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                <text>Team of 10 horses and riders towing the lifeboat which may be the 'Elizabeth &amp; Blanche 11'  (1908 - 1913).</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1908</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Morrab library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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                <text>JDC 238</text>
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                <text>Newlyn</text>
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                  <text>The Ronald Garlick Newport Collection of Gibson Wreck Photographs</text>
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                  <text>A collection of mostly shipwreck photographs mostly by Gibson of Penzance.&#13;
References:&#13;
CSI: Richard Larn &amp; Clive Carter, Cornish Shipwrecks, Vol 1: The South Coast, 1969&#13;
DSA: Charles Hocking, Dictionary of Disasters at Sea During the Age of Steam 1824-1962, 1969 2 volumes&#13;
PSD: David L Williams, A Dictionary of Passenger Ship Disasters, 2009&#13;
WR: Cyrill Noall &amp; Graham Farr, Wreck and Rescue Round the Cornish Coast, 3 vols, 1964-5&#13;
Larn: Richard Larn Cornish Shipwrecks: the Isles of Scilly&#13;
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          <name>Physical Dimensions</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lifeboat from German liner Schiller, 1875</text>
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                <text>Gibson</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1875-05-07</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab library</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Identifier</name>
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                <text>RGN.008</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>St. Mary's harbour, St. Marys, Isle of Scilly</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Lifeboat in foreground with view of St Mary's harbour in background at low tide with various sailing vessels. The German Transatlantic Steam Navigation liner Schiller. </text>
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                <text>The Schiller, was a passenger steamer of 3,421 tons gross which sank on the May 7th 1875.&lt;br /&gt;&lt;br /&gt;The Schiller had left New York for Habsburg via Plymouth on April 27th 1875, carrying 250 bags of Australian and New Zealand mail, a valuable general cargo, and £60,000 in American twenty-dollar gold piexes, 300,000 coins in all.&lt;br /&gt;&lt;br /&gt;The Western Rocks were blanketed in dense fog that night, the worst in living memory, as this German Transatlantic Steam Navitgation liner crept towards the Isles of Scilly. By 8 o'clock that evening, Captain Thomas had reduced speed to four knots and posted double lookout. An hour later, with the Bishop Lighthouse still neither seen nor heard, volunteers from amongst the male passengers were asked as additional lookouts, witht the promise of a bottle of champagne to the first man to see her light or hear the Bishop Rock fog bell. &lt;br /&gt;&lt;br /&gt;The prize was never collected, for just before ten o'clock the liner struck the Retarriers, having passed inside the lighthouse. Her engines pulled her clear of the rocks, but three huge waves in succession struck her beam-on, and the stricken vessle was flung broadside on to the reef. Rockets and signal-guns were fired- some of the witnesses later gave their number as at least ten- but these were mistaken by the lighthouse-keepers and islanders alike as a vessel signaly her arrival off Scilly, as was the custom.&lt;br /&gt;&lt;br /&gt;Pandemonium broke out on deck amongst the fear-crazed passengers and the captain was obliged to fire a revolver over their heas to retain some order, but there was little hope for anyone. &lt;br /&gt;&lt;br /&gt;The Schiller only carried eight boats, two of which were reduced to matchwod when the funnel collapsed across them. Two others jammed in their chocks due to the ship's heavy list, one capsized as soon as it touched the sea and another smashed against the hull in lowering and hung useless from its davits. Only two boats finally got clear and drifted off into the gloom of the night. For 320 men, women and children left aboard that night, it was to be one of mounting horror. &lt;br /&gt;&lt;br /&gt;Of the Schillers original complement of fifty-nine saloon, seventy-five second class and one hundred and twenty sterage-class passengers, plus one hundred and one crew, a total of 355, only 42 men and one woman survived.&lt;br /&gt;&lt;br /&gt;Description taken from Richard Larn, Cornish Shipwrecks:Isles of Scilly (Newton Abbot: David &amp;amp; Charles, 1971), p. 38-42.</text>
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        <name>1871-1890</name>
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        <name>Seafaring and shipping</name>
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        <name>Wrecks</name>
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  <item itemId="7043" public="1" featured="0">
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              <name>Title</name>
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                  <text>Angove Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="58">
          <name>Individual Names</name>
          <description>Names of individuals identified in the photo.</description>
          <elementTextContainer>
            <elementText elementTextId="45622">
              <text>PZ 476 PZ 542</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
          <elementTextContainer>
            <elementText elementTextId="45623">
              <text>N</text>
            </elementText>
          </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SCAPE 8.014</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="45619">
