzance in 1883.&#13;
"Agnes" Agnes Margaretta Armstrong (1861-1914), youngest sister of Edmund.&#13;
&#13;
Some of the painted illustrations on the small album pages are signed with a very small cipher EA. </text>
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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                <text>Man and boy working the land with a lorry and a tractor</text>
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            <description>The topic of the resource</description>
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                <text>1963-1965</text>
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                <text>Nancledra West cornwall</text>
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            <description>A name given to the resource</description>
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                <text>A man and group of lads (one in a punt) with a dead shark  (see also ANIM 2PG 035)</text>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="186895">
                <text>Man and girl in the snow</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="186896">
                <text>A man and young girl, identified as Barbara Beckerleg,  in a snowy landscape.  She is holding a large snowball.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="186897">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="186898">
                <text>Morrab Library</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="186899">
                <text>Other Glass Negative</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="186900">
                <text>MG.525</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
