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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
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                <text>FARM 4.004</text>
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            <description>A name given to the resource</description>
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                <text>Man with miscellaneous Farm Implements Plough</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Equipment</text>
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                <text>MPlay</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1960</text>
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                <text>Angove</text>
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                <text>COPY FROM NEWSPAPER</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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            <description>A name given to the resource</description>
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                <text>Man with Old Weighing Machine in River</text>
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                <text>Craft</text>
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                <text>1953</text>
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            <description>Information about rights held in and over the resource</description>
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        <name>1951-1970</name>
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                <text>Man with pipe and stick and man with fishing nets, Newlyn.</text>
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                <text>Man with pipe and stick and man with fishing nets, Newlyn.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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                <text>Man with side Whiskers seated on a scroll back chair.</text>
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                <text>James Chenhall.  Redruth.  Born in 1845, first appeared as a photographer in 1866 aged 21. Continued  at 11 West End Redruth until 1910. Not a particularly prominent photographer whose work consisted mainly of portraits.</text>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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An excellent biography of him was written by Austin Wormleighton , 'A Painter Laureate, Lamorna Birch and his cicle'. Published by Sanson &amp; Company. 1995.&#13;
These photographs were donated by Judith Kerr, widow of Adam, grandson of Lamorna Birch.</text>
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                  <text>The following is taken from the Wayside Folk Museum Website: &#13;
The natural features of land and sea ensured that the area around to Zennor was remote and inaccessible until around the start of the 19th century. Only pack animals and sledges brought goods to this part of Cornwall, as there were no roads. Such isolation helped to preserve both ancient implements and customs. Towards the middle of the 20th century, Colonel Freddie Hirst began collecting relics peculiar to Zennor which eventually became exhibits in the Wayside Museum. Today there are more than five thousand items in the collection, exhibited in sixteen different display areas. These include an extensive collection of photographs and detailed information about people who have lived in the area. Exhibits include waterwheels from the Cornish mining industry, a cobble's shop with an exhibition on the history of the museum, and an 18th century kitchen. There is also a mill building, containing original machinery and millstones, a collection of early agricultural implements and a blacksmith's forge. In addition there are lots of domestic implements, many of which can be handled to demonstrate their original use. Within the complex is a tea garden, gift shop and a children's museum with a quiz trail and certificate for children who participate. Zennor is situated on the coast road to Land's End, four miles west of St Ives. The museum is open daily between April and October each year.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Man with Work Horse</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Negative</text>
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            <name>Identifier</name>
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                <text>ZWM 308</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Zennor</text>
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  <item itemId="23006" public="1" featured="0">
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            <description>A name given to the resource</description>
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            <description>An account of the resource</description>
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                <text>Man working on the concrete pour on Drift tower. The image is annotated "Tower, 9th lift being vibrated. 27-11-62"</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Richards Brothers</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library&#13;
</text>
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                <text>Print</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Drift</text>
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  <item itemId="18502" public="1" featured="0">
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                  <text>&lt;p&gt;Serena Wadham (1930-2006) was a photojournalist who was based in Islington from the late 1960s until 1987, when she retired to Cornwall, spending her final years at Middle Georgia Farm, Nancledra, near St Ives. After her death her family presented a substantial collection of her negatives, contact sheets and prints, plus some press material and correspondence, to the Morrab Library in Penzance. In May 2008 an exhibition was held at the Library, curated by Robin Lenman, who has also compiled this catalogue. The bulk of the collection relates to Serena Wadham's activities in and around London. But the rest comprises Cornish themes such as early journalistic assignments, the landscape, neighbours and farming around Nancledra, and a 1990s campaign against the redevelopment of Hayle. The photographic prints have been subdivided into subject categories and are mostly stored in &lt;strong&gt;A4-format box files&lt;/strong&gt;, numbered 1-18; negatives and contact prints (mostly in flat cardboard boxes, individually numbered), albums and some miscellaneous material, including larger-format items, are contained in &lt;strong&gt;large archival boxes&lt;/strong&gt;, numbered I-VIII. The selection of c. 80 exhibition pictures, with mounts and captions, is held separately in an &lt;strong&gt;archival portfolio&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;Although some prints and contact sheets are captioned with information about subjects and people photographed, SW rarely included dates. However, she assiduously numbered negatives, contact sheets and some prints, and a selection of numbers have been given in the attached chronology.&lt;/p&gt;</text>
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            <description>A name given to the resource</description>
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Part of the film taken in Soho London</text>
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                <text>Written on a note with the film:&#13;
'Charles Crendle'</text>
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            <description>An entity primarily responsible for making the resource</description>
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&#13;
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                <text>1963-1965</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Negative</text>
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            <description>The nature or genre of the resource</description>
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                <text>Photograph</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>Nancledra </text>
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                  <text>Family photos taken throughout Barbara's  childhood and teenage years.  The collection includes photos of her mother Marjorie, nee Stevens and other family members.  Reggie Richards, of Richards Photographers, features in many of these family photos.  In the 1960s Marjorie changed her surname by deed poll to Richards.&#13;
&#13;
Barbara, who was deaf,  was born in Penzance  on 18th February  1936 to Marjorie and Wilfred Beckerleg.   She attended St. Gertrude's School.  Her mother raised her after her father left.&#13;
&#13;
Barbara married David Thomas and had a son.  She died on 16th May 1995 at St. Julia's Hospice, Hayle.</text>
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              <description>Information about rights held in and over the resource</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Man, woman and young girl on beach</text>
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            <description>An account of the resource</description>
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                <text>A man, woman and young girl sitting against rocks on a beach, identified as l-r. Barbara Beckerleg, Reggie Richards and Marjorie Beckerleg.</text>
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            <description>An entity responsible for making the resource available</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            <name>Identifier</name>
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                  <text>The collection consists of 422 photos which were donated by the St Just in Rosalind and St Mawes Heritage Group. The collection consists of images of people and views from a number of photographers who were working in Cornwall from the mid 19th Century.&#13;
It seems that almost every town in Cornwall had one or more photographers working in studios. Brooks, Beringer, Burrow, Collenso, Gibson and Preston are just some of those.&#13;
Many won awards for their work and won medals awarded by the Cornwall Polytechnic Society which opened in Falmouth in 1833.&#13;
Carte-de-visite became very popular after 1854, often used as calling cards containing the photographic mount, there are many examples of this type.&#13;
It is apparent that people turned up in their "Sunday Best" to be photographed , it is interesting to note the fashion changes over time from the Victorian era to the Edwardian.&#13;
All the while changes were taking place with the photographic process, from plate and gradually to film and negative and the digital process that we have today.&#13;
This collection is a very interesting record of the work of the Victorian photographer.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Man, Woman with Children</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Man, Woman, young boy and girl holding string instruments</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>E Thomas penzance</text>
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                <text>Morrab Library</text>
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            <name>Identifier</name>
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              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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          <name>Period Costume</name>
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          <name>Original Format</name>
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              <text>photo postcard</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="101560">
                <text>A postcard depicting Manaccan Church on the Lizard Peninsula.&#13;
Grid reference, SW 7639 2502.&#13;
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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            <name>Rights</name>
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                <text>Morrab Library</text>
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            <name>Format</name>
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                <text>Mann,s cottage, 1900</text>
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                <text>Gwavas road, formerly Church lane.</text>
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              <elementText elementTextId="143753">
                <text>Morrab library</text>
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            <name>Identifier</name>
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                <text>JDC 069</text>
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                <text>Newlyn</text>
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                <text>Mann's cottage on fire,1938.</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>Anno (double plate)</text>
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