                <text>Lifeboat House &amp; Slip Boats with Manual Reels</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="45620">
                <text>Sealand</text>
              </elementText>
              <elementText elementTextId="45621">
                <text>Houses Town Fish Boat SAIL</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1930</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
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                <text>Porthlevan</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Angove</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="8694" public="1" featured="0">
    <fileContainer>
      <file fileId="2669">
        <src>https://photoarchive.morrablibrary.org.uk/files/original/Angove_Collection/8694/SHIP_8.076.tif</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="42936">
                  <text>Angove Collection</text>
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              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="94468">
                  <text>The Angove Collection consists of over 3000 photographic prints. Collected by Dick Angove (1917-1992), a prolific writer on all aspects of Cornish life, the collection covers industrial archaeology, farming, fishing, railways, and rural life. He was an avid collector of old photographs, as well as producing his own.&lt;br /&gt;&lt;br /&gt;Richard Angove himself is pictured in the following photos, taken at Cable &amp;amp; Wireless in Porthcurno: &lt;a href="http://library.morrab.lan/omeka/items/show/8323"&gt;Comm 4.002&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8327"&gt;Comm 4.003&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8334"&gt;Comm 4.005&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8397"&gt;Comm 6.009&lt;/a&gt;, &lt;a href="http://library.morrab.lan/omeka/items/show/8365"&gt;Comm 8.012&lt;/a&gt; and &lt;a href="http://library.morrab.lan/omeka/items/show/8395"&gt;Comm 8.032&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
          <elementTextContainer>
            <elementText elementTextId="60166">
              <text>N</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SHIP 8.076</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lifeboat Launch Newquay Beach Crowd</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="60163">
                <text>Lifeboat</text>
              </elementText>
              <elementText elementTextId="60164">
                <text>Horses People Cliff Sea</text>
              </elementText>
              <elementText elementTextId="60165">
                <text>MWork MPlay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1920</text>
              </elementText>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Newquay</text>
              </elementText>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angove</text>
              </elementText>
            </elementTextContainer>
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  </item>
  <item itemId="11771" public="1" featured="0">
    <fileContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="53">
          <name>Building Name</name>
          <description>Name of building or structure.</description>
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              <text>Lifeboat House</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="55">
          <name>Period Costume</name>
          <description>Does the photograph contain a notable example of period costume?</description>
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              <text>N</text>
            </elementText>
          </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>SERV 24HG 021</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lifeboat launched from Sennen lifeboat station</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Sennen</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="175426">
                <text>Photo of a photograph pinned to a board</text>
              </elementText>
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          </element>
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            <name>Publisher</name>
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                <text>Lifeboat launching ropes and men ' Daphne Pearce'  St Ives Lifeboat Station CP24. </text>
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                <text>© Morrab Library</text>
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                <text>Mounted Print</text>
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              <description>An account of the resource</description>
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                  <text>The Newlyn Collection, collected and donated by Dr Eric Richards depicts many aspects of life and work in Newlyn between 1880 and 1930. Many of the buildings covered by the collection were demolished in the clearance scheme during the 1930s.</text>
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                <text>Lifeboat Mabel Alice &amp; Crew in Newlyn Harbour</text>
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                <text>Lifeboat  Rnli</text>
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                  <text>The Richards Collection represents the work of one Penzance family of professional photographers over several generations - from the early 1850s until the late 1970s. It consists of several thousand negatives, glass plates and prints, covering everything intrinsic to Cornish life from fishing to flower picking and graphic views of shipwrecks as well as portraits of the people of Penzance and surrounding areas. &#13;
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                <text>SERV 24PG 075</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="89373">
                <text>Lifeboat mooring up by Lifeboat Station Sennen</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Sennen lifeboat 'The Newbons" beside the slip at the lifeboat station</text>
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            <name>Publisher</name>
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                <text>Morrab Library</text>
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                <text>Morrab Library</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Postcard Glass Negative</text>
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        <name>1931-1950</name>
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        <name>Seafaring and shipping</name>
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          <name>Damaged?</name>
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          <name>Condition</name>
          <description>Record observations about the condition or conservation of the item, e.g. any damage (e.g. cracked, broken or chipped glass negative).</description>
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              <text>Glass stained with yellow substance</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lifeboat rescuing crew of "DL Harper" Oil tanker</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Format</name>
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                <text>Half Plate Glass Negative</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Lizard</text>
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            <description>An account of the resource</description>
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                <text>"DL Harper'  largest ship in the world at the time, wrecked off Lizard. Mounted Mulvin Rock? (Crane Rocks, Caertillion Cove)&#13;
First off 5 passengers, including mother and baby.&#13;
Lifeboat rescued 38 crew next morning.&#13;
Ship was repaired and was sailing till 1960</text>
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                <text>The R.A.F Culdrose helicopter and Penlee lifeboat searching for survivors&#13;
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The Juan Ferrer of Valencia was a handsome, well-equipped motor coaster of nearly 700 tons, thrashing her way up towards Land's end on her usual run from her home port of Liverpool. &#13;
&#13;
Owned by Frederick Ferrer of Valencia, the Juan Ferrer was only three years old and had been built in her home port of AST Neptune. Her cargo was several thousand bundles of staves, large sheets of thick plywood, and sporting shotguns. &#13;
&#13;
The weather was bad: a strong damp south-west wind had brought thick drizzle and occasional fierce rainstorms in from the Atlantic, and a heavy ground swell broke beneath the Lamorna Cliffs. &#13;
&#13;
Steadily the Juan Ferrer rolled on through the wind and rain: at 2:30 am the light of another vessel astern suddenly vanished  as she ran into a thick bank of fog. Her young captain, 32-year-old Luis Ruiz, made for the radio room to contact Land's Land and establish his position. Minutes ticked by with only the crackle of static coming through, then came a cry from the deck, "Rocks Ahead!" which sent him racing topside. &#13;
&#13;
Right in front of the Juan Ferrer's bow towered 'great looming shapes' as the captain later described them and his shout for "Full Astern" was drowned as the coaster's elegantly flared bow smashed into a wall of granite below Carn Boscawen. Deck Cargo broke lose under the impact and, calling for all hands, the captain ran back to the radio room. &#13;
&#13;
At 3 am, Land's End radio picked up 'Juan Ferrer. Am ashore vicinity of Mount's Bay.' It was the only signal Captain Ruiz could send out before the sea put the generators out of action.&#13;
&#13;
Jose Sevillano, a 21-year-old sailor who had been hurled from his bunk by the sudden shock, reached the deck to find the ship already heeling over into the surf. &#13;
&#13;
Benito Nuncy, another young seaman, joined in trying to launch the lifeboats which were carried on each side of the funnel, abaft the bridge. One boat was against the rocks, so the Spaniards turned to the other. After a struggle in the wind and darkness they lowered it,  but a heavy sea smashed it against the coaster's side and it was swept away. There was one other boat, a small dinghy carried in the bows, but there was no hope of reaching it over the jumbled chaos of wha had once been a neatly-stacked deck cargo.&#13;
&#13;
The Juan Ferrer listed until her decks were almost vertical, but the rocks were only twelve feet away and Benito Nuncy jumped overboard. He was dashed on to the rocks but managed to crawl up beyond reached of the waves: soon Jose Sevillano, Baldomero Garcia, the 19-year-old bosun and Jose Oijnaga, the 20 year-old chief engineer, also leapt overboard. Garcia vanished at once, even though he wore a life jacket like the others, and Oijnaga was swept away as he tried to get hold on the slippery granite. Jose Sevillano alone scrambled up to join Benito Nuncy on Carn Boscawen. &#13;
&#13;
Fifteen minutes later the gallery boy, Jose Alonso, got ashore half-naked, and the three huddled among the boulders to shelter for the wind and driving rain. They stayed there in hope that more of their shipmates had survived, although the Juan Ferrer was barely visible in the surf below.&#13;
&#13;
Captain Ruiz stayed with his ship until the last possible moment, when, although a non-swimmer, he leapt off the stern as the coaster rolled over beneath him. The suction dragged him down and when he surfaced it was to hear the cries of the crew around him, but they soon faded and he was left alone in the rough seas. Supported by a bundle of wooden staves from the cargo, he trod water and drifted back and forth with the current. The first streaks of dawn gave him hope, and as he rose on a wave crest he could just make out the distant shape of the Penlee lifeboat. He tried to shout and strike out towards her but his limbs were numb. Fortunately, his feeble cries were heard by two brothers, members of the Treen LSA company (another form of coastguard) who, along with every other rescue service had been searching for the Juan Ferrer since her distress call at three o'clock. The brothers signalled to the lifeboat and it closed in, hands reached down and Captain Ruiz was pulled from the sea in the last stages of exhaustion. He had been in the water for nearly four hours.&#13;
&#13;
The three survivors on shore had stayed near the wreck for several hours before they struck off inland across the fields, and they were met by a rescue part at seven o'clock as they wandered up a farm lane. They were hurried to the warm hospitality of a nearby farm, whilst the coastguards, LSA companies, an armada of rescue ships and a naval helicopter converged on Carn Boscawen. The Juan Ferrer lay submerged, nothing visible except the tip of her bows, rocking gently up and down with the waves swirling back and forth across the white letters of her name. &#13;
&#13;
Eleven of her crew had been drowned; nearly all of them young men in their early twenties. Only two were over thirty-two, and some, like the bosom, were hardly out of their teens. &#13;
&#13;
Months after the wreck, the cargo was found strewed over the shores form Lands End to Marazion. The goods were particularly useful for local people, who used them in a variety of ingenious ways. &#13;
&#13;
Description from Richard Larn and Clive Carter, Cornish Shipwrecks: The South Coast (Newton Abbot: David &amp; Charles, 1971), p.215-218.</text>
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                <text>Light cruiser R.N. Diomedes having seen considerable Service between 1939-1945  whilst on the way to the scrap yard  had drifted onto a reef off Larrigan beach Penzance whilst sheltering in the Bay. 08.05.1946.. refloated and continued journey to Clyde for scrapping ,  Information in the packet.  </text>
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            <description>A name given to the resource</description>
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                <text>Light Infantry Regimental Association, Remembrance Sunday </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Light Infantry Regimental Association, West Cornwall Branch. A group of veterans wearing medals on the steps of St John's Hall. Including: Peter Michell, 2nd row, second from the left and Peter Tresidder, centre front row.</text>
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            <name>Creator</name>
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                <text>Phil Monckton</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Angela Tresidder </text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1985-11-10</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="200306">
                <text>Morrab Library</text>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Print</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>M.3120</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance</text>
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              <description>A name given to the resource</description>
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                  <text>Miscellaneous Glass Negatives and Lantern Slides</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>The photo Archive has acquired a large number of glass negatives and lantern slides from various donations. The topics range from those with local interest to others with interesting topics such as sets of lantern slides of botanical specimens and a wonderful collection of slides of Tresco.</text>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Morrab Library</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="160044">
                  <text>Morrab Library unless otherwise stated</text>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>Glass negatives and positives</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Light rays on sea</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Walled building by coast and rays of light</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Morrab Library</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Morrab Library</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Other Glass Negative</text>
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            </elementTextContainer>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>MG.386</text>
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      <file fileId="1149">
        <src>https://photoarchive.morrablibrary.org.uk/files/original/Collins_Shipwreck_Collection/13106/COLLINS.109.tif</src>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Collins Shipwreck Collection</text>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                  <text>Shipwrecks</text>
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                  <text>Wrecks</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>COLLINS.109</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Light Ship</text>
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            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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                <text>Shipwreck</text>
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              <elementText elementTextId="99036">
                <text>Wreck</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="99037">
                <text>Morrab Library</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980-00-00</text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Penzance Dry Dock</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107225">
                <text>Being refitted in Holmans Dry Dock. Was in storage on the Thames.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107226">
                <text>Print</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="107227">
                <text>Photograph</text>
              </elementText>
            </elementTextContainer>
          </element>
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